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1nf1d3l

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Posts posted by 1nf1d3l

  2. Guitar Of The Month For April

    in Guitar Of The Month entry/poll archive

    Posted · Edited by 1nf1d3l

    thank you very much! i can now make my touch decision...

    which is... maidens 7 stringer. i was kinda torn between all of them... theyre all so beautiful.. but his edged out hte others with that amazing finish

  6. Setting Up A Slave Head?

    in Players Corner

    Posted

    i used to have that same marshall amp.

    run a metal zone pedal into the clean channel of the marshall,and an eq through the effects loop.with a little tweaking you will get much better results than what you intend

    ive tried running pedal distortion through the clean channel, i cant get it to sound like i want it to. thats alot of why i just want to utilize the power amp section, so i can use my peavey, cuz i get good tone out of my setup using that.

  9. Setting Up A Slave Head?

    in Players Corner

    Posted · Edited by 1nf1d3l

    NO!   :D  Please don't do that! If the only output your amp has is the speaker output, you'll have to have an attenuator like a THD Hotplate or a Weber MASS. Plugging the speaker output of even a small amp into any input is going to cause much smoke and large repair bills! The important word here is "line" - if the combo amp doesn't have a line level output (usually labelled line out or preamp out), you cannot do this without an attenuator! If you can't tell the difference between a line output and a speaker output, it's probably best not to try anything tricky, unless you can afford to replace both amps! :D

    actually the combo does have a power amp in and a pre amp out. the head is what im wondering about. its a marshall g100rcd... and the combo is a peavey bandit..

    lol.. im confused.

    i want the marshall to be the power, and the peavey to be the preamp. they both have fx loops, and the marshall has a cd input, while the peavey has preamp out and power amp in.

    so i go from the peavey preamp out into the FX loop in on the marshall?

  25. La Triestele

    in In Progress and Finished Work

    Posted

    All of the configuration details were requested by the customer.  He plays strictly slide in an open G# tuning and he doesn't use the 6th string at all.  He has several others set up the same way.  He only finger frets the strings up to #15 so I suggested putting in markers for the high frets flush with the fingerboard.  Gives a little more slapping room.

    The inlay is aluminum.  Pretty easy to put in, but filing flat and polishing puts little specs of metal in the pores int rosewood and it oxidizes black so it was really hard to keep the wood clean.  Probably work better with ebony or synthetic fingerboard.

    I'm about 60 air miles south of Anchorage = 180 miles through the mountains by road.  Nikiski, Alaska  about 1500 people scattered around the area.  The onry ones are kind of hard to count though.

    After talking with MM a little I'm sure that if we were locked into a shop with plenty of tools and material some very strange things would come out = if we survived.  He has an evil mind.

    crazy. but hot nonetheless
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