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aidlook

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Posts posted by aidlook

  1. ...Now looking at someone like David Gilmour...

    I was thinking of Gilmour and his 3 1/2 step bends when I saw that fretboard. They claim that those crazy frets won't affect bends, but how could they not? If you bend past the 'transition point' of the frets between strings, you'd have to hear a noticable bump, or maybe choke the note entirely depending on the difference between the fret positions.

    I'played one (not one of the extreme ones) and actually it didn't really affect bends. I thought it was going to, but it didn't. And also I wouldn't believe Vai would want them if he couldn't do bends...

  2. UPDATE:

    I've decided against filling the holes and will be making a really small cavity with a coverplate where the bushings may dwell unseen. Doing this feels right to me and is IMO more aesthetically pleasing.

    IMO it's making excuses for not (easily) repairing a mistake. But then again...that's just my opinion

  3. I used the small 3-4 mm holes as a guide for my ferrule-holes so they don't align either. :D

    It's f-ugly.

    Therefore, I will make a coverplate that keeps them out of my sight whenever I'm not changing strings. Luckily all other holes that are to be drilled are much bigger so the bits shouldn't wander on those.

    Thanks for the input guys! :D

    I'd say fill the hole and re-drill it instead...It's gonna come out better in the end, and will probably take less time.

    And I don't think that the end product will be that important for your grade btw, it's 90% just the log and presentation.

    You can end up with a pile of wood and still get good grades becaue the project is not at all about what you make, it's just about the process.

  4. Nice to see someone inspired :D

    guitarfetish sells 4+2 tuners, not too expensive, and you could save the 6 you have for another project.

    You can use your old tuners though, although it's usually not reccomended to run tuners in reverse. If this will really cause a problem in the long run I cannot tell you. On my first guitar I put them in reverse, haven't encountered any problems so far.

  5. This link might answer part of your question.

    http://www.kettering.edu/~drussell/guitars/index.html

    to me, that link really says nothing...

    Nowhere is the actual "tone" discussed" just how a couple of different guitars seem to resonate (with the strings dampened).

    Also, I'm not really shure what that test is supposed to prove...that an acoustic resonates differently from an electric? that two electrics of different materials resonate differently?

    The test is carried out on one guitar of each model, this is imo way to little to draw any conclusions, especially about the shape of the instrument, since they where built from different materials.

  6. Of course the shape matters, everything matters. But does it make a noticable difference? chance is pretty slim, considering two bodies of the same wood and mass, unless the shape of one of them is really out there (like a 1,5m long stick) the difference would hardly be noticable.

    Biggest trap when planning a guitar is reading into too much bullshit on the internet. Just because someone figure out how to post their thoughts on the web, doesn't give them credibility unless they can back their theories up. In most cases, someone just comes up with something that seems logical to them, posts it on the web, 100 people who don't know better regurgitate the "information" somewhere else and after a while it's suddenly a fact.

    I'd say worry about the stuff that will have a major influense on sound, don't bother about the rest of the voodoo. IMO it's impossible to predict exactly how a guitar is gonna sound anyway, so just build a guitar with components that are proven to work and get some experience...after a while you can start experimenting with way-out-there theories.. (even if you hear someone who claims they've experimented and come up with amazing results, the truth is that the amount of data collected is most likely waay less than what's needed to actually prove a theory)

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