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DC Ross

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Posts posted by DC Ross

  1. If you are buying direct from Grizzly check to see if they still offer a Timberwolf with a bandsaw purchase.

    I just bought the same saw last month after reading the 'bandsaw showdown' in Fine Woodworking (?), and it didn't come with a Timberwolf :D

    Andy: I think a 3/8" 6 TPI hook blade is a good all-purpose blade like what you're looking for, but at $10-12 a pop, they're cheap enough that I'd pick up a variety from 1/4" - 1/2"

  2. So I finally bit the bullet and got a brand-spankin' new Grizzly G0457 bandsaw. The only problem is that I'm an idiot. It comes prewired for 220V operation and can be rewired for 110V, so I figured "Great, I'll just rewire it, plug it in and go", not realizing that it'll be pulling 20A @ 110V. The instructions specify that it requires a 25A circuit and a 5-30 or an L5-30 outlet. Even if I could find either of these outlets, they wouldn't do me much good, since I only have (over-loaded) 15-20A circuits.

    So... I'm thinking about installing a subpanel in the garage / shop, which is about 20 feet from the main panel. I have 2 open breaker recepticles in my main panel, so that shouldn't be an issue.

    Has anyone done this themselves? Any words of advice? Anything else I should be planning for?

  3. Yup, it sounds like you're looking for a bass, not a baritone guitar. Baritones are (usually) tuned B to B (B E A D F# :D, and a bass is typically an octave below a standard-tuned guitar. (Very) long-scale baritones and (very) short-scale basses will overlap scale lengths at around 28-29". The three baritone guitars I play are all 27", which seems to be a fairly standard scale length for a baritone (again, tuned B to :D. If you were to tune E to E, an octave below concert-pitch, be prepared for some seriously thick, noodley strings.

  4. 26.25" seems a bit short for a baritone (tuned B to B ), but may be okay for your mandocello.

    I have two electric baritones and one acoustic.

    On one electric (27" scale), I have 12, 16, 24p, 32, 44, 56, which is really noodley.

    On the other (again, 27"), I'm using whatever came stock on it (just got it a couple of weeks ago -- an ESP LTD MHB-400. I think they need more letter-number combinations.)

    On the acoustic, I use 16, 22, 29, 48, 60, 70 which is a bit tight

    It sounds like an interesting project, keep us posted :D

  5. I'm on disk 4 of the Finocchio DVDs. Check your local library, they may have a copy. I'd say they're good, not great. For example, he didn't build his own neck, and while they show him sanding for a 1/2 hr at a time (no wonder it's 9 hours long), they totally neglected to show routing the neck heel pocket, and the camera work is shoddy.

    Ryan -- thx for the link to O'Brien's vid, I'll have to check it out.

  6. Before hacking into the body, check the nut to see if the slots are a good depth, and check the neck for any bow. These both have an effect on the action. If the neck's straight and the nut is well-slotted, and your only other option is to set the bridge into the body, a router is the tool of choice.

    I'd wait to hear what some of the other, more knowledgeable, members have to say though.

  7. If you're going to end up with one anyway, why not just bite the bullet and get what you really want?

    :D

    Actually, I know a guy who did buy one & "went to town" on it.

    Oh, back to the topic at hand... All of that's do-able, depending on your skill level. For a beginner, changing the logo & pickups should be relatively straight-forward. Scalloping the neck and changing the inlays may pose a greater challenge. It's a cheap enough guitar, so I wouldn't feel too bad about making it a "learner" :D

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