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jammy

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Posts posted by jammy

  1. I'm using a 29" scale, and to keep things looking right, a 15 fret neck joint.

    This leaves the bridge about 1.5cm further back on the body than normal on a 000, to compensate for this I shifted the X a little, but added a large, slightly thicker than normal bridge plate to transfer the string tension stress to the X's a little better. Other than that it's normal 000 like my last (with the wing/block arrangment at the neck end like before)

    Side thickness was about normal (2.7mm) but I thinned them a little at the wastes to avoid cracking in the flame.

  2. Well, this guitar's quite far along now, but I thought I'd start the thread at the begining...

    Here's the pile of wood I started off with Click

    And my spec list...

    Oregon myrtle back and sides

    Sitka Spruce top

    Rosewood neck

    Ebony Board

    Ebony Bridge

    Spruce bracing

    Mahogany blocks

    Mahogany linings

    Rosewood binding on the body

    Maple bound fretboard

    29" scale tuned B to B or A to A

    000 body shape, but 10mm deeper at all points

    Pinned tennon neck joint

    Bone nut and saddle

    And where I'm up to today - I've just leveled the bindings up to the top and back, and I'll get them flush with the sides tomorrow, and start the neck joint.

    picture of front

    5.jpg

  3. I'm soon to be furnishing my new workshop (it's in the process of being built at the moment) and I've decided on most of my tools, apart from my bandsaw.

    I'd originally settled on an axminster saw which retails at about £455, but I was warned off this unit by Nathan Sheppard.

    So I'm on the hunt again - I need a bandsaw, which is as good as possible, available in the UK with a price limit of £500. What do you guys suggest?

  4. Just from curiosity,...

    How on earth do you manage to purchase such fine necks/neck woods with barenuckle pickups at the age of 14???!!!!

    Firstly, its a double neck!! Are you that good at playing? And Roland GK-3, since when did you become a recording artist needing synth?

    Well, good luck with your build but right now I feel a bit jealous.

    *sigh* If he's good at what he does, which he certainly seems to be, why not use the finest kit available?

    Also - why do you have to be an amazing player to build an awesome guitar?

    I'm not that good at all, but I love making guitars and hearing them played by people better than me.

    He doesn't have to justify his choices to you - he's just doing what he wants.

  5. I'd be tempted to dowel that heel - either from the top after removing the fretboard, or at an angle from the rear of the joint. You could also remove the heelcap and go through that way.

    That way, even if your glue joint fails down the line, the dowel will keep the joint together.

    A good plan Stech. without replacing the block you're not going to get a nice super-tight dovetail in that again.

    Dowels would be a great idea.

  6. Since the wood never bends exactly the same each time, you then form the top and back to match the way the sides came out.

    Um.... not according to *anything* I've seen. You start out with a design, you bend the sides and shape the top to fit that design, and then you glue them togther, so they hold that shape.

    He's right you know - it's virtually impossible to get your rib structure perfect, so the top and back are adjusted slightly from plans if required to provide the correct overhangs.

    It's only minimal, but that's the way it's done.

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