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stuck need feedback/muse on tele design(s)


mistermikev

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so my next project is going to be a tele... have been playing with the design and have a number of questions in different directions so here goes...

1) not satisfied with the cohesive lack in the below.  def going with diamond inlay, def pearloid binding and pickguard, def an ash top that will be died black and def a trem king.  wanted to echo the diamonds in the f hole but not really satisfied.  maybe a diamond cutout in the pickguard?  love the corvette style swoop on the headstock but it seems like it doesn't match w the rest.  almost feel like the entire headstock belongs on a dif design.  just wondering what your honest thoughts are.  push me in some direction.  tho it might be painful, your true gut feelings are appreciated.

2) trem king?  what say you?  too late I bought one.  want a bigsby, but have never been happy with how they don't stay in tune and ltd range of motion.  hoping this might have the same style 'feel' ie 'sleepwalk vibrato'... but more range.  any experience?

 

TeleDesign.thumb.jpg.12781cd872288416b4eeacd89cfed2a3.jpg

 

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1) I see what you mean. The effing hole just doesn't match!

I like the 'Vette type headstock inlay, especially if you carve an indentation for it similarly to the model. You might want to apply the same curves here and there, both in the F-hole and the pickguard.

vette.JPG.8aa9cdbbb3138b5d3a0f3f8e713a2866.JPG

The diamond in the F-hole is not in the same angle with those on the neck but I suppose that's just because of the sketchy nature of the image.

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2 hours ago, Bizman62 said:

1) I see what you mean. The effing hole just doesn't match!

I like the 'Vette type headstock inlay, especially if you carve an indentation for it similarly to the model. You might want to apply the same curves here and there, both in the F-hole and the pickguard.

vette.JPG.8aa9cdbbb3138b5d3a0f3f8e713a2866.JPG

The diamond in the F-hole is not in the same angle with those on the neck but I suppose that's just because of the sketchy nature of the image.

funny, I had tried using the sm swoop as a single f hole... but couldn't get happy with it.  had tried to add it to the top of the pickguard but couldn't get happy there either.!  thanks for the push.

 

22 minutes ago, ADFinlayson said:

It's all subjective obviously, but I like it all except for the pickguard - to me, it steels the thunder of that glorious f hole.  

thank you AD.  going to play with it some more tonight... I hope to reconcile the two.

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52 minutes ago, ADFinlayson said:

How are you thinking of doing the f-hole, is the diamond shape an inlay or a cut out? it could be quite delicate 

I was thinking delicate cutout but i'm not entirely sure about it as is.  would probably want to leave at least 1/8" material there and perhaps even reinforce it.  Other thought was to inlay some pearloid pickguard while making the other two parts a cutout.

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2 minutes ago, mistermikev said:

I was thinking delicate cutout but i'm not entirely sure about it as is.  would probably want to leave at least 1/8" material there and perhaps even reinforce it.  Other thought was to inlay some pearloid pickguard while making the other two parts a cutout.

you could have a 1/4" thick top and bevel the underside around the f-hole making it thin at the edges which makes it look thin and delicate without actually being delicate. There is a Crimson video on it, I followed similar principle with the f-hole for the 3.2 but I wish I went a bit thinner around the f-hole

 

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I was actually thinking of just routing the entire area around them down to 1/8" but I like the idea of following the cutout more closely.  I think I'm going to take that idea (thanks for that) but do it with my bowl bit or even a 1/4" bull nose bit. 

that said... the really delicate bit would be the edges around the diamond.  they would probably only be 1/8"... would probably want to reinforce them with a toothpick or something assuming I could cut them without blowout!

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1 hour ago, mistermikev said:

reinforce them with a toothpick or something assuming I could cut them without blowout

You can glue a piece of gauze or even tighter fabric to the place before cutting the holes, measuring about an inch all around the hole. I'd suggest using cotton or linen or other organic materials as they might live similarly to the wood if the humidity changes. That's a common method used by fiddle and mandolin builders to prevent cracking with straight grain woods like spruce.

