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sirspens

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About sirspens

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    Austin, TX

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  1. @curtisa, fantastic explanation. Thank you very much!
  2. @curtisa, I hope I am not being annoying, here. Then why does a Jaguar use an "on/on" switch, instead of an "on/off" switch?
  3. Thank you, @curtisa. I'm going to try to wrap my head around this in the morning. I thought it was bad to have an "off" in guitar wiring, as switching to that position would pop?
  4. I would like to use a three-way mini-toggle to wire a humbucker as coil splitting / off / humbucker. I don't know much about electronics, but my understanding is that this would take a DP3T switch, Am I correct about that, or could I accomplish that with a three-way DPDT? My understand is that a three-way DPDT can accomplish coil split / parallel / series from a humbucker, but not what I am trying to do. I would appreciate any help anyone can provide with this.
  5. I'll admit that my primary curiosity with the WR is the rod magnet design aspect of it. That it isn't just another PAF.
  6. I can't believe I just finally ran across this (after researching this for weeks), but it turns out Seymour Duncan already does this in their Stag Mag pickup... http://www.seymourduncan.com/pickup/stag-mag It definitely does not sound like a Widerange. But it is a very interesting sound.
  7. Yes. You would lose that aspect. But that is exactly what makes them pretty much impossible to replicate. So if you can get really close in tone without using a virtually unsourceable material... that seems to me to be close enough.
  8. From my understanding, the defining characteristic of the Fender Widerange Humbucker, besides the fact that the coils are a bit bigger and therefore wider spaced, and the characteristic that isn't being replicated in any of the modern production versions is that they are built more like Fender single coil pickups. They use rod magnets (forgetting that Fender used a now basically unsourceable magnet), instead of the standard humbucker design of using a bar magnet with steel rods. The use of rod magnets by Fender is the defining design element that gives them their bright and jangly sound,
  9. Here's a comparison between the historic tremolo on the Kay guitar, and the similar version from Guitar Fetish. Both: Guitar Fetish: Tiesco: Guitar Fetish: Tiesco: Guitar Fetish: Tiesco:
  10. I got all my hardware in for this project. Here's a mock-up... My girlfriend said I have too many blue guitars, so I should choose a different color. I've been through a lot of options in my head. I'm working on a cream guitar, so not cream. I think black wouldn't really work with this guitar, especially with the black pickguard. I have another idea for a TV Yellow guitar. So.... Metallic Copper from Reranch. or Burgundy Metallic by Dupli-Color. Which I like because it pays tribute to the original color, while being a solid color and sparkly. http://www.amazon.com/D
  11. Because I might be a little bit insane... I bought another guitar very similar to this one. A probably early 1970s Japanese SG clone. There are some differences. First, it is a Kay. So there is that much known. It is made of the same plywood material as the other guitar. It is the same thickness. It seems to weigh even less than the other guitar. The sides aren't beveled, however. They are rounded over, over the entire guitar on both the front and back. A blemish that shows the plywood through. The neck is different. As you can see if has a zero fret. It i
  12. This will be the first guitar I actually get around to finishing. I am going to do some testing, but this was my general plan: Grain Filler 4 coats Sanding Sealer 3 or 4 coats Primer (don't know what product to use, yet) Sand, evaluate. (More primer after some sanding?) 4 to 6 coats finish. Whatever it takes. 2 to 4 coats Behlen Stringed Instrument Lacquer I planned to do some more reading at Reranch before moving past the grain filler stage. I wouldn't know where to even begin with getting a custom lacquer mixed. I'd love to use the best product I can, but I also want
  13. Today I routed out the tremolo pocket to a known size and made an infill piece. It had been a while since I had been to the makerspace, and they have a nice new router table and 2 new routers, so I didn't even have to get my garage all dusty. Got it glued in... Got the holes filled in with Bondo... Took two goes at it after sanding the first attempt down... Then I got it sanded to 320 and it is silky smooth. But even with that, as you can see below,, the grain is porous enough, especially considering the edges of the plywood, that I am going to have to use a gr
  14. This evening I attempted to clean up the pickup casings, which are rusted. Which also meant I took the pickups apart. I took a fine grit sandpaper to the metal casing, and it did an okay job of getting the rust off, but now it is scratchy. Maybe I can buff it out...
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