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scorpionscar

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Posts posted by scorpionscar

  1. I present this beauty called "DEVA JAZZ·". Deva is the godess of water in celtic mythology, and in the region where I live in, are descendants of celtic. This guitar is suitable to any situation, both distorted hard rock sound and clean as well, so it addapts like water to its container, and jazz for her neck Seymour Duncan SH-2N jazz PUP. It is a really all terrain guitar and this is the reason I designed and built her, for a friend who plays in orchestras and due to this, he needs a very versatile and lightweight guitar.

    I've been building guitars for nine years and it all began with a knee surgery which apparted me from work and normal life during a whole year. Was this way that I began to read about guitarbuilding and developed this art which I'm in love with. My first guitar was a bubinga and flamed maple top explorer model resized 10%, with which I discovered this amazing forum. DEVA is actually my sixth guitar. All my projects are developed in my garage, which I've conditioned as my workshop. Also have designed and made a lot of machines and jigs for this purpose.

    The body of the guitar is made out of Spanish cedar because I love the tone of this wood and also because is quite easy to work with. The top is a selected piece of European maple and the first idea of my friend was a solid white finish, but due to the beauty of the timber and its eye-candy grain, we decided to go with a natural nitrocellulose one. The neck is a multilaminated wengue and bubinga, and the profile is ultrathin following the specifications of my friend.

    The specs are as follows:

    Body: Spanish cedar with maple top

    Neck: Wengue&bubinga 5-layer multilaminated with 12" ebony fingerboard

    Frets: 24 Jumbo

    Scale: 25.5"

    Nut: TUSQ

    Bridge: Hipshot black

    Tuner machines: Schaller 3L+3R

    Switch: 3 way toggle switch

    Controls: 1 volume, 1 tone

    Neck pup: Seymour Duncan SH-2N Jazz

    Bridge pup: Seymour Duncan SH-4 JB

    Finish: Nitrocellulose natural Gloss

    Hardware colour: Black

     

    You can follow the building of this guitar with another three in the following link:

     

    Some pics of DEVA JAZZ:

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    parte_trasera.jpg

     

    Thank you so much for your time and for reading my entry.

     

    Scorpionscar

  2. On 8/15/2018 at 8:07 AM, Prostheta said:

    Wow, now that's a nice guitar! One I'd certainly get along with very well. That's a material and hardware spec that speaks to me. Nice.

    Going to GOTM her?

    Thank you so much for your words Prostheta. About GOTM Had not thought,.. but maybe I'll take part if I'm in time...

     

    On 8/15/2018 at 10:09 AM, Andyjr1515 said:

    Beautiful guitar - top class.

    Excellent job. :)

    Thank you so much Andyjr1515!!!

     

    On 8/15/2018 at 2:05 PM, FINEFUZZ said:

    Magnificent,  Beautiful body and a lovely headstock form!

    Thank you FINEFUZZ, I'm glad you like it!!!

     

    On 8/15/2018 at 3:58 PM, ScottR said:

    Very nicely done!

    SR

    Thank you so much Scott!!!

     

    On 8/15/2018 at 5:10 PM, mistermikev said:

    I concur... amaz-balls.

    Thank you mistermikev, probably I'll concur too.

     

    Scorpionscar

    • Like 1
  3. First hardrock beauty ready to rock. I have called it DEVA JAZZ, because Deva is the godess of water in celtic mythology,and where I live in, are descendants of celtic. This guitar is suitable to any situation, distorted hard rock sound and clean, so It addapts like water to its container, and jazz for the neck PUPs. It is a really all terrain guitar. Specs and some pics of the guitar. Hope you like it!

     

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    Scorpionscar

    • Like 3
  4. On 7/18/2018 at 3:50 PM, FINEFUZZ said:

    Wow, this build is impeccable and possesses so many awesome design details. 

    I have never really liked the flying-V platform until now.

    Thank you so much FINEFUZZ, I'm glad you like it. Explorers and V's are really sexys, I love them!

    On 7/18/2018 at 4:49 PM, ScottR said:

    Astounding attention to detail.

    SR

    Thank you Sco0ttR

     

    This is the engine under the hood:

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    Scorpionscar

     

  5. 9 hours ago, curtisa said:

    The pot case is metallic and conductive, so there's no real need to connect it to the cavity shielding with a dedicated wire. Bolting the pot through the cavity wall should be sufficient.

    As long as you can get a connection to any and all parts that must be tied to ground, that's all you need. If there is an air gap between two parts that must be grounded then you just need to find a way to bridge that gap, either by wire or by direct contact with each other.

    Ok, I understand. Thank you so much Curtisa. Is important having this issues clear in order to have a correct wiring and eliminate any unwanted noyse. Probably this weekend begin to wire some of my guitar buildings, so I like to plann each detail before doing it!

    Scorpionscar

     

  6. On 6/20/2018 at 3:10 PM, Prostheta said:

    I thought I'd update you on clearcoating over decals. This is aerosol 2K clearcoat over a decal. First day of applying layers. The edges of the decal are buried and can only be seen if you really try hard to find them. Flatting of the clearcoat will hide them entirely. These decals were made for me by Rothko and Frost and are simple waterslide transfers. The ink can melt if you spray anything heavy to start out with. Light coats seal it, subsequent coats bury it.

    IMG_9341.JPG

    Really beautiful Prostheta. I've followed your advises about dust coats and is incredible how none dissaster occurs. The sticker is protected and then is possible to open the flow of paint in the spry gun. For the headstock of the Flying-V I used a 0.18 mm thickness sticker in vinyl, too much thicknes and was hard to cover it by the clear coat. What I did was to use a paint brush and fill around the sticker, the result was very good. The next day I water sanded for flattening the surface and applyed more clear coats over. The sticker is perfectly inside the clear coats but it was no easy...

     

    Scorpionscar

  7. 2 hours ago, Norris said:

    I was wondering wether to make a metal/ebony laminate for durability. I don't know how a thin sliver of ebony would stand up to being removed and refitted a few times. A slight over-tightening of the screws is likely to split it

    Ebony is very resistant, mine are 2 mm and there is no problem. However you can do a multilaminated. I usually do this specially with control cavity covers.

     

    Scorpionscar

    • Like 1
  8. 15 hours ago, Prostheta said:

    Yes, spray a couple of dust coats to seal the decal. The amount of solvent being laid onto the decal is low enough so that it doesn't melt. These decals melt with both alcohol and stronger solvents, however I sealed it with with a couple of light dust coats 2mins between from a 2K aerosol, then laid on a couple of proper coats.

    IMG_9339.JPG

     

    It's not the best example (I broke the decal in the lower part of the L, plus I didn't completely grain fill the Wengé) however it was only a prototype run. The 2K has been sanded back with 800 grit to get rid of orange peel like you were experiencing. The next layers should build up high enough so that it can be cut back to a perfectly (for the most part....) flat surface.

     

    Thank you so much Prostheta!!! I understand when you refer to "dust coat" means in my case, poliuretane lacquer + catalyst without solvent?

     

    Scorpionscar

  9. I have a question, decals, logos, vinyls open a world of possibilities, but when you attach to the headstock and spry lacquer or poliretane over it, I think the normal think is the solvents miss the sticker. I've just done a test with, alcohol, no problem, with solvent, the drawing dessapeared. Tomorrow I'll try with clear poliuretane without solvent...Any advise about this issue?

    Scorpionscar

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