Ok, her's a short briefing of waht it's made of and what's in it/on it.
Body: two piece Alder (computer routed, the contour and cavity lines were so sharp you would easily hurt yourself.
Neck: Wizard neck from an RG550
Fretboard: ebony
Piramide Inlay: green abalone (front), red abalone (side) and blue plastic (top side)
(I cut out the pieces for the piramides myself, the fretboard was also computer routed)
Fretwire: Dunlop 6105
Pickups: Dimarzio Evolution DP159F (bridge), Dimarzio HS2 in single coil mode and another Dimarzio Evolution DP158F (neck)
Electronics: Ibanez volumepot 500K, Ibanez tone pot 500K with a DPDT push/pull swith (when it is pulled, the bridge humbucker is always on), Ibanez 5-way switch VLW91 and an Ibanez jack-input.
Hardwear: Ibanez Edge with lock nut and retainer bar, Gotoh tuning machines (Al the hardwear was covered in a thin layer of blick zinc, topped with a thin layer of clear coat. I even took each tuning machine apart(crazy me))
Finish: I used a sparkeling white sort of sealer in spraycans (about 10 thin layers. 3 each time then let it dry for about a week, next 3 etc.)
After that, and dont't be surprised, I followed the instructions on the BORAX SWIRLING TUTORIAL on Project Guitar. Indeed using enamel from HUMBROL. I tested a lot, after that swrled it and let it dry for about three weeks.
And finally I put a polyurethane clear coat on top (also from a spraycan and in about 9 layers, wetsanding every 3 layers with 1200 gritt. The last few layers I wetsanded with 2000 gritt. Finaly polished it (by hand) and there was my result.
The first thing I said to my girlfriend was: "Sweety, congratulations, it's a fine lookin' healthy girl."
Note: By applying the polyurethane clear coat the whole thing started to amber. My opinion: "I'm glad it did!"
Only thing left is sanding down headstock, spray on a new coat of black paint, put on a blue(same as pickups) Ibanez logo with my initials JGM (instead of JEM) in the same font as the original and finish it with a few layers of clear coat.