 

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3 minutes ago, Bizman62 said:

You can glue a piece of gauze or even tighter fabric to the place before cutting the holes, measuring about an inch all around the hole. I'd suggest using cotton or linen or other organic materials as they might live similarly to the wood if the humidity changes. That's a common method used by fiddle and mandolin builders to prevent cracking with straight grain woods like spruce.

 

hmm, interesting and good to know.  I'd give you a thanks but I'm all out... again! i guess I must thank people more than avg?!

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Did some more playing around with the 'Vette swoop. Designing a guitar is much easier than designing a scratch plate that big! Anyhow, you can see where I tried to duplicate the shape. The proportions may not be ideal, just copy-pasted the swoop all around the place:

mikev3.thumb.JPG.5f6daaea5c5e13a2215d675b2ba3ad77.JPG

 

Edited by Bizman62
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11 minutes ago, Urumiko said:

im not sure what i mean either.. something about the headstock just made my mind go to that era of design..
_DSC7686.jpg.jpg

bailey-archtop-art-deco-style-guitar-fro
https://www.pinterest.co.uk/markoplnen/art-deco-guitars/?autologin=true

interesting... must be subconscious art deco influence on my part... I am a huge fan of that era of guitars and the modern resurgence of that motif in design.  above guitars are beauty. 

I was uncertain if you were saying my design looked "art deco" as there isn't anything in specific I could point to that is overtly that style... but I like the idea it might invoke that anyway! 

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  • 3 weeks later...

Not sure how I missed this thread.  I love design :)  To me the first picture was right in terms of the curve of the f-hole.  I like when the shapes parallel the curvature of the body like the examples urumiko posted..  You might try to put put the outline on a piece of paper and tie the shapes together first.  I find the off colors like two tones of whites and textures will trick your eyes before you establish a good balance of shapes.  I just overlapped some vector lines and started playing with the shapes.  Try and use inkscape (free) to play with the shape.  You just grab the little nodes and start bending.  I made a svg with the below model if your interested.  I'll send it to your email if you'd like.

 

image.png.1d72e805f94d532383bee76f277aa95c.png

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40 minutes ago, ZekeB said:

Not sure how I missed this thread.  I love design :)  To me the first picture was right in terms of the curve of the f-hole.  I like when the shapes parallel the curvature of the body like the examples urumiko posted..  You might try to put put the outline on a piece of paper and tie the shapes together first.  I find the off colors like two tones of whites and textures will trick your eyes before you establish a good balance of shapes.  I just overlapped some vector lines and started playing with the shapes.  Try and use inkscape (free) to play with the shape.  You just grab the little nodes and start bending.  I made a svg with the below model if your interested.  I'll send it to your email if you'd like.

 

image.png.1d72e805f94d532383bee76f277aa95c.png

def some interesting stuff there, esp like your take on the f hole.  fattening it up looks v nice and more than that would be a more practical design. 

originally my big problem was tying the headstock to the body more... but in playing with my design it occurs to me that there isn't much room for a logo with current headstock... so it seems I'm getting further away as opposed to closer together! 

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I'm a bit late to the party and also quite tired, but I have a couple of thoughts:

1. I feel like the F-hole and pickguard are competing for our attention. Maybe restricting it to the upper bout would leave the pickguard as a clearer focal point.

2. In terms of the headstock, it would work to accent the two humps at the bottom with a gentle sweep. That might look more cohesive in context of the headstock area. I can't tell if you'd get away with using the accent as a continuation/conclusion of the pickguard shape.

This shows what I mean, but with the jitteriest lines I can manage:

image.thumb.png.042d8b9902aa14d0bc70ba3f2bd2519b.png

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stu I'm reading your post while I was working on my drawing at the 'template level'... I was thinking I might take a look at the f hole with this style but smaller - like you suggested - just to see how it looks... but my photoshop template is setup such that it isn't easy to switch back and forth between this view and my template view... so I'll have to revisit that. 

I'm not sure a smooth straight line headstock is what I'm after... but you've made me start thinking about another thing I might try to lock it all together - so thanks for that!

I very much appreciate your feedback.

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