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Found 3 results

  1. I’m trying my hand at designing and fabricating a chambered, solid body tenor ukulele. This is a prototype build to continue to develop my skills and to learn from my inevitable mistakes :) When I looked at the current set of commercially available solid bodies ukuleles from Godin, Pono, KoAloha, Imua, etc., I wasn’t able to find enough details to deduce how theIr chamberings are configured under the top. Searches of across the luthier discussion forums provide a fair amount of info and suggestions covering chambering/hollowing guitar bodies, but all examples I found were for instruments amplified with magnetic pickups vs. the piezoelectric(s) I’ll be using. Details: 17” scale — Poplar body (1.5” thick) with a 3/16” Indian rosewood top — Mahogany neck with rosewood fretboard (Body image: https://imgur.com/gallery/HPlIdS4) My current plan: 1. Bore a honeycomb pattern in the body with a forstner bit, keeping the center under the bridge are positioned. I’d start by removing around 30% of the body’s weight of material then and test to see if I need to remove more. 2. Include a larger cavity for my volume control wiring and (potentially) a small pre-amp. For those of you who have gone down a similar experimental path, did you discover a preferred arrangement for your chambers? Regarding amplification...I’ve used under-saddle piezo transducers in the past to good effect with my acoustic ukuleles, so unless there are more appropriate ways for a solid body, I’ll likely go down that path. Alternatively, I have a pre-wired triple disk piezo pickup (it looks a bit like a knock-off K&K Trinity Mini) Thank you in advance for the input!
  2. Hallo everybody, I've been following the project guitar forums for quite a while now as "silent reader" and decided to register a few weeks ago. In short, it is high time to introduce myself... how could this be done better as presenting my recent build? To my background: Sebastian, 31 years old, coming from germany, so please excuse my poor language (and do not hesitate to correct me...). I have started to build electric basses 2 years ago. As most of us, meanwhile I'm completely obsessed. This is my first guitar and it is dedicated to my son born this year. So it started with two peaces of mahagoni, properly jointed and glued together. The body shape (and the complete guitar) is a design by my own: Roughly cut out the body with a japanese saw and then routed along the template. As next I've planed the armrest with my beloved No.4, preparing for a dropped top: Then the electronics cavity has been routed and I slightly chambered the body to reduce weight (approx. 1.7 kg / 3.7lbs at this stage): Regards, Sebastian
  3. Hi everyone, I'm John. I haven't been around here very long, but I've enjoyed reading many of the threads. It's always a learning experience. I migrated here from the pickup makers forum, and haven't really done anything new since I registered 'til now. I'm a woodworker by trade, but mostly self taught when it comes to building guitars. I'm always working on a low budget, but I have good tools to work with, and a little free time now and then. I'm building a Tele in J'master clothes, or sort of anyway. The body is African Mahogany, Maple neck/fingerboard, 25.5 Scale. I make my own truss rods. I know that there's been discussion lately about F style necks. I anchor the rods directly under the nut. My theory is that this would give the best transfer of energy. This will be a set neck. I've cut a step in the neck tenon so I can use a vintage style neck adjuster, and still have it extend beneath the pickup cavity once installed. The guitar will have a stained/natural natural finish with no binding, so I chambered it from the back side. I finished the neck over the weekend, and got it glued into the body. This is where I'm at now.
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