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  1. Let's start from the beginning: why a headless? I've always like the small and confortable guitars like Kramer Baretta, Washburn Steve Stevens and Nuno Bettencourt, and finally Music Man. To have a small body the bridge should be positioned as close as possible at the end of the body. Consequently it must have a small headstock not to unbalance the design. In a headless the bridge is placed at the end of the body to be able to easily access to the intonation adjustment, and the headstock is so small that you can't see it. I've never been interested in the egonomic design guitars. A guitar should be confortable to play (I had a Jackson Randy Rhoads and I know what it means plays an unconfortable guitar) but it should be also nice, otherwise we'd all have a Klein. Design a guitar trying to make an original design is something very difficult. After the aluminum GL replica I decided to try to realize a new original guitar, this time entirely made of wood. I decided to create an asymmetrical design, a carved top, and ribs that I have always liked in Parker guitars. I start from two different design: a single cut and a double cut which share the lower part of the body. I derive from these two design the headless version: hence four different guitars. It took me about a year to get to this first guitar. I've had two body blanks: a poplar one and a flamed poplar one. I split them so you get two guitars with figured top. Once glued them I cut out the body. As you can see it came out a hole in the top. I have to fill it. at this point, however, I have to hide it with the paint. I decide that I will use a sunburst. I draw directly on the wood the curves which the will report to CAD. Here begins the most time consuming and hard work...
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