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Found 6 results

  1. Hey guys this is my first time on this site. Have started a couple of guitar builds for the first time and am loving it. The first 2 i am using a tune o matic but for my next one i want to do a floyd rose tremolo with a locking nut. Im just in the planning stages of the third one and i like to draw top and cross section views of the guitar full scale. But i cant seem to find anything on the floyd rose site about the length of the locking nut. It tells me the width of the nut but not the perpendicular measurement. Does anyone own one that could measure what theirs is. Also are the locking nuts slightly tapered for the neck, or are they just square and the extra length of the nut compared to a standard nut is just so minuscule that it does not matter. I hope that made sense. I know i will have to order one and i can get all the measurements i need when i get it.But it might be a bit before i get it and i want to get these drawings done. Any help would be greatly appreciated .
  2. StratsRdivine

    Dichrocaster "build"

    Not a typo - seems like I should have dichrocaster in quotations, but I put "build" in quotations because my Strat mod is not worthy of the title compared to the awesome real builds I've seen by most of you (still perusing through all your cool projects). I am truly impressed by what I have seen here, and blown away by the level of craftsmanship. Thats coming from a guy that majored in WW / Furniture Design at RIT back in 86 with furniture in FWW magazine's Design Book Six, so I know a thing or two about fine woodworking (just not luthiery yet). "build" also in lower case, because my goal is to cosmetically makeover some guitars in rather short time frames, so I am intentionally cutting some corners (literally, freehand with my tablesaw) for production effiicency, so some of the craftsmanship is a bit poor by my standards, as this is my first full guitar modification, so consider that issue when criticizing, but please PLEASE criticize - I need all the knowledge I can get. I have only been interested in guitars for less than two months when it hit me that these new color-changing dichroic laminates would look cool on guitars, coupled with the incredible timing in which you can now get Floyd Rose bridges in the new rainbow chrome PVD plating. So now to explain "Dichrocaster". "Dichro" is short for dichroic, which means di = two, and chro= color, a term / adjective for "color-changing" which is most commonly used as dichroic glass, Google dichroic glass and you will understand. Few are aware of the newer pigments now that are actually micro platelets of dichroic glass. These pigments are the same as used in the $5000.00 per gallon Chromalusion (DuPont) and Mystic (BASF) paints. What is super cool is I have recently found suppliers of raw borosilicate pigments with the same color shifting effects for a fraction of the said pre-mixed brands, and am using them in these strat mods (the "Dune" face acrylic). I am also using another laminate for inlays that utilizes dichroic films in the optical core, which complements the rainbow Floyd Rose and the Dune perfectly (not explaining that stuff in too much detail for fear that this post might be removed as a veiled ad attempt - this post is so I can gain knowledge and ideas from this community). So now details on this mod. Got a cheapo squire with sound body and neck, and took it to the dado blade to remove 5/16" from the face and bevel to be replaced with the 5/16" back coated "Dune" acrylic. Edges chipped pretty bad (didn't realize how thick the PE fill coat was), so next time I will pre-score the edge, but its gonna get body filler and urethane sealant anyway. I drilled the Floyd Rose stud holes first, then routed its mortice to a depth of 3/16" prior, then routed the 5/16" around it, Then re-inforced the short grain in front of the studs with oak pcs epoxied cross grain in the bridge pup cavity - will show pics if interested. I mounted the humbucker just for the photo below, but am curious from all of you why the screws were so long? I needed to cut nearly a half inch off them, and they still will be able to be adjusted plenty. The Dune acrylic face and the red inlay material all cut great with the laser, and I plan to carry the triangular "exhaust plume" deltas up through the neck in place of the pearl dots. Then will ebonize the rosewood. Planning to reshape the headstock and spray it with the same pigments as the body. I recently hired a young guitar tech to work for me in my other work, and we are doing this project together. He (Sean) has been super helpful and we are learning a ton from each other, but curious what kind of can of worms I am opening by posting this (referring to inevitable comments like "you just ruined the tone by routing off the face and gluing in acrylic" type of comments - which I would welcome anyway. My goal is not to create a great sounding guitar (will do my best in that arena), but to create an insane visual feast.
