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daddy ray

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Posts posted by daddy ray

  1. if you pay attention to what you'r doin you can have way more guitar for the $'s by bolting one together yourself

    plus every time you encounter it you have the "feel good" of having done it yourself...talk about priceless!!

    dan erlewine has a video about assembling from componants that covers everything from proper bridge placement to cutting the nut to final set-up

    use this for your how to if you've never do it before

    it's available from stew/mac

    it's how i got started in this a few years back

  2. i can't speak to the epi strat

    however i have an epi les paul elite w/ chambered body & f-holes that was built in '96 & it's mahogany neck & body just like the gibsons

    i know this to be true, since i've opened it up since i bought it to correct a couple of problems it had

    in fact i didn't know epi built a strat...i thought they had always been gibson clones in recent history

  3. I'm kinda caught in a limbo-land with woods lately...

    I'll get some outrageous wood, then I have a hard time wondering:

    1) If I should cut it up and make it go as far as possible, get as many killer tops out of it as possible...

    2) Or use the same wood for the top AND back, (and, where applicable, sides too)and make each guitar just completely over-the-top dead-killer, generally using that whole piece up for one stunning guitar with top-notch wood showing on as many faces as possible.

    What do you think about each approach?

    Spread that killer top wood out over 2 or 3 guitars, or make each guitar a drop-dead monster of figured wood.

    Your thoughts?

    alas, life for the artist is fraught with difficult to impossable decisions, yes?

    sometimes it just boils down to where yer head's at when it comes time to do it

  4. I'm building my first guitar body with my son. I am very uncomfortable with mounting the trem. Does anyone have a good way to align the trem and drill the holes for the studs. I've used a template from a book but it seems like the slightest bit off and the strings will be out of alignment with the neck. Is there any to align the bridge after the studs are installed. Any studs with a concentric adjustment?

    for floyds i use a template from stew/mac

    i have done them without a template as well

    be ultra precise in your layout (measure twice cut once) making sure that your layout line for the trem studs is 90 degrees to an established centerline that incorporates both neck & body

    when it's time to drill use a drill press if you have

    also use a forstner or brad point bit to assure that your stud hole is centered on your layout

    very slight discrepancies can be corrected by slightly loosening neck screws and shifting the neck in the pocket to align the strings to the edge of the fingerboard

    do this with high & low e strings in place

    hope this helps

  5. Good points Daddyray. Dot know tho. I guess we'll have to try and see.

    I did discover That white oak is the stronger, and I might try it. But the red oak is IN. if & when I get some more cash to build. (And to think I do this for money!) Bah. I need a job, cuz this didnt take off as soon as I wanted it to. Drat.

    if in doubt add carbon fiber stiffener rods

    i did a les paul neck recently that was quite flexy before the carbon fiber

    afterwards a set of .012/.052's w/wound 3rd only pulled about .015 relief into the neck when tuned to pitch before i added any truss rod

    i now add them to anything i have the fingerboard off of

    i'm that sold on em

    it's a slow take-off doing something like this...that's why i still have a day job

    kids all need new shoes

  6. speaking of seldom used woods...i've always wondered why hickory & ash are not used for neck woods...both are incredably tough, tight & straight grained

    the main beam in my neck jig is ash & it's a wonderful looking piece of wood

    as for hickory...just check out any sledge hammer handle

  7. hey everyone

    this is my first post

    glad i found this forum

    i've been looking for one that was more tech oriented

    i did a purpleheart veneer on a neck back

    it wasn't wrapped, but rather i milled the back of the neck flat, bonded the purpleheart to the flat & filed/sanded it to match the original contour

    looked pretty good

    pay attention to the fit into the headstock transition area for nice fit

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