mattharris75 Posted June 19, 2007 Report Posted June 19, 2007 I'm getting close to the point where i'll be positioning my bridge and drilling holes for its placement. Alas, Stew Mac doesn't have mounting hole placement for my bridge, otherwise this would not need to be asked. But either way this would be good information to be certain about. I've searched for this information, and what i've found is really a variety of opinions. Some say that the saddles should be moved all the way forward when placing the bridge, some say 3/4 of the way forward, and others say 1/2 way forward. Obviously each method has worked for somebody. Having the saddles all the way forward just doesn't sound like a good idea to me, just in case there is a small error in the placement of the bridge, but of course I could very well be wrong. In any case, since opinions on this seem to vary, I was hoping to hear from some of the more experienced guys with regards to where they place the saddles when determining bridge position. Quote
WezV Posted June 19, 2007 Report Posted June 19, 2007 Having the saddles all the way forward just doesn't sound like a good idea to me, just in case there is a small error in the placement of the bridge, but of course I could very well be wrong. exactly... in theory you can do it all the way foward because the saddle should never need to go forward of the scale length. 3/4 is safer because you might just make a small error somewhere and need the safety net Quote
Prostheta Posted June 19, 2007 Report Posted June 19, 2007 Moving them pretty much 3/4 forward and placing from there seems sensible to me. You won't generally end up moving the saddles any closer to the nut unless - as you say - you misplace the bridge! Tune-o-matics need a bit more babying though - anyone got a good potted explanation before I start babbling? :-D Quote
WezV Posted June 19, 2007 Report Posted June 19, 2007 i usually set them so the high e is about 1mm back from the scale length and the low e is 2 - 3 mm back . . . . usually allows plenty of room for intonation Quote
mattharris75 Posted June 19, 2007 Author Report Posted June 19, 2007 Thanks for the info guys. That jives with what I was thinking, so that makes me feel more confident in that. Quote
GregP Posted June 19, 2007 Report Posted June 19, 2007 Drilling so that you have "1mm of wiggle room" requires the exact same amount of accuracy as drilling so that the high e is forward. But ultimately, you have to do what gives you confidence and makes you happy, regardless of logic. Quote
mattharris75 Posted June 19, 2007 Author Report Posted June 19, 2007 No, I plan on drilling the placement as accurately as possible. I'll just put my saddles 3/4 of the way forward to determine that placement. So, if the placement does end up a hair off in the wrong direction I won't be screwed by having the saddles adjusted all the way forward. Quote
Southpa Posted June 19, 2007 Report Posted June 19, 2007 I go 3/4 of the way forward for just the high e saddle. Make sure the bridge is positioned square, unless its a TOM so the bass side sould be placed about 1/8" back of the treble side and everything should fall into place when intonating. Quote
mattharris75 Posted June 19, 2007 Author Report Posted June 19, 2007 It's a hipshot hardtail, so no TOM to worry about, should be pretty straightforward. Hope to get it placed and the holes drilled for it this weekend. Quote
WezV Posted June 19, 2007 Report Posted June 19, 2007 For a hipshot hardtail i would start with the saddles about 7/8's forward and put those bang on the scale length - not as much to go wrong here Quote
mattharris75 Posted June 19, 2007 Author Report Posted June 19, 2007 Alrighty, I'll give that a go. Thanks Wez! Quote
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