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  1. Now that's a hell of a title. I think that's it's fairly well-known that I've somewhat of a fascination with Japanese instruments made from 1976-1986 in the Matsumoku factory under the Aria Pro II banner. For the last ten years or so I've been making replacement preamp modules for their classic SB-1000 basses, and doing a few complete restorations for clients. The SB-1000 was an active single-pickup four-string bass made in two versions '76-'80 and '80-'86. It was made beyond this time in various forms, and is still made by the current incarnation of Aria Pro II, however the classic
  2. So after a long hiatus, I'm back building again! My last was the explorer in about 2015, so it's been a while. I've been loving playing that in my band, easily the best sounding guitar I own! I've wanted to get back to it for ages, but life got in the way with moving countries and house buying etc.. Lockdown and furlough has given me a prime opportunity to finally get the shed set up and back to it though! Anyway, this time around it's going to be a bass - my first one! I've been spending more time with my Thunderbird lately but am really craving that extra string for some djen
  3. I'm new to guitar building and for some reason I've set my mind on a wacky little project. It won't be the most useful instrument but I want it to be as interesting and unique as possible. I want to build a single string, mega bass. I want to build it from scratch as much as I can. My plan so far is to use a .270 gauge string tuned as low as it'll go. Because there's only one string I want to make a custom pickup out of a speaker magnate to make a giant, two inch round, single pickup. On the finished build it'll be a polished metal disc under the string. It'll run direct to the jack.
  4. Hello! I'm new here and new to guitar building. I love woodworking and have been playing bass for about a year and really wanted a fun project to combine the two. I came up with the idea of building a single string bass using the heaviest string I can find (.270 gauge) and tuning it to a ridiculously low note. it's not the most useful instrument in the would but seems fun. originally I was just going to buy a J-Bass pickup and turn it sideways but that seemed boring. I decided what I want to do is build a single, 2 inch in diameter pickup. on the finished bass it'll look like a two i
  5. Hello lovely fellow builders! Been lurking here reading for a while, and finally created an account for a couple questions I dont believe I've seen an answer to. If there are threads answering these questions I'm open to being directed to those and having this thread closed. As the thread title implies, I am in the planning and acquisition stages for a from-scratch 5-string bass guitar. I plan on having a through-neck, 24 fret design in a relatively rare 30" short scale length. My questions both have to do with the neck and fretboard. The first is, is there any standard measurement f
  6. The beautiful MSPaint diagram I created gives basically all the detail I can provide. The pots are from a 2011 Gibson Les Paul. I'm not sure what I'm trying to achieve is even possible without more components. Basically all I want is for each of the two pickups to have their own volume control knob. Seems simple enough! In the diagram it shows the two configurations I've soldered it in already following some online diagrams I found googling my plan. I'm glad I found this forum as it looks like has a wealth of knowledge! Thanks for any info anyone can provide!
  7. A few weeks ago I started working on a pair of basses based around the old Gibson RD style from the late seventies/early eighties.... The basis of the Gibson RD was not too far removed from the classic Thunderbird design, however the through-neck of the Thunderbird and Firebird were eschewed in favour of the more familiar Gibson set-neck approach. The hardware was typical of Gibson basses at the time being a three-point bridge with its own little quirks. The two configurations ("Standard", "Artist") came passive with small soapbar humbuckers or active with a full Moog-designed filter circui
  8. If I'm making a multiscale/fanned fret Precision Bass, does that mean I should use a Jazz Bass pickup?
  9. Hi everyone, I have some question regarding basses in general and I was wondering if some of you could help me out. For starters, I'm not a bass player and so far I've only "played" about 15 minutes top with a bass I borrowed from a friend. A funny anecdote is that I was going to purchase an Ibanez (GIO) 5-strings bass just before I took my decision to start building instruments, so my budget went in tooling and material instead. And I told myself that I'd make one myself at some point. Fast-forward a year later, and I still don't have a bass and my desire to learn to play bass
  10. Version v1.1

