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Found 2 results

  1. Hello again everyone! It's been a year since I finished my explorer and I'm getting the itch again! This is one which has been in the pipeline for ages, but I wanted it to be right and it has slipped down the order a bit. As it happens, it works out quite well - This will be my seventh guitar build/renovation project, and to celebrate I'm biting the bullet and making it a seven string! At the moment, I'm sourcing parts/measurements/info/ideas but here are the current specs (subject to change through revealed ignorance!). * Through-neck (with contrasting lams) * "Black nickel" hardware all-round (if possible) with a medium-dark, figured top and contrast binding over a darker body * Probably two passive humbuckers (although not ruling out actives totally) * Ibanez RG/S/JS inspired body, but subtly more asymmetric - generally aiming for a clean super-strat look but not a flat-top * Asymmetric 4-3 headstock (matching body top) Right now, I can't decide between a multi-scale or a floating trem. I have long wanted to try out a multi-scale and with the benefits much greater for extended range instruments it seems a good time to do it! (I know that you can get hold of floating multi scale bridges, but to my eyes they are quite bulky (and horrifically expensive!).) It will be a while before I can start all this due to being on secondment with work in Spain, but I thought I would get a page up to collect some ideas. I have a couple of questions to start.. any help offered would be greatly appreciated! 1) Do I need to consider strengthening the neck beyond a normal DA truss-rod and the laminates for the sake of string 7 / long scale length? 2) I was thinking along the lines of a 26.5" - 25" fan with the perpendicular between 7 and 12. A 27" bottom would be nice, but I imagine that makes the fan quite tight(?). I'm not sure what the rules are here in terms of permissible scale differences. Any pointers regarding multiscales? 3) What are the best options for single-saddle bridge parts? So far I'm aware of ABM and Hipshot, but neither come in the black nickel finish I'm after (everything has chrome or black and I'm not bling enough for gold!) 4) Do people prefer a slanted nut, or a zero-fret and straight nut for multi scales? or is it another case of "bone vs plastic etc" where the jury is out?! Below are the current sketches for the floyd-based design - I found an "Imbuya" top online which looks a promising candidate! I have some cool ideas for fret markers, but I'm keeping them under wraps for now.. I'll upload plans/ target woods as they materialise to keep the ball rolling. Again, any help would be much appreciated! Cheers, D
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