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Nitefly SA

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Posts posted by Nitefly SA

  1. Just take your time and read up and it should turn out fine. You'll need a fret nipper and a fret tang nipper because of the binding, you could put the frets in with a hammer if you don't want to spring for a press. and then leveling and crowning can be accomplished fairly easily with tools you probably already have lying around.

  2. there is no "problem" with the fretboard, it is just played, I don't think it possible to get the dirt out of the fret board in those areas, Either a new fretboard it you want it to look new, nice, and uniform or keep it the way it is and have it look like a played classic, I'd say leave it.

    Those frets look damn near flat, so a refret my be in your guitar's future.

  3. Hardware you'll need a barrel style jack (I'm assuming as it isn't visible in the picture) an original Floyd rose and a D-tuna. The tuners are probably Gotoh. The Wiring is pretty simple, Seymour Duncan has all of their wiring Schematics in color and they are very easy to follow, just look up a wiring Diagram for 2 humbuckers a 3 way switch 1 volume and 1 tone.

  4. When I watch Buckethead, his whammy is not depressed at all. I'll call that zero. When his whammy is at zero his guitar sounds normal, it is only when he begins to depress the pedal that the pitch raises. I assumed this is because he has a better version of the whammy, I saw Rockford's own shredder friday night, Shawn Williams and he has the same whammy 4 but the same thing as buckethead when it's on and on zero it sounds like his regular guitar and the effect doesn't kick in until the pedal is depressed. When I turn my whammy on and it is at zero the pitch is always raised, How can I fix this? I already removed the rubber stoppers on the bottom of the expression pedal to help it get closer to my original pitch, an improvement but still not all the way to zero. is there some sort of internal switch or something? Thanks to all who can help, even a little bit.

  5. I want an RG with a smoother, richer sound, often attributed to the Les Paul. I want a lot of sustain, it will be a neck through and a hardtail so I suspect sustain won't be in short supply. It was probably a mistake saying I wanted it to sound EXACTLY like a Les Paul. I don't. I just want it to sound um.. thicker? I just want a warmer tone than the standard Basswood has.

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