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solomon684

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About solomon684

  • Birthday 08/24/1992

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  1. Fender necks are flatsawn maple. Quartersawn is more stable with changes in humidity/temperature. It's up to you, but if flatsawn maple works on millions of guitars, you should be fine with that. Regardless, you're set with neck blanks for a few upcoming projects there. thats and understatment i ended up buying a whole lot more i now have 6 mohagany body blanks 3 maple body blanks and a bunch of mohagany and maple neck blanks like in the pics easily enough to make a dozen necks all for just over 150 bucks and i now have enough for a lifetime of guitar building (or a least a while) anyone interested in buying some it would be nice to make some of my money back then i could call this build the "Freecaster" HAHA I'd definitely be interested in buying some of those mahogany blanks, they look amazing. I tried messaging you but it said you cant receive the, so e-mail me at solomon684 [at] gmail.com with the price please
  2. Not impossible if you want to make your own fret wire. It takes me 10 minutes to radius a board by hand, I dont think that is such a long time. How does it take you only 10 minutes to radius a board by hand, do you have a jig or something to help? Im using 60 grit on some indian rosewood, and set up some rails to keep it in a straight line (which aren't too sturdy, so I still have to radius pretty slowly or the rails move), and its still taking me pretty long
  3. I dont know anything about leaf and stuff, so I have no idea what you mean haha but I'd love to do a guitar with a finish similar to the front
  4. Nice job with the math, just proved my idea impossible
  5. What if instead of going through the tedious process of radiusing a fretboard (I do it by hand and it takes forever), you just keep the board flat and radius the frets with a block and sandpaper one they're on the fretboard? Obviously this wouldn't be a good idea with a small radius and small frets since it would take a lot off from the edges, but if your using jumbo frets and a 20", or maybe 16" radius, could something like this work? If its possible, you could level the frets and add the radius at the same time, and in less time
  6. The front looks awesome, but I dont really like the back as much. It kinda has a different look to it
  7. Where do you get all your wood from? All that figure is just amazing And am I crazy or did you change your username? I ask because I haven't here in a little while....were you PRS Tait?
  8. Jeez, that thing is nuts. I dont know how you can even stand up with that thing
  9. Looks great man, I really like the inlay
  10. I have a cannon photo printer (ip6600 iirc) and I first printed out a 25.5" scale on three sheets, overlapped 2-3 frets on each sheet to get it lined up perfectly, taped it together, and compared to an unfretted LMII 25.5" fretboard. Matched perfectly. Tried the same thing on an old 1960s Teisco bass with a weird scale length (I think it was 28.75") and another perfect match. Is it that good of a printer, or is it off by some immeasurable amount? In which case it probably wouldnt matter too much. Im now using this method of using CAD and printing for a 26.5" 7-string template because it has worked so far
  11. I dont think the search function is that bad, it works well for me all the time, so I dont know why everyone says its not so great....you just gotta know how to use it
  12. This is what I do to and it works perfectly, but after I print it out, I just tape it to the board with some masking tape and slot away in my miter box instead of etching with a knife. Works perfectly for me
  13. I messaged ya about getting one of the mahogany blanks
  14. Yea when I scalloped the whole board, it felt really awkward playing chords, and it was kinda difficult. I was never able to get used to it on the first couple of frets Yea i just used one round file, and some 60 grit sandpaper, took a while but wasnt too difficult. Masking tape is definitely important cause it can destroy your frets
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