Retuos

On ‎11‎/‎02‎/‎2017 at 0:38 AM, charisjapan said:

Hey Retuos,

As has been said, there are no exact rules for pickup position, "warm tone in the neck" generally comes from being as close to the 12th fret as possible.    With a 24 fret humbucker guitar, butted right up against the fretboard is the best you're gonna get.  I have a 24 fret SG, and that's where the neck pickup is.  You would do well to have a warm pickup, too.

What concerns me about your bridge is the outline of a Gotoh hardtail bridge with the saddle line about in the center ... that doesn't seem right.  The bridges I have seen usually have the A saddle at about 2/3rds toward the neck.  I don't think you can screw those saddles that far back, and the E would usually be even a little farther back than that.  Before you decide bridge location, make double-sure where your saddles are at the middle of their travel, and use the A saddle as your point of reference.  My SG has the bridge humbucker a bit closer to the bridge, but that is again a personal choice.  The closer it gets to the bridge, the more "nasal" the tone, but also less volume, so usually want a higher gain pickup.  It's all a toss up in the end, any custom guitar will have its own character.

But check that saddle,  Correct scale is more important than pickup location!

Cheers!

Thanks for the reply!

I have ordered a separate bridge, not the Gotoh. I'll send you a picture when it comes. So should I get all the saddles in the middle and then measure it from there? I have two designs. The one I have currently which I redesigned with the Gotoh. (I essentially moves back the scale so the bridge is further backwards) or my other one where there is a larger space between the bridge and the fretboard) I am awaiting the bridge to do a further more accurate Drawing.

Thanks

R

On ‎11‎/‎02‎/‎2017 at 0:26 AM, curtisa said:

I'm a little surprised that the saddle breakpoint on that bridge appears to be smack in the middle of the block. I'd double check the position of that line relative to the outline of the bridge you've drawn. Typically the high E string will intonate with the saddle nearly fully forward. On a freshy-placed bridge it's unusual for the highest strings to want to intonate by moving further forward beyond this. If anything the intonation point will likely be further away still. Every other string will then intonate even further back from the high-E by varying degrees. If that is the case then you can probably move the bridge (and subsequently the bridge pickup) further back another 0.5" or so.

But check first.

Thank you for your reply, I have ordered a separate bridge now. It's on it's way. I'll tell you when it comes and show you what it is.

7 hours ago, ScottR said:

Agreed. There is no magic number. The only rule of thumb that I concern myself with is that the more separation they have greater the difference in tone they will have (not withstanding the variances in wind and output inherent in your pickup choices).

SR

So would you say that they're a reasonable distance apart? I'm aiming for a rich deep warm tone in the neck and I guess a decent treble tone in the bridge but not too much treble for soloing. I guess it's hard to describe exactly.

21 hours ago, curtisa said:

Provided your bridge is positioned correctly for your given scale length, I personally don't see an issue with that placement. Looks not unlike the spacing on a 24 fret PRS Custom.

As shown in the image, there is my bridge and there is a clear line inside the template. That is the line where the strings meet the saddles. So yes I do believe my scale is accurate. So it wouldn't be too close together? That was my only concern. I did design this guitar off a Telecaster and a PRS.

9 hours ago, ScottR said:

As curtisa says, if you are still in the design stage, you can just change the placement of your pickups. If where they are is integral to the design you can move your bridge back and the neck / fretboard will need to come that way as well to maintain your scale length. And the gap will be closed. And to answer your second question, no it will not hurt a thing to leave everything just where it is. There is a ton of voodoo out there as to where the sweet spot for pickup placement is...where they are in relationship to the nodes of the vibrating strings, but voodoo is all it is. The nodes move every time you fret a string.

SR

21 hours ago, 2.5itim said:

Happen to have pics so we can see what exactly you're talking about? I'm kinda confused on if your in the drawing design stage or if you have already cut the wood. 

 

23 hours ago, curtisa said:

If this guitar is still being designed, is there anything stopping you moving the pickup cavity towards the neck to close the gap?

Thank you all for your kind posts to help.

I fact I managed to sort it before seeing any of this. I rubbed out what I did and completely redrew it in the body; everything is in shape. However I'd like some clarification. I have drawn out a template of pickups and tacked them on where they should be. From centre to centre of the humbuckers (where the cross is), they are about 72mm apart. Is this is good distance or is it too close? The neck pickup is now 2mm away from the neck (which is what i wanted) and the other is about 8.5mm away from the bridge. So they're nice and close. 

There's an image attached.

Please advise.

Thanks all again for your responses earlier.

Retuos

QUICK EDIT***

I have measured the length on one of my prized guitars. It has the same distance. However on another it's super close together.

Hello fellow guitarists!

I have a slight problemo. I've been designing this guitar for a while and have just drawn in the frets. It's a 25" scale with 24 frets however they do not reach near to my pickups. In fact from where fret 24 is there is a 24mm gap between the fret and the pickup hole. The length from the nut to the 24th fret is bang on too. Does anyone have any suggestions as to why this may have happened and if it is bad?

Cheer,

~Retuos