Jump to content

eubie

Members
  • Content Count

    76
  • Joined

  • Last visited

  • Days Won

    5

eubie last won the day on October 11 2017

eubie had the most liked content!

Community Reputation

55 Excellent

About eubie

  • Rank
    design...build...play
  • Birthday August 1

Profile Information

  • Location
    Glendora, CA

Recent Profile Visitors

The recent visitors block is disabled and is not being shown to other users.

  1. The neck lines up perfectly with the bridge position and the center line of the body. I was very careful with that, although I'm still going to wait to drill holes until the neck is glued in and I can be sure I'm lining up with reality. The neck angle came out pretty well. I was shooting for 4 degrees and it dry-fits at 5 degrees. I could shim out that last degree, but I'd rather have the solid tenon-to-pocket match-up than to recover that last degree of break angle. Whether the tenon/pocket is fairly "gapless" depends on your definition of "fairly". Overall, the tenon fits tigh
  2. Ok, so it's been a while since my last post, but we are still making progress. Here's the latest update, and more detailed build posts are on my site at http://eubie.com. Last update was that we were starting new with the fretboard. We found a really pretty piece of purpleheart at our local yard, and having learned a little from our mistakes, we cut initial slots, then cut the sides to the profile we wanted, then sanded in the radius, then recut the slots to final depth with a saw that has the right kerf for our frets. Then we glued it up on the neck, and installed the binding and dots
  3. Could be. Could also be that it wasn't originally a Fender Select and someone tried to add a button after the fact, but screwed it up. Do you know anything about the history of the instrument? How did you come by it?
  4. Looks like a cutout for a Fender Select button gone wrong.
  5. I do see the channels in that top picture. It looks like you did a great job of getting them out. One of the great life lessons of woodworking is that sometimes you have to just accept that something didn't go as planned, and then either accept how it turned out, or go back and redo it. The wood doesn't care about my whining.
  6. I have a couple different fret saws, and I'm not entirely sure where any of them came from. In this case, I used the same one that I had used previously on a ukulele fretboard. I think the fretwire I bought for this project had a slightly wider tang, and the wenge has a little less give than the maple I used for the uke. That combination is what probably did me in. It wasn't just that though - it was a combination of things. As I was teaching my son how to slot the board, we ended up with some slots that were a little sloppy to begin with, then we weren't 100% happy with the clay dots
  7. Quick update. Had issues getting frets in - slots were too narrow for the fret tangs, and the wenge just wasn't giving enough to get them in without splintering. Tried to widen the slots with the binding on, and had no joy. Tried to take the binding off and went from inconvenience to total fiasco. So, we're calling it a learning experience, and starting over with a new fretboard blank. Now that we know what were doing, things should progress more quickly.
  8. I'll say it again - beautiful work. I'm a sucker for a really clean, simple style, and you have captured that beautifully. I love the aluminum pick guard. Feeling very jealous right now. -- se
  9. Love the lines on front and curves on back approach. A nice design, plus the added benefit of the comfort against your body. I really like the simplicity of the front and can't wait to see some finish on it.
  10. You and me both. I'll give the starting pin a try, but mostly I just work very carefully around that thing, and take very shallow passes. I don't think so. I'll pick at it a little with my slot cleaner-outer before I put the frets in, but there's not really as much of it as it looks like in those photos. At least that's what I'm telling myself. BTW - In previous projects I've always hammered in frets, but I decided to make a little fretting caul that I can mount in my drill press, and press them in this time. Just seems like a more civilized approach, and the extra time to m
  11. Been a while since I posted progress. Life got in the way a little (work, vacation, stuff). Also, spent a bunch of time building jigs, which slowed some of our progress. But, we have been making progress, and I've just been derelict in my duty to post updates. So the last thing I posted about was the truss rod channel. Since then... Trimmed the fretboard to final width, and trimmed the headstock to final shape using the new router/shaper setup. Cut out the fretboard, radiused and cut fret slots. Bound the fretboard with ivory colored ABS binding
  12. Not sure if this is a feasible solution for you, but what I think I would do is cut about a 2mm deep slot at the point you want the fabric to end. Follow Scott's suggestion about fabric that stretches in both directions. Put glue in the slot, then use a thin edge (like a credit card) to press the fabric into the slot. The width of the slot would depend on the thickness of your fabric, but you want it to barely fit. Extensive testing on scraps would be wise. This will give you a clean edge and avoid fraying. Another approach would be to put a thin, flexible strip (or wood, bent to the
  13. Would this be the wrong time to mention that I hammer in my frets instead of pressing them?
×
×
  • Create New...