Hello all,
I have probably spent 50 hours reading this forum, and have purchased Hiscock's book for the second time, since I lost it in the move from new york to north carolina. I have been playing guitar/bass for nine years and have been wanting to build for most of that time. I want to build a neck-through 6 string bass. i have a full-scale drawing/picture with just about all dimensions except for the knobs and cavities, not sure how to post it though.
specs as follows:
34" scale, 22 frets
Body wings:
3/4" curly maple/ 1/4" walnut veneer/ 3/4" curly maple
Neck:
7 piece curly maple/purple heart/ CM/PH/CM/PH/CM
I would like to use purple heart for the fretboard, but im not sold
I do not know what size or material for frets, i also do not know what neck angle
I have no idea what type of nut to chose
I am unsure whether to use two truss rods, or use one with two CF pieces.
I would appreciate feedback on a possible neck radius and i will most likely make it assemmetrical
Electronics/hardware:
2 EMG-HZ Bass Pickups (stew mac), although im open to others as my playing styles differ greatly and im not particular
hotshot bridge
I have not chosen machine heads, but i want the head to be 1/2" thick so whatever is compatible
Head:
Angled 12 degrees, im not sure if i will put a veneer on the head
Finish:
I like Truoil or shellac with a coat of nitro, i like the curly maple as is, maybe a touch darker. i will have to learn more about their application when it comes time
I was originally thinking to first glue (titebond I) the neck pieces together with the pick-up wire channel routed and then glue the uncut laminated body wings to the body. From recent research im thinking i should cut the wings out before i glue them to the neck core. Is this preference or an issue of practical building. Right now i have 2 50"x8"x1" curly maple planks kiln dried to 6-8% and 1 70"x5"x1" purple heart equally dried. I love the look of these woods together. The neck will have 3 1/8" purpleheart stripes surrounded by 1" maple which will be grain reversed. I have been debating as to whether i should put veneers of walnut on the sides of the neck for appearance sake. I have a dremel xpr400 and i am acquiring many of the hand tools listed in Hiscock's book. I am not comfortable in planing yet so any important cuts will probably be done at a local mill, at least for the first guitar. I have also purchased plenty of beautiful poplar that i will practice every stage on. So i may get more comfortable and come out of this with to basses, we'll see.
Let me know of anything I may be missing and possible next steps.
Thank you for all your help, I feel that we are almost brothers since taking these many hours getting to know you all.
Dave