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aidlook

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aidlook last won the day on September 20 2019

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About aidlook

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  • Birthday 05/07/1986

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    Norway

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  1. Thanks. I chopped these like mortices. But would have been very quick to just drill out most of the excess and finish the sides and bottom with chisels and router plane. The biggest advantage to me is the lack of noise and dust.
  2. It's oxidised -I guess that happens when you leave a project for three years. I found a high spot on the back (turns out my first attempt at hand planing wasn't perfect) and levelled it out - massive colour change.
  3. Thanks to social distancing, I've found myself with spare time in the shop to pick up this project. To mark out the location of the bridge pickup, I designed a template with tabs for centering on the bridge and 3D-printed it: The white insert lets me mark the positions for drilling the corners. Marked with layout knife Corners drilled out. Time to chop some space for the pickup. Bottom finished with router plane Finished bridge pickup pocket. Also put some more work into final shaping of the neck, especially around the heel.
  4. Getting back to the guitar, some shavings have actually been removed again. Continuing the pursuit of noise and dust management, I've tried out yet another hand tool -the Veritas Cornering tool kit. Worked really well for radiusing the edges consistently. Easy to use, as long as you're aware of the grain direction.
  5. The design is extremely rigid, essentially a large U-beam with the leg assemblies housed and wedged in the aprons. It’s built pretty much to spec from Paul Sellers’ YouTube series on building a workbench which luckily coincided with my paternity leave. Well spotted on the vintage vice, I refurbished an old Record 52 1/2:
  6. Progress! Well, not on the guitar, but on the new workshop. Here was the starting point, main issue being the lack of insulation. Floor, walls, and ceiling insulated, time to get started on upgrading the workbench: Just some finishing left to do on the workbench, and I'll be able to get started on tool storage. It turns out that being too busy to do woodworking, does not mean being too busy to keep from buying more tools. Once the tool storage is in place, I think it's time to wrap up this guitar project.
  7. Well, it hasn't been very quiet lately... I was supposed to finish this project before starting my next DIY project -kids. However, the day after my last post our twin girls were born a few months earlier than expected, so the project has been put on hold since then :-). In the meantime we've managed to sell the apartment, and bought a house. This means that there will soon be a new workshop! Actually, I don't know if soon is the word, but the (much larger than before) dedicated space is there at least. We'll see when I'll have my hands free for long enough to finish this build.
  8. Time to get started on the nut, which will be made out of unbleached bone. Pencilling in the shape and rough slot depth using feeler gauges. Rough shaping Checking rough shape against fretboard (fret ends just cut flush at the moment). Starter slots cut, checking spacing against fretboard. Slots filed to fit Ernie Ball Super Slinkys. Final shaping and tuning of slots will be done later. Also found some time to get started on the truss rod cover: Ripped a thin piece of maple from the headstock cutoffs and sandwiched a spare piece of rosewood binding
  9. Thank you! The slower process makes it surprisingly easy to control the results. Once the layout is in place, and the knife walls are established, the chisel seats itself in the correct place. I did some tests for the neck pocket on a scrap piece, and the only time i had an issue was when trying to remove material faster.
  10. Progress made, time for an update! First time trying a fret job with blind fret slots: Before I could finish fretting the board, there was a small mistake to fix... While shaping the headstock, I had a slip-up with the chisel and cut into the side of the fretboard at the first fret. I cut a matching shaving from some left-over rosewood binding and glued into place: Time to get started on the pickup cavity. The corners were drilled to achieve radii, and knife walls were established tangentially to the holes for chopping: The method I used for cutting the recess was:
  11. It's mostly been a lack of focus on dialling in the right balance setting. I'll start working in natural light, and transition to indoor lamps over a couple of hours, forgetting to change balance settings.
  12. Thank you I think most of them were taken with a 35mm f1.8, maybe one or two with a 50mm f1.4 (but probably not shot wide open). I find that both work really well for handheld shooting of progress pictures with whatever light is available. With the light varying between natural light and halogen spots, I could have paid better attention to the white balance. The cherry knobs are great, although the birch would match the E.A. Berg chisels, and I'm quite partial to it after having owned an 80's SonorLite drum kit which I regret having sold:
  13. Thanks! Yes, that's a mahogany body (not stained, or finished), with a maple neck & rosewood fret board.
  14. Ok, overdue for an update. Drilled the tuner holes using a jig: The results were satisfying, putting some black sperzels on this one: Started cutting the neck pocket with a chisel and router plane: Trying neck in the slot to ensure a snug fit: The pocket has now been cut to full depth, but no pictures taken yet (it's a good fit).
  15. Having grown up in Scandinavia, I'm surprised that the 24h sunlight still surprises me every year. Maybe it's the ability to work in natural light at midnight that's causing the mistakes... Thank you, not sure how skilfully they're used though, seeing as it's my first try with most tools (all practice has been virtual -watching Paul Seller's youtube channel: https://www.youtube.com/channel/UCc3EpWncNq5QL0QhwUNQb7w). Satisfaction level is very high however.
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