ansil Posted September 24, 2004 Report Share Posted September 24, 2004 ok this is quite weird to ask perhaps i wont' say it corretly but here goes. i want to know what the difference between say a completely flat radius and a classical that has the dip in the middle of the fretboard that makes it look like an inverted radius? probally not the correct terms but heres why. what i have been told is that the classicals were "poorly constructed and the fretboard fell" this is what i was told by someone who was a very experienced lutier and started a well liked brand, however due to a 50 ton dumptruck of crap i will not list his name. now i am unsure as if this is true or not.personally i think it is total and utter crap that he is spewing and i will tell you why. i have played well over250 classical guitars all ranging in price from 50usd to 5000usd. and nearly every one had the "fallen fretboard" and i have yet to figure why except that even in the book found at my school library stated that the fretboaqrd should be constructed with that "reverse radius" and even gave a template for it. so my other question is. this i had an electric guitar that had this same type of radius but i think it was too steep could that be why it choked out on certain notes. it was a very nice guitar it was called a joiner and was made by one of the people who did the guitar for Gloria Estefans guitar player in the miami sound machine. anyway it would choke out so i figured i woudl get rid of it. i was thinking of applying this to my board but i wanted to ask a few questions about it first. personally i say the flatter the better and scallop that thing baby.. Quote Link to comment Share on other sites More sharing options...
Lex Luthier Posted September 24, 2004 Report Share Posted September 24, 2004 I don't see how the fretboard call 'fall'...I have a turn of the century neopalitan mandolin and it's fingerboard is concave...it must have been made that way. The fingerboard could cup, but I would think you would then see a gap around the edges where it meets the neck. I was once told by a bass player that fretless players prefer the fingerboards to be slightly concave, because it follows the shape of the finger better, I then told this to a professional luthier friend of mine, and he had no idea what I was talking about. Quote Link to comment Share on other sites More sharing options...
ansil Posted September 25, 2004 Author Report Share Posted September 25, 2004 thanks i thought it sounded like crap to me. i was thinking of using it. on a design. thanks again lex and remember there is no good without evil Quote Link to comment Share on other sites More sharing options...
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