mlj

about € 1100,- and I still have to pay for the routing.

I used Humbrol enamel and it worked great for me as you can see. The thing is: You should poor in the paint swirl it and directly dip your object. If you wait to long the paint will form a skin and you can start all over again. Good Luck!

Hi guys, Here is the plan: I would like to make an Acrillic JEM body (same material as the Ibanez JS cristal planet). Problem is that I can only get the acrillic material in pieces of 2050 x 1250 mm with a thickness of 45 mm. And believe me when you order that amount, it's expensive. Here is my solution: I can take 16 body's out of this piece. I'll have them routed with a CNC router. Finally I sell 15 body's and keep one to myself. My question is: Is there anyone interested in an acrillic JEM body. If so let me know (names and email adress) and as soon as I have enough I'll contact you and we'll discuss the rest. Oh, I almost forgot. The price of one body will be $ 400,- at the most maybe even lower, depending on the number of body's. (this of course is the price without the shipping costs, I live in Holland) Let me know. Thanks, Johan

Hi there, I'm back again and this time I will enter this baby in the Guitar of the month contest. Body: two piece Alder (computer routed, the contour and cavity lines were so sharp you would easily hurt yourself. Neck: Wizard neck from an RG550 Fretboard: ebony Piramide Inlay: green abalone (front), red abalone (side) and blue acrilic (top side) (I cut out the pieces for the piramides myself, the fretboard was also computer routed) Fretwire: Dunlop 6105 Pickups: Dimarzio Evolution DP159F (bridge), Dimarzio HS2 in single coil mode and another Dimarzio Evolution DP158F (neck) Electronics: Ibanez volumepot 500K, Ibanez tone pot 500K with a DPDT push/pull swith (when it is pulled, the bridge humbucker is always on), Ibanez 5-way switch VLW91 and an Ibanez jack-input. Hardwear: Ibanez Edge with lock nut and retainer bar, Gotoh tuning machines. Finish: I used a sparkeling white sort of sealer in spraycans (about 10 thin layers. 3 each time then let it dry for about a week, next 3 etc.) After that, and dont't be surprised, I followed the instructions on the BORAX SWIRLING TUTORIAL on Project Guitar. Indeed using enamel from HUMBROL. I tested a lot, after that swrled it and let it dry for about three weeks. And finally I put a polyurethane clear coat on top (also from a spraycan and in about 9 layers, wetsanding every 3 layers with 1200 gritt. The last few layers I wetsanded with 2000 gritt. Finaly polished it (by hand) and there was my result. Note: By applying the polyurethane clear coat the whole thing started to amber. My opinion: "I'm glad it did!" It's the first time ever I built a guitar, but it won't be the last, trust me. Hope ya like it!!!

Thanks Brian, Its my first one ever. Your tips on the polyurethane sure did help.

Hey hey hey... don't blame it on me.. the drawings were perfect!!!! Maybe too perfect for the CNC man, because he couldn't route all of the parts I drew. He converted the curves for the armrest, lionsclaw and bellycut to vectors, but I drew them smooth. The CNC machine routed several little flat surfaces instead of a smooth curve. That is exactly what I meant Alex. Your work was excellent.

In the first place; I don't have that much spare time In the second place; Because the man who routed the body, fretboard and pickguard took so long (problems with the Autocad drawings I think, but I'm not sure) Third place: You can get original Ibanez parts here in Holland, but don't expect to have have them sent to you within a few weeks. Fourth: It took a long time for al the layers of paint to dry. I did this op purpose just to make sure they were OK. So maybe you can now understand why I won't sell it. OK, it looks like it's for sale, 'cause I put it on here But that is just part of a bet, I have with a friend of mine (to see what people would pay for such a guitar) Imagine this: This first guy who placed a bid, he wanted to buy it for € 750,-.

HAHAHAHA that's why it's for sale here. Ohhhhh, Come on you guys. You don't realy think I'm considering selling it. Now you really hurt my feelings. That's just to see, what people would think it's worth. Seriously, I spent about 3/4 year to finish this. This one is not gonna go.

Ok, her's a short briefing of waht it's made of and what's in it/on it. Body: two piece Alder (computer routed, the contour and cavity lines were so sharp you would easily hurt yourself. Neck: Wizard neck from an RG550 Fretboard: ebony Piramide Inlay: green abalone (front), red abalone (side) and blue plastic (top side) (I cut out the pieces for the piramides myself, the fretboard was also computer routed) Fretwire: Dunlop 6105 Pickups: Dimarzio Evolution DP159F (bridge), Dimarzio HS2 in single coil mode and another Dimarzio Evolution DP158F (neck) Electronics: Ibanez volumepot 500K, Ibanez tone pot 500K with a DPDT push/pull swith (when it is pulled, the bridge humbucker is always on), Ibanez 5-way switch VLW91 and an Ibanez jack-input. Hardwear: Ibanez Edge with lock nut and retainer bar, Gotoh tuning machines (Al the hardwear was covered in a thin layer of blick zinc, topped with a thin layer of clear coat. I even took each tuning machine apart(crazy me)) Finish: I used a sparkeling white sort of sealer in spraycans (about 10 thin layers. 3 each time then let it dry for about a week, next 3 etc.) After that, and dont't be surprised, I followed the instructions on the BORAX SWIRLING TUTORIAL on Project Guitar. Indeed using enamel from HUMBROL. I tested a lot, after that swrled it and let it dry for about three weeks. And finally I put a polyurethane clear coat on top (also from a spraycan and in about 9 layers, wetsanding every 3 layers with 1200 gritt. The last few layers I wetsanded with 2000 gritt. Finaly polished it (by hand) and there was my result. The first thing I said to my girlfriend was: "Sweety, congratulations, it's a fine lookin' healthy girl." Note: By applying the polyurethane clear coat the whole thing started to amber. My opinion: "I'm glad it did!" Only thing left is sanding down headstock, spray on a new coat of black paint, put on a blue(same as pickups) Ibanez logo with my initials JGM (instead of JEM) in the same font as the original and finish it with a few layers of clear coat.

Is your sister as beuatiful as "MY PRECIOUS"? No I don't think so. No woman or guitar can replace this one. Well maybe a JEM 10th could. Anyone?

OK, this is the diagram is used (exactly the same)

On to the next project. I thought maybe a double neck swirled UNIVERSE-JEM with piramides and a tree of life with bronze plated hardwear. And don't you try an steal my idea!!!!

The neck fitted just fine. I had to press it in just a little bit, just enough for the neck to stay in place without having to put the neckscrewes in. We sure love Autocad!

I sure do!

Every part was covert in a layer of black zinc and after that a very thin layer os clear coat. Only problem is that it not by far as hard as gold plated or the normal black hardwear finish.