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M_A_T_T

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Posts posted by M_A_T_T

  1. files.jpg

    Very good condition, not used terribly often, original cases, too. Sizes 0.105"/0.120", 0.075"/0.090" & 0.036"/0.042". I marked the respective sizes near each edge so I would never use the wrong cutting edge, quite handy. I think $15 :D each is a fair price. I can take money orders (bank/western union). Not sure what shipping would be yet. They can probably be shipped in some kind of an envelope so it shouldn't be too much.

  2. Thanks for the nice comments. I'm not sure what my next instrument will be, or when exactly I will start it. I may just do another violin so I don't have to make new molds & templates. I don't have the equiptment to get sound samples. I was playing it last night, though. I don't know how to play very well and don't really have an 'ear' for stuff like this, but compared to two other violins I have, it has better low-end, but not as sweet a high-end as one of the others. When I get better pics I'll be entering it in GOTM. :D

  3. If this helps this is how I change a blade on a Delta 14":

    -Unplug saw and remove other blade (usually I have to clean gunk off the tires before fitting the other blade)

    -Insert different blade and tention (my saw tentions automatically, just a lever & a gauge)

    -Loosen upper and lower guides so they do not touch blade

    -Rotate upper wheel to run blade through

    -At the same time adjust pitch/angle of (in my case) top wheel until blade runs in about the middle of both wheels smoothly, then tighten

    -Adjust rear upper & lower bearings so they just DON'T touch the back of the blade

    -Adjust side blade guides so they touch the blade lightly behind teeth (I use phenolic guides that are allowed to touch the blade)

    -Replace table insert & table 'splice bolt?', then plug in saw and run for just a few seconds to make sure the blade doesn't fly off

    I think that's it, just off the top of my head.

  4. Some scientists have been researching his violins for quite a while and they're beginning to speculate that their unique sound quality stems from the fact that the wood they're made from grew during a mini-ice age in europe about half a milenium ago.

    Or that he soaked his wood before using it, or it was the varnish he used, or the fact that most surviving instruments have been re-graduated, had new bass-bars fitted and new necks for a modern playing conversion. Lots of people have tried coming up with ideas about what made his instruments sound the way they did. I think alot of it is simply the age of the instrument and good craftsmanship.

    One thing about that ice-age-wood idea is if a tree was to grow in a mini ice age, that part of the tree would still exit today, just deeper in the tree, so wood like Strad used could technically still be available today.....

    How are you clamping the top on, ~john~?

  5. Dude that's DOPE! :D I had fun making my Stewmac kit a few years ago, hope you have fun too. Check my sig for the link to my violin making pictorial where I'm making one from scratch.

    Are you using the chalk fitting method to fit the bar? I don't recall that from the Stewmac instructions. It involves soft black-top chalk rubbed on the top, then you put the bar in place and rub it slightly to mark the high spots, then you shave those off and repeat, until the entire surface of the bar gets covered with chalk, then you will have a perfect fit op the top. You can see me do it in my pictorial somewhere.

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