Strandberg Guitarworks

I got the parts back from the anodizer the other day. Here's how they turned out: Here's how the Dual Action works - on the left (the 6-string tremolo) you will note that there are two positions for the bearing and shaft. This allows you to change the behavior of the tremolo from stiff and extreme to smooth and subtle. The 7-string tremolo on the right has only one bearing due to the extra force applied from the string tension.

My guess would be for a radiused string height, like a TOM-bridge has.. @Cactus - you're right. It has a 16" radius. Previous revisions of the trems had "steps" and equally deep grooves, but I think this looks better. Note that each string has individual height adjustment as well.

I am indeed planning on selling these! I have been looking for an alternative to knife edges for a long time and have been sold out of the regular tremolos, not wanting to commit to ordering new parts, so am very pleased to arrive here.

So, here's a completely different kind of build - hopefully to the general interest! I have spent the weekend at the mill and lathe constructing a new headless tremolo. 6 mm aluminium to begin with. I am doing a 6-string and a 7-string in parallel, which is the reason for the two different size pieces. Here, I have routed the grooves that the tuners will sit in (on the 7-string) The two base plates, almost finished Plates completed This is what brings it all together Almost there... And assembled! What's interesting with this tremolo is that it is based on needle bearings and has two options for fulcrum points. One give more extreme action and the other is much smoother. More pictures will follow! I am sending them away for engraving of logo and then anodization.

Here's "#5" - another installment in the Ergonomic Guitar System Mahogany back, chambered Wenge top, book matched w/ white veneer strip 4 mm radius edge Belly carve + arm bevel (Wenge top bent to fit) Oil finish 2 x Lundgren M7 pickups 2-position selector: Neck/Bridge Master volume, master tone Strandberg EGS Series 3 fixed bridge and string locks, custom color blue 3pc through body maple neck with 2 x mahogany and 4 x carbon fiber laminates, double-acting truss rod 25.75” – 25” scale 24 medium/high stainless frets Rosewood fretboard

Check out log of produced instruments including those for sale at http://guitarworks.thestrandbergs.com/instruments/

If you live in the San Antonio, TX area and want to try #3, give me a shout! I am there between today (10/10/10) and (10/13/10).

I have created a step-by-step guide on how to plan and build your very own Strandberg Guitarworks EGS guitar. http://guitarworks.thestrandbergs.com/2010...diy-egs-guitar/

Hehe... it started as an 8-string thread but evolved into just a 7. Sorry to disappoint :-)

They are the P-90s. I have been curious about the Bass Tone Bars, but they seem hard to find, at least when I tried.

Removed almost commercial content....

It's done! Will post more when I have caught my breath. In the meantime, there are plenty of pictures on my facebook page.

Done! Many, many more pictures on my facebook page http://www.facebook.com/strandbergGuitarworks Will post the full specs when I have caught my breath....

after the first few coats of oil

Waiting to dry...

First stringing up to verify function:

So, here is some more progress. There are 18 pictures in total on my site, all of which I will not re-produce here. Here is the neck set cut with the router shown above And the neck shape (right one is my other build) Fretboard shaped and inlaid (and fretted of course) Gluing the sides I am doing things in the following order: glue laminates of neck band-saw away and shape section on underside of neck portion insert truss-rod (while sides are straight and can be used as guides for router) shape contours of fretboard (so that it can be used as a router template later) cut fret slots (while it’s still thin and easily fitted into the slot-cutting jig) glue fretboard (while it is flat so that it can get optimal clamping pressure) use router to shape contours of neck (using fretboard as template) rough shape back of neck radius fretboard finish fretboard (add inlays) and fret neck glue sides (and top) finish shaping sand sand sand rout cavities for controls and pickups sand sand some more finish/polish done So, it’s an easy 20-step process. Steaming the top prior to bending and clamping it into shape

Some more build progress below. There are 18 pictures in total on my site, all of which I will not re-produce here. Neck set Weight removal (almost 250 grams) in a novel way Neck shape (left is Chris Letchford build) Gluing sides (finally!) I am doing things in the following order: glue laminates of neck band-saw away and shape section on underside of neck portion insert truss-rod (while sides are straight and can be used as guides for router) shape contours of fretboard (so that it can be used as a router template later) cut fret slots (while it’s still thin and easily fitted into the slot-cutting jig) glue fretboard (while it is flat so that it can get optimal clamping pressure) use router to shape contours of neck (using fretboard as template) rough shape back of neck radius fretboard finish fretboard (add inlays) and fret neck glue sides (and top) finish shaping sand sand sand rout cavities for controls and pickups sand sand some more finish/polish done So, it’s an easy 20-step process.

The primary goal for the carbon is to stiffen the neck in a way that it allows me to remove weight inside it. In this particular instance, the weight of the conventional truss rod was so high that the air introduced in the neck didn't make a difference, and the geometry of the neck laminates didn't really allow cutting any additional sound channels (i.e. air pockets). Secondary goal is that have found that this carbon tube arrangement has resulted in a very uniform tonal response across the neck, completely free from dead spots. This needs more evidence to be proven, but I have high hopes. Cheers, Ola

I'm thinking that the rod running inside the tube will be similar to it running inside a routed channel, so it shouldn't make a difference with the expansion? Chris: it is secured against rotation by the threaded brass sections on each end of the rod sitting in 6 mm grooves just like they normally would. It doesn't show in these pictures, but I squared off the channel with a chisel. But... I'm just as nervous as you guys. We'll see how it works out!

Truss rod mounted Truss rod adjustment New shape for fretboard heel And workshop addition... I got this to create the neck angle from the body end and it works like a charm.

Truss-rod experiment... Combining the CF tube that I had on #3, which worked out really well with a conventional double-acting truss rod. For more details, see main site. Truss rod adjustment And new fingerboard end And on a side note, I just got one of these I used it last night to cut the angle of the body end of the neck. It works really well.

Hi Plinky, if you are outside the EU (which you probably are since you did the calculation in USD) the price excluding VAT is roughly $450 at today's exchange rate. Still not cheap, but it has several unique features (will skip the sales talk here....) Cheers, Ola

Some more progress:

Some more progress - will get back to you on Zebrawood weight, it is fairly heavy. I get my CF from Epotex, Gunnar Swärd is incredibly helpful and good to deal with. 14-stringer anyone? And you can download the FUZZ article here, it does indeed feature this neck blank.