Jump to content

whalehazard

Veteran Member
  • Posts

    104
  • Joined

  • Last visited

  • Days Won

    5

Posts posted by whalehazard

  1. Delays...I've been doing design work on a commission (which will hopefully show up here soon), then I was out of town for a couple of weeks. Working on these when I can, but I've done a bad job of taking pictures. The heels still need to be trimmed down. The top of the neck will only be flush at the corner of the pocket where it meets the upper bout. The angle jig worked great and the necks are tight. I hope to get the headstock binding done this weekend, and then I can glue the fretboards on. Here's where they sit:

    2.5 degree neck angle jig:

    620889_440727512632775_1726795817_o.jpg

    Neck pocket on mahogany body

    331063_440727559299437_2015476455_o.jpg

    Necks fitted from behind...went a little overboard on the heel block

    199413_440727592632767_101744006_n.jpg

    No glue!

    386298_440727662632760_1475259832_n.jpg

    HS binding channel cut

    476215_440727782632748_1333899790_o.jpg

    Fretboards bound

    462663_440727932632733_533111197_o.jpg

    This is where we are at the end of the day...more soon!

    465220_440728169299376_2106459715_o.jpg

  2. I'm going to rear route the whole thing, for simplicity. I hate having to remove a pickguard. I adjusted the headstock a hair, and there will be plenty of string clearance. I'll hopefully shape the headstocks this week. Here's a few progress pics, headplates glued, truss rod installed and access shaped. Cherry backstrap bent and glued. Fretboards slotted and inlayed. Inlay is white Pearlyx and Canarywood.

    616581_426016127437247_808408825_o.jpg

    411515_426016204103906_1601547700_o.jpg

    616642_426016070770586_128170831_o.jpg

  3. Thanks for the feedback, guys. Our Souls, I'll make sure I double check that before I cut the headstock...I drew it out on the computer and it looked ok, but I'll make sure it'll work, as it does look tight. I can always move the tuner positions a hair. The pickguard is optional at this point, this will all be rear routed. I like the look of two knobs on and two off, though. These will both be mostly natural, with perhaps a subtle burst, and I'm thinking about tortoiseshell for the pickguard.

  4. WezV, it just goes to show no matter how much time you spend trying to make something unique, it's probably been done. I've never even heard of a Washburn P4. Oh well, I think there's enough difference here. The overall shape is similar, but the curves are all a little bit different. These'll be flat on top with a couple of contours, not carved.

  5. Here's a new design I'm working on and am going to see how doing two at once increases efficiency. I've historically done a terrible job of posting build threads, so I'm going to try to do a better job here. One of these is a one-piece Fijian mahogany blank my brother gave me for Christmas and made me promise to keep for myself. The other is sapele and ash with walnut veneers. Both will have cherry necks and rosewood fretboards and headplates. They will have Gotoh tuners and Gotoh 510 wraparound bridges. More soon!

    body blanks routed

    472037_402702443101949_1807330613_o.jpg

    new truss rod jig

    288241_419478834757643_901224424_o.jpg

    it will get an added attachment for drilling the truss rod access

    320485_419478868090973_784999587_n.jpg

    cherry necks routed and mocked up with rosewood headplates

    178001_419478914757635_923260255_o.jpg

    this is what you get when you hand plane East Indian Rosewood

    177449_419478958090964_2108571489_o.jpg

  6. - Victory SH

    This is more or less based on a 58 V, with the old type of neck joint. Obviously, there weren't any semi-hollow ones. Reverse headstock is my design. Customer didn't want a truss rod cover, so the headstock access is painted black, as are the bevels on the headstock.

    Semi-hollow maple body, top and set neck

    Rosewood FB, white side dots

    24 3/4" scale

    Gotoh tuners

    Gotoh TOM bridge and tailpiece

    Headstock logo inlay of aluminum, recon stone, and gold glitter plastic

    Black ABS double binding on body

    Bone nut

    Custom wound humbuckers by a local repairman

    2 vol, 1 tone, 3 way switch

    Control cavity is built into a "box" in lower leg of the V, to allow access from back and to ensure proper shielding.

    525116_394512000587660_160809310624598_1093737_1301391446_n.jpg

    478593_394512077254319_160809310624598_1093738_1661044718_o.jpg

    470525_394511943920999_160809310624598_1093736_221020443_o.jpg

    545714_394511700587690_160809310624598_1093734_1631322566_n.jpg

  7. Hey everybody, I'm working on a guitar for a friend right now. It's got an angled headstock and he doesn't want a truss rod cover. The headstock will be painted white. What's the cleanest way to cut the truss rod access and make it look nice? I'm using an LMI two way rod. Any advice would be appreciated.

  8. I wondered about that too, and it's what kept me from doing a burst on the cherry top I did, but I think it'll be an interesting experiment. Perhaps because the bursted edge is not opaque it will let enough UV through to darken the edge as well? I want to see it in a couple years.

×
×
  • Create New...