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Lowest Action Ever


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It seems like this thread is little more than a battle of the legalists(myself included).

It may be difficult for others to look back on this thread and know exactly where you're coming from.

Especially, when your comments sparked a large part of this debate.

If you have something to clarify in your earlier statements then add to them.

Why go back and edit out your posts?

It looks to me like you can't handle it when others pick out discrepencies in your posts which in turn lowers your credibility.

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All I know is the lower the strings the more sustain and tone is sacrificed. With extremely low action you can't pluck the string very hard or else buzzing will occur. When the strings are higher you can get away with hitting the string harder, giving you more amplitude in string vibration which allows the string to vibrate longer.

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It seems like this thread is little more than a battle of the legalists(myself included).

It may be difficult for others to look back on this thread and know exactly where you're coming from.

Especially, when your comments sparked a large part of this debate.

If you have something to clarify in your earlier statements then add to them.

Why go back and edit out your posts?

It looks to me like you can't handle it when others pick out discrepencies in your posts which in turn lowers your credibility.

GOOD CALL

I quoted his first message, its the others we now cant see.

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Good grief. My biggest complaint was that it was claimed that strings travel in an elliptical pattern; that's simply not true. A wave's crest and trough form a 2-d elipse, but a wave does not spin elliptically like a jumprope. I have a problem with people saying engineers and whoever else they please are wrong, simply because they hold a grudge. I had said that strings only vibrate on a 2-d plane; I was wrong. They do vibrate in 3 dimensions, but their movement is far more complex than you could glean simply by looking at a blur of vibrations. Can we please stop this frivolous personal attack now? Just because someone speaks with more authority, does not mean they are correct. That said, please take a look at the posts that assured us that strings move in an elliptical pattern; then take a look at the links I've provided in previous posts. Photographs of blurs hardly count as emperical evidence. I'm done with this thread, and I've restored what I could of the deleted posts for the sake of the continuity of the thread.

peace,

russ

Edited by thegarehanman
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The action on my Jackson DXMG is the lowest I've had it without any fret buzz. Currently, it is 2 mm off of the 12th fret, with 10s(GHS Boomers), and tuned a full step down(D-G-C-F-A-D).

But ya, this thread is kind of pointless... :D:D

Edited by Lietuvis
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Yes it is Digi. Its called bragging rights. Seriously low action impresses your mates, but not the guys who record or want to ability to "slack off" and actually dig into the string to get those nicer tones.

Seriously, I personally think that putting .10 or .11 strings will do MUCH more for your tone than higher action.....

what about 10's AND high action

my strat has the action as high as I could get it and i think it's 2.1mm at low e.. . i dont understand how peopple play at 1mm let alone 1.5, or even 1.75. it feels too easy to press the strings in

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Well wethere you care or not about low action, alot of people do and prefere it low rather than high. So I see no surprise that there has been a large debate.

One thing I noticed was that people who don't seem to care much for low action, seemed to do most of the flameing of the posts from the opposite side of the argument.

Some people seem to take the low action argument really badly and get really defensive about it.

Others try and state some bullcr@p theory of how a guitar string vibrates when they clearly know nothing about it and seem to tottaly forget what a guitar string actually looks like when they pluck it.

In my opinion, Id rather have low action with heavier guage strings (which DO actually have the most effect on tone rather than hieght) than spindley strings that are higher up, which to my ears, just sound the same but harder to play.

The effect of having high action means that you have to put more effort into playing the guitar and so more feel and more of a 'connection' between player and guitar.

By having heavier strings, not only do they have greater moving mass and so have a more 'meaty' sound but also vibrate less to get the same theoretical output as thinner ones. Also becasue of the higher tension that they are under, it means that they are also harder to press so easily against the fb, and so in turn have a similar argument to the high action side of the debate.

In my view, no arguments are pointless if they have a realative goal and are put across in a structured and constructive way, that everyone can feed off.

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Well, it's gone on for 5 pages because people keep saying how wrong someone is for saying they got 1mm string action, in which case THEY are wrong, because 1mm isn't THAT low.

1mm is well over 1/32" (1mm = 0.039") (.031" = 1/32")

Check it out on StewMacs converter, if needed :

http://www.stewmac.com/conversion

Or maybe we're dealing with a situation of people thinking : "action lower than what *I* like is not possible".

In which case, we're probably also dealing with people who are thinking : " don't make me think about getting my frets perfectly level, because I want to concentrate on how cool the flamed maple top looks on my guitar, so it has a chance in GOTM ". :D

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Or maybe we're dealing with a situation of people thinking : "action lower than what *I* like is not possible".

In which case, we're probably also dealing with people who are thinking : " don't make me think about getting my frets perfectly level, because I want to concentrate on how cool the flamed maple top looks on my guitar, so it has a chance in GOTM ".  :D

I hope that's not the case, but you never know. I would like to think that everyone is striving to build a great playing guitar also, not just one for looks.

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  • 1 year later...

Well guys, thanks for all the replies.

It's 2 years later now and I still love ultra-freaking-low action.

Every time I watch "Speed Kills" by Michael Angelo Batio, i get amazed by the freaking low action on his signature guitar - it is like 0.000000001 microns at 12th fret. :D

Seriously, if you wanna shred like a pro, you need to have the lowest action pssible on your axe.

Any tips about how to build a guitar that has the lowest action ever? Fret leveling? Nut height? Neck angle? Bridge type?

I need a practical guide on ultra low action guitars.

Anyone into building them? Any shred masters around? :D

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Uh oh, here comes the storm again. For what it's worth, I recently was enlightened to the way a string vibrates. It does make a circular pattern, but it's not quite that straightforward. Apparently the string vibrates in an elliptical pattern which spins about its center, thereby forming what looks like circles.

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Uh oh, here comes the storm again. For what it's worth, I recently was enlightened to the way a string vibrates. It does make a circular pattern, but it's not quite that straightforward. Apparently the string vibrates in an elliptical pattern which spins about its center, thereby forming what looks like circles.

Glad to see you changed your opinion. :D Too bad it was an argument way back when....

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To me, the trick to low action with minimal or acceptable buzz is gauge 10-46 strings on a 16" radius fretboard. You can get away with using 9-42 gauge strings but to me, it just doesn't sound right.

I usually set the action at 1/16th of a inch on the high e and a little over 1/16th of a inch on the low E, measured at the 12th fret. Not sure if that qualifies as low action or not. I just found that anything under that decreases sustain and generates more buzz.

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I just found that anything under that decreases sustain and generates more buzz.

Should read : I just found that anything under that,* on this particular guitar, with the way it's been setup, and how level the frets are*, decreases sustain and generates more buzz.

1/16" for the high E is on the high side. That's almost twice as high as I normally set them up, or to put it another way, that's about twice as high as it needs to be set by my customers. I got one guy who puts it lower than 1/32", because he can't hear the slight buzz through his amp.

Does anyone have the actual set-up numbers for Angelo's guitar ?

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Many guitarist (including all kinds of really famous ones) don't *want* to play on high action, even if they *can*, and those ones don't, because they don't have to. But one thing that's kept this "discussion" going in a vicious circle, is these generalized terms of " high, low, super-low action ". Sounds like a carpenter asking his helper for a measurment, and the guy yells " it's really long ".

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