    11,032 downloads

    5-string vintage-style bolt-on bass guitar. Features a single pickup, simple geometry and easy building processes using a small tool setup. Visit the support thread for information on build specifics and for further information on this design.
  11. Hi all from Yokohama, Japan! I play (bad) bass for my church band, and enjoy my MusicMan Stingray a lot. It's got the piezo pickup, and can make a nice blend, but ... it's heavy! At just a tad over 11 pounds, my aged back has been asking for a bit of relief, so decided to try my hand a building a bass ... or two. A while back, I found this slab of wood on Yahoo!Auction, our equivalent of eBay. It was supposed to be a table top, but warped a bit, and the big knot in the center was not terribly attractive ... I was the only bid at about $30 including shipping. I had no idea what to do
  12. Hello friends, looking for some advice about a guitar project idea i have. I want a hybrid bass/guitar, essentially a six stringed instrument where the low E and A stings are an octave down (like the E and A string from a bass) and the remaining 4 strings are like a standard guitar (D, G, B, E.) I was thinking a fender bass VI might do the trick. Using bass stings for the low E and A and regular guitar stings for the remaining 4. Does anyone know if regular guitar strings will work on the Fender VI? and if so, would i need to use a lighter sting gauge to accommodate the longer scale leng
  13. In my ongoing build post, "The Gretschenbacker", I make reference to my first and only completed build, "The Mickenbacker", a homage to the long discontinued Rickenbacker 4005. Once I realized that I could never afford the $10k+ it would cost to own one of these beauties, I thought I'd try my hand at building one. Strictly speaking, it's not a direct copy and I took artistic license with a number of design cues and dimensions, hopefully without compromising the essence of the original. The slideshow of the build may be viewed on the link below...
  14. I Have free time and lot of wood. I'm basically a bass player so I decided to make few different basses. I will post them in one thread. They are: 1. 5str jazz bass 2. 4str jazz bass 3. neckthrough 4str jazz bass Let's start. 1. I never like a classic jazz bass design, so I decided to make my own modern looking 5str jazz bass Ash body Maple/wenge neck with wenge fingerboard, 34", 24 frets, dot markers, bolt-on Gotoh hardware, Folin pickups Jazz Bass Set.
  15. Greetings, I just recently wrapped up my first scratch build. so I figured I'd make my first post here on PG. I documented the whole shebang on Luthier's Corner (TalkBass), but it is a rather lengthy read, despite all of the awesome advice I received along the journey. The inspiration for the build was based on the early 80s Aria PROii SB1000 basses. Being a fan of John Taylor, this seemed appropriate. Stats: 34" Scale 4-string bass guitar Macassar Ebony fingerboard (pre-slotted and radiused by LMII) Hickory body wings (later scrapped for Peruvian Walnut/Purplehea
  16. Hi, All I thought it was time I unleashed one or two of my crazy builds on you all. I say crazy because, occasionally, my methods make experienced luthiers roll their eyes and shake their heads with a "well, that's not going to work..." or similar phrase passing through their lips. What I will do when I get a moment, is post details of a major challenge I was posed with by a contact in the UK last year - it might fit better in the design section because it had some VERY unusual features and constraints. This one, on the other hand, is fairly conventional, leastways in terms of des
  17. Hello everybody, I just bought a 74 maple Jazz Bass neck which has been converted into a fretless by some ... intelligent ... person back in the day. There was also put a fair amount of laquer on the fretboard. I'd like to restore the neck to its former glory but I have no idea on how to get this laquer out of the fret slots. If there was no binding on the neck, I could easily re-saw them. Doas anyone have experience with that kind of problem? Any help would be greatly appreciated! Cheers, wolf
  18. Ok, so I wasn't sure where to post this but here seems like the best spot. Got given an old bass from a mate to have a look at. It was his first bass (an old ProAx pbass copy made of MDF that for some bizarre reason has always sounded quite amazing) and he and his brother bought it together before his bro died so its worth more to him than a new one. Anyways, he'd put in some new pickups and a whole new wiring harness and fancy cap etc... sounds really good, but the problem is the Alessandro pots he put in stop just short of poking out the other side (rear mounted). My thinking was to get a
  19. View File 1951-5 bass 5-string vintage-style bolt-on bass guitar. Features a single pickup, simple geometry and easy building processes using a small tool setup. Visit the support thread for information on build specifics and for further information on this design. Submitter Prostheta Submitted 04/12/2014 Category Instrument Plans
  20. Version v1.0

    136 downloads

    DXF of a Hipshot TransTone 5-string bass bridge. Derived from Hipshot's public PDF dimension specifications via hipshotproducts.com
  21. From the album: Prostheta's Past builds

    Set-neck Birch bass in paint....
  22. In exchange for some work I have taken onboard a 1981 bass which....has seen better days.... From 1977 to 1986, the Matsumoku factory (actually part of a larger complex, Singer I think) produced the best instruments Aria Pro II ever put out. The RSB-600 is a relative of the more commonly recognised SB-1000 bass played by John Taylor of Duran Duran, briefly by Cliff Burton (bigger backstory here), Trevor Horn and numerous other bassists of the era. Like the "big brother" SB-1000 this bass is a 7-piece laminated neck-through design with Oak wings. According to the catalogues, the neck consis
  23. Up until 1973 Gibson's bass bridges were fairly primitive and somewhat fault-prone but still relatively advanced in comparison to those in use by Fender. The introduction of their "three-point" bridge eliminated most of the existing problems of older bar or "two-point" bridges but introduced many of its own quirks. Still in use on modern Gibson and Epiphone basses, the three-point bass bridge is a proven design albeit mired in its traditional roots with much room for improvement. Up until the introduction of the SuperTone, upgrades for Gibson basses were near non-existent. The wide mounting po
  24. This is a project which will have a reasonably lengthy build-up time, so this thread exists purely to gather information, consolidate the design and work methodologies. A little background. I have never built an acoustic or archtop previously to this, so much of this particular thread will consist of my research and references to information online or from books, etc. The Gibson EB-750 and its sister the EB-650 were extremely rare (less than 100) basses built upon the designs of the Gibson ES range. The EB-750 was (as far as I am aware) the same underlying design as ES-175 but with a bass n
  25. I thought maybe it's fabric with sequins. It looks a little too 'controlled' to be sparkles. Any thoughts?
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