guitardeam0n

Bump.

ROFL, I'm retarded. I guess scraper/razor or something would be my best bet.

The only thing I'm questioning is how to get that defined line from paint to no paint. Like this- (sorry if the image is a bit big) I'd assume the best way is to tape it off then stripper? I have a feeling the stripper could seep under the tape or something.

So I put my gold OFR on it and I've decided to keep it black/yellow. And the thought of doing all the work stripping/prepping/refinishing that went into the previous projects finally hit me and made me realize I don't want to do that again. I'll still be stripping the neck and tung oiling it or something.

I did a few cheap guitars years back. And I've never sold a guitar before so I plan to keep this one for years and it will be my main gigging guitar so it'll get beat to ****.

Friend told me about it months ago and I finally had cash laying around to get it so I did. Here it is- Here's what's blem'd on it- It was obviously dropped. There's also this hair line crack that goes across the the top fin. I couldn't photo it on the black (auto zoom on camera wouldn't let me focus on it) But I go this- I'm assuming the shock from the drop bent/flex'd the wood slightly, making the paint to crack. I guess I'll find out what happened structurally when the paint comes off. 800 bucks off : I could probably flip it on ebay and make some profit off it but I really like the way it plays and have been thinking about a custom finish, 24 fret, floyd, single humbucker RR for YEARS. Might as well make it happen. I'm going to go the paint stripper method but I have a few questions namely around the fretboard/binding. It has black binding but I'm not sure if the paint goes over the binding. Should I strip it as close as I can do the binding then use some sand paper? I don't want the stripper to loosen the binding or something. Another idea is to remove some wood on closer to the upper frets to make access a bit easier. Not quite a cut out but just some off the backside. Possibly scalloping the last 4 frets as well (20-24) but I'm afraid it would break the binding (I did it on a cheaper guitar once and that's what happened but I think I went to deep) As far as the refinish idea I've been thinking about a natural flame top w/ blackhardware. Sorta like these- Or I can do a nice flame top like these- http://img1.hugeup.com/f/09302008/8817147e8a3a.jpg http://img1.hugeup.com/f/09302008/02fdb9.JPG But might be too fancy for an every day, gigging metal guitar.

Think a very fast automatic kill switch or tremolo with a really fast gate and is time adjustable via audio pot. How would I go about this?

I know this doesnt really involve guitars but I dont know anywhere else where I could get helpful information. If anyone plays with ENGL amps, there are LEDs on the inside to make them glow. http://acapella.harmony-central.com/forums...postid=10372118 I have a 5150 I have and I took the wood panel behind the cage so you can see the tubes and output transformers. I think LED lights like the ENGL would be completley wicked but I have no clue on how to do it. Can somone please send me in the right direction. Thanks alot.

bump.

Well I was driving to a friends and saw a garage sale and spotted some gutiars. So i check it out and they had two. I bought them both for 10 bucks. They are both really f'ed up cosmetically but hopefully there is potential. One is strat body and there is wood putty all over it and it looks like the neck pickup cavity has been filled in by the same stuff. I would really like to fix her up but dont know how I can achieve a nice paint job with the current state of the guitar. The next is a explorer type body and someone already stripped it and put a spay on clear coat. Im thinking just strip that off till its bare wood then go about finishing a guitar 'the normal way' But the main question is how to a prep a guitar for painting. I couldnt find a tutorial for that. I know you need some sort of pore filler so the paint doesnt sink in and make little dimples on the paint. I think thats what the guy was trying to do on the strat body with wood filler all over. The neck on the strat is decent but frets 12-22 are scalloped. There decent scalloping but the fret markers are really messed up. They are just dots but 3 frets were sanded down so far the fret markers are worn through and it looks like crap. How could I fix that? Any help or comments would be greatly appricated. Thanks alot guys. Cheers!

Well im about to purchase a OFR from edroman and the d tuna started to get my atttention. Did a little research and found out that I would have to stabilize my trem with a trem setter. Now that got me thinking. I play alot of wild stuff with my trem (think of the things vai does with his) and I was wondering if the trem setter makes the trem do anything differnt? Will it still pop quickly back into pitch, can it still flutter, and are there any downsizes to having a trem setter? oh and would this work when tuned in D then down tuning to C? Thanks alot.

How does the 500XL clean up when you roll back off the volume? And hows the sustain? I would probably get the 500L since it has a lower output. Would there by any sonic differnce besides output?

You are correct, by MTS i mean master tube series. Im kinda iffy on getting a active pickup with such high output becuase I'm only going to have one pickup in the bridge. I play ALOT of sweeps so I want something that will let all the notes ringout clearly. I havent had too much experience with active pickups or any aftermarket pickups becuase around here all the stores carry stock ibanez's, fenders or gibsons and epiphones. So call I can do is rely on peoples opionon. Ive also heard that the Dimarzio Evolutions clean up nicely when roll back on the volume. Do the 81's do that as well?

Well I'm making a custom guitar (rhoads body) with one pickup in the bridge. I'll be running it through a MTS so there will obviously be plenty of gain. But I'm not sure which pickups to get. I'm debating over: -bill lawrence 500XL -Dimarzio Evo's -EMG HZ H4 or 81 active -carvin m22 or allan holdsworth -or maybe some Seymour duncans So since the amp will have more then enough gain i wont need a really high output humbucker. I play heavey music styles, but not the really scooped kind. More along the lines of Children of Bodom, Sinergy, Imperanon, and jason becker stuff. But I want something that has great articulation of the notes and long, smooth sustain. Can anyone help me out please. Thanks.

How the heck does damage like that occur?! Looks like someone had phone with a circular saw or something. Did the seller tell you what the damage was from? I do like the body shape. Why dont you just trace the actual body is you want a P bass style?