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Kenny

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Posts posted by Kenny

  1. thanks B)

    i did stole one of the horns from a mocking bird :D then made it a little more extreme

    well, i got to work a little today, but the planer i was using was HORRIBLE it caught ever inch or so. so i lost maybe 1/16th of wood and now gotta find a new planer :D

    ill post pics as soon as i got the neck and the body laminates made!

  2. i decided that i wanted a more unorthadox shape for my second guitar. but i set out to look for insperations. i love the right horn on the mocking bird becuase it just feels so good when you sit down and play. but i didint lie that ugly stub on the left side

    on the other hand i like the RG horn aswell as the MAB sig from deans horn. i mixed the 2 together a little drew it up, rendered it on the computer, blew it up to actual size, printed it out, taped it onto my wall with a pickup taped on for scale :D

    hpim0312gn4.jpg

    also note the fretboard is gonna be moved up a bit to more of an SGish style

    the body will consist of a 3 peice laminate

    curley bubinga top/walnut core/african mahagony body

    now also, another addition that isnt seen on here is the mother of pearl binding on the fingerboard and headstock (same design as last guitar) the headstock will have an ebony veneer and be bound aswell

    the "kaye" logo will be inlayed in Mother of pearl aswell

    the neck is a 5 peice laminate maple and bubinga

    but a nice accent, with no tonal qualities, becuase i like black outlines, im doing ebony veneers on the sides of the thru necks just as a very thin black line to make it sexy...what else can i say??

    here are pictures of the quilted bubinga im using ( sorry bout the bad pic. )

    Pic of the quilted bubinga

    heres the mahagony im using

    African Mahagony pic

    here are specs for the curious

    BODY:

    top species - bubinga

    Core species - walnut

    body species - african mahagony

    Neck:

    5 peice laminate maple/bubinga

    thru neck construction

    ebony veneer accents

    Fingerboard:

    ebony no inlays sans side dots

    jumbo wide pyramid frets

    bound in mother of pearl

    25.5" scale length

    (dont have nut or 12 fret mesurments yet)

    Headstock:

    Kustom shape bound in mother of pearl

    Kaye inlay in mother of pearl

    3x3

    Electronics:

    (still deciding) airnorton/superdistortion seems like another solid choice again

    ive gotten mixed feedback from differnt people.. oh well. itll sell good. im commisioned to make it for a local shop

    what do you guys think!?

    ps sorry for the long post if you get this far :D

    Kenny

  3. i agree too

    as an artist it doesnt make sense to have a light background and a light foreground unless your specifically going for that effect

    in this case the background being maple

    it would amke sense to have a dark foreground

    heres one example Jackson

    its always good to have nice contrast to compliment one thing

    and black or dark green on white makesthe white pop more

    thats my opinion though

    hope this helps! Kenny

  4. in my opinion wiht this style bridge what you do is this

    get your measurement

    1/2 scale length from the 12th fret

    mark that out, eyeball where the bridge should go, make sure the line you marked gets within 3mm of the saddle.

    how heres the tricky part

    move the bridge so the saddles are a little over 3mm infront of the line (closer to the neck)

    then screw it in

    now comes the TOUGH part

    getting it intunated

    i assume you know how to do this

    if not ill be more than happy to explain!

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