  3. It is difficult to construct an electric guitar without reaching for the router. Control and pickup cavities, neck pockets and tremolo recesses are all operations that require the use of this versatile tool, and all of these examples are made much easier and safer by the use of a template and an inverted pattern bit to guide the router around the intended cut. One routing pattern that can be difficult to execute accurately is for a Floyd Rose Original tremolo, particularly the recessed version whereby the arm can be raised or lowered above and below its equilibrium point. The following article describes a system that lends itself well to performing this difficult routing operation by the use of a master indexing plate on to which a number of different templates can be attached to create the complex routing pattern. The system can be adapted for other patterns as well such as pickup cavities or other tremolo systems. The System Referring to the PDF plans attached to the bottom of this post, the Floyd Rose routing templates are based around a master indexing plate (Sheet 1). The centre of the plate has a 120mm x 100mm window which can accept a matching template insert. Near the perimeter of the plate are mounting holes for installing further templates which may be overlaid on top of the indexer to provide extra tool height for shallow cutting operations which would otherwise cause the router bearing to ride higher than the template. The templates used in this example have been created from clear Perspex, but MDF can also be used. Perspex however has the advantage that it is possible to see through the template to help position it against reference guidelines drawn on the body to ensure perfect alignment. Sheet 2 shows the insert that is installed within the window of the indexer and contains the guides for drilling the tremolo post holes and the penetration for the trem sustain block. Sheet 3 details the overlay template that is attached on top of the indexer for routing the cavity for the bridge plate of the Floyd Rose. With the end stop shown on Sheet 4 fitted to the overlay template, the extra depth required for the fine tuners at the rear of the bridge can also be routed. Sheet 5 describes the template for routing the rear of the body for installing the springs. Constructing the templates Begin with the indexer. After cutting the perimeter of the plate mark the centreline and intonation reference lines as shown on the diagram as squarely as possible. If using Perspex scribe these lines on the underside of the template. Having these lines under the template assists with lining up the location of the template on the guitar body. The window cut-out in the index plate can be created using a coping saw to rough out the cut, followed by a router guided by temporary fences to ensure straight, square edges. Note that the indexer can be as large as you like, so long as it remains easy to attach to your guitar. Cut and shape the outline of the insert plate and check the fit in the indexer window. The insert plate needs to be a snug fit with no slop while remaining easily removable. With the insert fitted to the indexer mark the cut-outs and drill locations detailed on sheet 2. Performing the marking of the insert while fitted to the indexer ensures the locations of the cut-outs remain square and true relative to the centreline scribed on the indexer. Remove the insert and complete the cut-outs as carefully as possible. Move on to the overlay template. Again, use the centreline on the indexer as a reference to aid in aligning the two when marking the locations of the cut-outs in the overlay template. With the templates constructed as shown in the plans the front edge of the overlay needs to be on the same alignment as the front edge of the indexer. If you chose to make the indexer wider ensure that you maintain the same horizontal positioning of the overlay template so that the resultant rout is at the correct location. The four 4mm holes should be drilled while the two pates are clamped together so that they remain in perfect alignment. These holes are used to lock the two plates together while routing. Removable pins or screws should be installed to align together them when routing provided that they do not protrude, and either damage the surface of the guitar body or hinder the movement of the router. The removable end stop can be constructed using two strips of material laminated together to make the required step profile. Two screw holes should be bored through the overlay template into the end stop to allow the two components to be secured together when performing the routing operation. The final template, the spring cavity rout can be created separately to the indexer. Mark or scribe the dashed line shown on the drawing as perpendicular as possible to the centreline. Tools required for using the templates Plunge router with adjustable depth stop Drill press with adjustable depth stop 1/2" diameter inverted pattern router bit with bearing, length 19mm 1/2" diameter inverted pattern router bit with bearing, length 32mm 3/8" diameter inverted pattern router bit with bearing, length 19mm 10mm brad point drill bit Optional - Forstner bits for removing excess timber prior to routing Clamps Using the templates 1. At this stage you should have a guitar body ready to be routed to accept the Floyd Rose bridge. A centreline should be marked on the body along with an intonation reference line drawn at right angles across the full width of the body at your chosen scale length. In the following example a scrap piece of pine has been used to rout the bridge cavity. No intonation line has been marked, but your actual build will require this to ensure the Floyd Rose is installed at the correct distance from the nut. 2. Align the index plate with the centreline and intonation reference line drawn on the body and clamp it securely. Test-manoeuvre your router around the indexer to ensure your clamps do not interfere at the extremities of the window in the plate and adjust if required. Alternatively you can use double-sided stick tape provided it is of good quality and doesn't allow too much lateral movement of the templates once adhered. Fit the insert plate into the window and using the two 10mm template holes as a guide bore the trem post holes using a 10mm brad point bit to a depth of 10mm or so. The exact depth at this stage isn't critical. Were just establishing the location of the post holes to start with. 3. A Forstner bit can be used to remove some of the waste within the 24mm x 76mm cut-out of the insert template to a depth of approx. 