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Monty Cadenhead

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Everything posted by Monty Cadenhead

  1. Looks nice. Have you got pics of the product? Is the brake necessary? What bits work best on a neck? Monty
  2. No problem with the language, I just wanted to be sure you found what you searched for. My Suomi...Suomic... Suomeski..., well, anyway, I don't even speak english very well, myself. Make sure you can glue the delrin to the flatwork. Allparts shows a complete P-90 bobbin for sale, but there's no picture. Frank's right, it's hard to make a P-90 sound bad. Monty
  3. Bar magnets, just like the ones in humbuckers: http://www.stewmac.com/shop/Electronics,_p...ckup_Parts.html In English, a rod magnet is a cylinder. Yes. I've seen them made from plexiglass and wood(I wouldn't use wood.). If the holes are sized right, the screws will work without tapping the holes. Gibson usually wound 10,000 turns of AWG 42 wire for about 8,500 OHMS. 42 AWG is 0.06325 millimeters. (more or less ) Here's what it looks like: http://www.lollarguitars.com/BobbinDesigns/p90_bobbin.jpg http://www.fralinpickups.com/p90s.asp The 2 larger holes, in line with the pole piece screw holes, are to attatch the pickup to the covers, with dogears, or with soapbar covers, to the body. With soapbars, there's a foam rubber pad underneath, to force the pu up against the screws. Me too. Monty
  4. The Association of Stringed Instrument Artisans is having it's symposium in June. Information here: http://www.guitarmaker.org/ And the link to the schedule: http://www.guitarmaker.org/ It's mostly an acoustic guitar organization, but not entirely. Is anyone planning to go? Monty
  5. It doesn't specify on the Carvin site, but the neck width on the guitars that they build with that bridge seem pretty wide. I'm looking for a TOM with a 2 1/4" spacing, and this one might be close. Appreciate the help, Monty
  6. What's the center to center string spacing on this bridge, Rob? Monty
  7. I don't see anything about that tool that suggests it can be used wet. I'd ask Bosch before I tried out for the Darwin awards. Monty
  8. The little sander that guitarfrenzy likes in his strat tutorial: is on sale at Sears. Sale ends 04/16/05. I bought one, though I'm not sure if it'll earn it's keep around here, even at $17.49. Little blister pack of 20 sandpaper rings in 3 grits for $5.00. Monty
  9. Much good advice here, but go ahead and finish it. You (At least, I...) learn more from your mistakes than your successes, so make as many as you can on your first. As regards the books, Most libraries have a service called interlibrary loan, where they can get books from other libraries for you to borrow. It's hit or miss, but it doesn't hurt to ask. Monty
  10. This place: http://www.widgetsupply.com/ has lots of goodies, but quality is all over the place. Prices are a good guide, and if it's $.50, it's probably not worth much more. Sometimes that's good enough, though. Here: http://www.sciplus.com/singleItem.cfm?term...tegory%20Filter is a set that looks like the nut files StewMac used to sell. What a gem! This 3-piece set of 7" double-sided diamond files has slightly beveled 2-1/2" x 5/8" abrasive areas and nicely shaped wooden handles. Three grits: 150, 300 and 400. Vinyl storage pouch. 91982 DIAMOND FILES $9.50 / EACH Both these stores have many useful things. Monty
  11. Hey, a chance to give advice! I de-lurk. Olddog, you've got a marketing problem, and you need to look at it as such. A few thoughts: Most luthiers build guitars for 8-10 years before they start to make enough money to need a bank account. There are exceptions (Mario Proux comes to mind. He took his first guitar to a bluegrass festival, sold it, and took orders for more). There are about 30 times as many people wanting to make a living building guitars today than there were 10 years ago (my estimate, based on attendence at symposia and conventions). They all have a head start on you. People buy guitars they can hear and play, so you will make most of your sales to people who actually put their hands on the thing. Consign them to a store, go to open mikes (as unclej suggested) and festivals, or loan them to people who play out every night. Every city of any size has at least 2-4 guys that get paid to play guitar in a recording studio every day. Find those guys (as mledbetter suggested) and loan them a guitar, because those guys know EVERYBODY. Tell him if he sends you 5 buyers, he gets a free one to keep. Get them into the hands of potential buyers. Create a buzz. Find your local arts charity, donate a guitar for their raffle. Donate a guitar to the high school or prison. Call the newspaper and take them with you to take pictures and do the "Local man donates custom made guitar to needy" thing. Then, write it off. Make what people buy. People buy Strats, Teles and Les Pauls, because that's what the guys on TV play. People who want something other than that buy a PRS, a Rick or a 335, again, because that's what the guys on TV play. Trying to sell anything that's doesn't look like one of the above is a recipe for frustration (again, there are exceptions, but we only need one Rick Turner). If the guitar you loaned or consigned hasn't sold in 3 months, take it back, re-finish it, and send it out somewhere else. Be prepared to lose a couple ("Honest, I came home and she'd left a note and she's gone to TIBET, and she took your guitar WITH her, man!") without worrying about it or making a fuss. Get a police report, and you can write it off. Sell service. He wants a Strat with a 24 3/4" scale? Fix him up. He doesn't know if he wants Fralins or Lollars? Here's one of each, play for an hour, and let me know. Changed his mind next month? Swap 'em out and charge him again. He wants a chambered Tele with Firebird pickups? Would you like that in gold or nickle? Look at the Warmoth catalog, and provide those choices. Study and learn. Become an expert, but an unpretentious one. Never pretend to know anything you don't. Say, "I don't know, but I'll find out and get back to you," a lot. Charge lots of money, and be worth it. People who are price sensitive don't buy custom made guitars (or deserve them). If you get to the point you're working a 40 hour week building guitars that sell, you'll also be spending another 5 hours a week (at least) on the phone. Figure that into your pricing. Take trades. About 1970, a guy in Atlanta named Jay Rhyne traded a guitar he'd built for an original Gibson Flying V. Use your real human name on the guitars. People are comfortable having a relationship with a person, not a Thunderblaster, a WarpDrive, or a Twang-O-Tron. If your real human name is something like "Epaminondas Stathopoulo", you might want to change it. Something simple and elegant. I suggest "Lloyd Loar". Use your real human name on the guitar boards and answer questions intelligently. Be useful. Spell well, and punctuate properly. Keep it up, even after it gets boring, because it's priceless advertising. Like all advertising, it takes years for it to have a real effect but someday, years from now, you'll meet a guy in a bar who knows who you are, and you'll walk all the way home without your feet touching the ground, once. Digideus suggested Ebay, but a couple of years ago I saw a guy sell 4 archtops on Ebay with no reserve for about 80% of what the materials cost him. He's gone now. Ebay is for bottom-feeders (like me). Good luck, and let us know how it turns out. Monty
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