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guitar_player

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  1. I have, nothing fancy but it works great. I used a router for the first one and and the 2nd one a tablesaw since the blade was just the right kerf for both the insert and the spade bit with a couple shims which are just a couple pieces of thick paper. Here's a pic, I make a new one for each radius and the last time I made one I made the cuts on a longer piece of maple so all I have to do is glue in the insert and drill a hole for the spade bit. Here's a pic ou should be able to tell how I made it from it. It works great the actual one couldn't work much better.

    IMG_2700.jpg

    IMG_2702.jpg

  2. It will have cherry back and sides, sitka spruce top, striped ebony fingerboard, no fingerboard inlays, one piece mahogany neck, body joint at 12th fret, and a slotted headstock. I will start when I get the plans and a few parts from stewmac in a day or two. Here's pics of the wood, I had 4 tops, 3 backs, and 2 sides to choose my favorites out of. Sorry the pics aren't that great.

    sides (sap wood will stay and will be on the top side closer to the neck):

    IMG_2929.jpg

    back (there is some quilt figure in it finishing should bring it out some more):

    IMG_2931.jpg

    soundboard:

    IMG_2934.jpg

  3. Bummer! What do you think happened? Did you take pictures? I'd be curious, from a learner's perspective.

    I didn't take pics, I will when I bring it home from school since I turned it into a woodworking project there. I'm pretty sure that it wasn't touching all the sides of the mold closely enough and I wasn't careful enough about that because where it wasn't touching the mold on one side I think it was on the other causing the whole thing to be twisted I think it wouldn't have been too bad except when I glued the back on I'm pretty sure it got worse. In my current build I'm planning to use sticks to hold the sides against the mold until the top and back are glued on and I'll take them out after. I may have to use a small saw to cut them to get them out but it should fix the problem.

  4. I used a thin saw for a rough start and a 2mm gouge and small files I have. It worked ok. I made the nut out of ebony though, I don't know if that makes it easier or harder.

    I usually use corian because I have a bunch of it but I did a couple electrics with ebony and it was harder to shape. I used to use small saws and files but wasn't very happy with the results so I bought a nut slotting file set from warmoth for $64 and it's great kind of expensive but if your planning on building guitars often it's well worth it.

  5. That sucks man. So much effort down the toilet. Atleast you have a good outlook on it. Good luck when you decide to build another acoustic.

    -Marshall

    Yeah, I'm going to make it into a table lol. I'm already buying the parts for the next one so it should start soon. I could just start this over but I'm gassing for a triple 0, classical, and a 12 string kind of what is making me keep going at it.

  6. The whole bodies messed up the sides aren't straight and the mold put a big dent in it so it's unsavable at the most I could get the braces from it. At least I've learned a lot from it. Soon I'll have a cherry triple 0 with a slotted headstock and 12 frets to the body. I'll save the neck for a dreadnaught whenever I do one again.

  7. Once the top is on taping it will not help from what I have been told (I may be wrong). Initially you are not looking for a note more like a sound, like tuning a drum. You also feel the top by bending to see if it is loose or stiff (hard to bend or easy). All of these techniques take time to master, or you can have have a Master teach you. I see there are books and a few videos on the subject.

    Best thing here is to finish it up and if you don't line the low or high end create another post and ask more experienced builders here what you can do to change the sound by modifying the braces. Most likely you will be a happy camper unless you are an experienced guitarist who is very picky.

    It sounds like a science all in itself, I'll look into it more if I do another acoustic. There was a program on the BBC here in the UK last year about the history of the guitar and there was a guy from the states Henderson maybe can't remember but Clapton had to wait 10 years for a guitar from him, he got an amazing tone from his tops

    I just started reading the book called Clapton's Guitar, it's about Wayne Henderson and his guitars it's great.

  8. This one is on hold until the weather warms up enough to spray my pre-cat conversion varnish outdoors - that means 68° here in Maryland. Maybe late March or early April. Neck has been dry-fit and neck angle looks good.

    :D

    How is conversion varnish on acoustics? I have been hesitant in using it on my acoustic build. All my electrics get sprayed with it but I have been leaning towards tru-oil and possibly lacquer.

  9. Oh man, I LOVE your gluing method there with the cement block HAHAHAHA

    It works great lol.

    I got a lot done today, the back needs a little sanding and it's done. Tomorrow I'll work on the soundhole braces and the sides.

    Soundboard and rosette:

    IMG_2890.jpg

    IMG_2889.jpg

    back cut out:

    IMG_2892.jpg

    Gluing on braces:

    IMG_2893.jpg

    IMG_2896.jpg

    Soundboard cut out, soundhole cut out, rosette sanded:

    IMG_2894.jpg

    rosette:

    IMG_2895.jpg

    Back done besides sanding:

    IMG_2898.jpg

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