25mm to minimise wear on the router bit. Using the 1/2 diameter, 32mm long inverted pattern bit rout this template to a depth of 29mm. 4. The insert plate can now be removed from the indexer and the overlay plate installed over the top. Again, use the Forstner bit to remove some of the waste to a depth of 5mm. Use the 3/8 diameter, 19mm long inverted pattern bit and rout the whole area to a depth of 6mm. 5. Creating the rear well that allows the bridge to be pulled backwards when raising the trem arm requires routing a secondary depth at the back of the cavity of an additional 6mm. This is achieved by fitting the small stop bar to the overlay template that reduces the router lateral travel by 16mm. Run the router within the template to a depth of 12mm below the face of the guitar body. 6. The indexer and templates can now be removed from the body. Using a drill press bore all the way through the body down through the bottom of the sustain block rout. The exact location and size of this hole isn't critical, just as long as it is as close to the front edge of the rout as possible. Where the drill exits the body at the rear, mark a line perpendicular to the centre of the body that touches the tangent of this drill hole. This line should now align with the front edge of the sustain block rout and is used for locating the final template for routing the spring cavity. 7. Fit and clamp the fourth template, aligning it with the centre and sustain bock reference lines on the back of the body. Assuming your body is a typical Strat thickness (45mm or so), rout this template to a depth of 16mm using the 1/2 diameter 19mm long inverted pattern bit. If your body is a different thickness this will change how deep this rout must be. The rout needs to be deep enough to allow clearance for the springs and sustain block, but not so deep that you risk punching through the underside of the pickup routs. Ideally this depth should be [thickness of body] - 29mm. 8. An additional depth to the rear edge of the spring cavity is required to allow clearance for the sustain block to swing backwards when the trem arm is depressed. This depth is again dependent on the thickness of your body but should be [thickness of body] - 15mm. For a typical Strat this will result in a cutting depth of 30mm. The resultant rout will leave a small 3mm ledge of timber that is visible when viewing back through the sustain block cavity. Use the 1/2 diameter, 32mm long inverted pattern bit to complete this cut. Take care not to run the bit into the forward edge of the sustain block rout. A temporary fence may be clamped to the work piece to prevent the router being accidentally moved into the front wall of the sustain block rout. 9. The last step is to bore the final depth of the trem bushing holes. Remove the last template and flip the body over. Measure the length of your trem bushings and set your drill press depth stop to this value. Using a 10mm brad point bit on the drill press bore down the two 10mm holes that were established in step 2. Once the holes have been drilled the bushings can be pressed into the guitar. They should go in with firm hand pressure. An alternate method is to use a drill press with a short piece of dowel in the chuck to press the bushings in. Be careful when applying pressure however, as the small amount of supporting wood behind the bushing holes is fragile and can be easily split if the bushings require excessive force to be pressed in. 10. Test fit the bridge and check to see if there is sufficient clearance to allow the bridge to swing up and down without binding on any of the routs. Adapting the system Because the routing templates can be removed from the master indexer the user has the ability to create other template inserts and overlays for different routing tasks. Any shape that can fit within the dimensions of the 120mm x 100mm window has the potential to be made into a template for repetitive or complex routing operations. Pickup cavities, battery box cavities, Kahler and Wilkinson tremolos are some examples. ------ DOWNLOADABLE TEMPLATE SHEET FILES FR Routing Templates.pdf
  4. Richard Eccles

    My work in progress homemade guitar

    My current work in progress. Ibanez JEM Tree of Life style neck, with a self built BC Rich shape body, green invader pickups, a Floyd Rose trem and the middle pickup space will be filled with my own self made infinite sustain pickup.

    © Richard Eccles

  5. Hello everybody, Im new at this forum and i thought i would share my first LP build with you, I bought a Gibson black back beauty blueprint that is my main influense on this build but with some modifications. This will probably look more like an Esp eclipse when it's done, anyway som specs, the guitarbody is made from mahogny and the top is flamed maple. The neck is going to be maple as well. tremolo will be original floyd rose and seymour duncan black winter set for pickups. Also made my own inlays for this project, turned out quite nice. well what would a build thread be without some pictures?
  6. Hi guys, I've bought a schaller Floyd Rose from Stewmac. I'm having trouble regarding the middle position of it. I have a center line that is going from the nut and through the body. Will the middle line of the guitar be the middle of the two posts?? Thanks !
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