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Vinny

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Posts posted by Vinny

  1. ok, interesting projects.....

    .... I was asked by a friend to set-up her acoustic (She used to work as a dominatrix, no i was never a customer - just a little background info for ya).

    while she was round she was looking through the wood stash and trying to convince me there would be a market for CF reinforced hardwood paddles, nope - not for rowing!

    Dont think its something i am going to do for sale but the dirty girl might be getting one for her birthday present!!

    Wez, I nearly spit my coffee all over the desk when I read that! :D -Vinny

  2. Update: Believe it or not, just last week I went to set up the planer on a stand I made and noticed the lower housing was Cracked! Oh Crap! Im screwed big time, no way are they (Rockler) gonna help me some 4 months later. Well, I called and guess what, 4 days later a new one arrived (not cracked) and they included shipping paperwork to UPS back the damaged one. Great customer service in 2007 when it seems companies are getting more frugal, the employee I spoke to must've apologized 4 times for the mis-hap, She said Delta will take it back so its no problem. Im a happy camper and will continue to buy from Rockler. -Vinny

  3. Funny thing that this topic happened to come up as Im about to clamp down a 3/16 birch ply top on my ES175 style hollowbody. Ive been looking at the arch I have in the center block and Im worried that It'll split the birch when its clamped down. The ply bends great with the grain, but across the grain it wants to split easily. Add to that the fact that the body's kerf-lined edge is flat across, so this birch will have to do a helluva dance to stay glued down. I see no other option but to reduce the arch to the bare minimun. Its a trade-off for not carving a top in the traditional way, but thats okay. I really want get on with completing this one and move on. -Vinny

  4. Hi Woody and welcome, I dig Les Pauls myself and plan to build one (a goldtop) next year. Though I tried to grasp the method you described to get the neck angle, I honestly couldnt wrap my brain around it. Maybe its cause Ive seen simpler/safer methods posted here. I pulled up a batch of photos I saved that were posted here by a member. Im sorry to say I dont recall his name to give him credit. He posted pics of the build up along with some great jigs. Use the search tool and search 'Les Paul' in the Work in Progress section, you'll find some great stuff. Heres the pics I mentioned. take care, -Vinny

    http://s69.photobucket.com/albums/i79/edadmartin/?start=all

  5. I picked up a few 24x48 sheets of 3 ply birch, 1/4'' thick and nicely finished (Home Depot). I thought they'd be good to use for tops and backs for a hollowbody archtop project Im working on. I've seen other builders here use a similar thin plywood and clamp/glue down onto their body to form a hollowbody. The wood looks promising with decent grain but the one thing Im not crazy about is the Red hue of the birch, Can this be bleached out and turned back to a white-ish wood color? If it can be done I would appreciate some advise. The color I plan on for his guitar doesn't include red. Has anyone come across other lighter natural colored finished thin plywoods? Im not too crazy on the idea of hand-carving a top. Thanks, -Vinny

  6. My experience is just 2 necks so far. I hammered the frets in on my first, I didnt have a 'feel' for it at the time so I didnt seat some enough and over-hammered some others. On neck #2 I got the Stew Mac 12 '' radius caul only and made a holder from hardwood. There is a satisfying 'crunk' sound that you hear when the fret is seated. I found the caul's perfect radius left small contact gaps at the fret ends, probably cause the frets were overbent. Like what was mentioned above I may get a 10'' radius caul and use both. I still had to tap in the ends to fully seat them, this was with my fret tangs cut back so that may be why the end stayed high. Still learning but Im happy to have both a fret hammer and caul to use. I think I'll put a support block underneath the press table just in case. -Vinny

  7. Nice Build you got going there. On the first fingerboard I glued down, I read a tip here that said to shoot 2 staples into the neck, one at each end along side the truss rod channel. You snip them back so all that remains is 2 sharp little pins, align the fingerboard an simply tap down. its locked in place and wont slide around for glueing up. -Vinny

  8. Tonite this hit like a lightning bolt, I've been trying to come up with an idea for a shooting table to do fret slots. The stumbling block has been the .023 kerf saw blade (I know, I know, why not just buy the blade stupid, right?) I wasnt crazy on buying a $70 blade and having to swap out blades from my table saw and go thru the set up every time I wanted to slot a fingerboard. I really wanted a small dedicated power slotting table. A couple weeks back I picked up a saw attachment for my Dremels (part#670 paid$20 US), I didnt have an immediate use for it but it was too cool an attachment to pass up, it looks like a micro circular saw with a spring loaded blade gaurd. It threads onto the nose of a Dremel in about a minute's time. The saw housing is not perpendicular to the Dremel but is angled maybe 15 degrees so you can make a 90 degree cut and the main body of the tool isnt hitting the board you're cutting. So I opened the package tonight and looked it over, I held the tiny saw blade in my hand and thought this is really close to a fret slot's width. I mounted it up and made a test cut on scrap that I compared to a pre-slotted fingerboard. It was close but a hair too wide. I then took a piece of 180 grit paper and lightly scuffed down the side edges of the blade, sanding back the alternating sharp side edges of the cross cut blade. I then put the blade back in the saw and BINGO! perfect fret slots! I hammered in some fret wire and its nice and snug. So my plan is to mount the Dremel under a small table with the blade coming up thru a slot and slide my fingerboards over it on a typical slotted track. I'll post some pics of the shooting table as it comes together. Take care -Vinny

    dremel3.jpg

  9. I bursted the top last week after adding the white binding. First I used black aniline alcohol based dye and sanded back a bit in the middle. Then the blue stain I used was Minwax water based wood colors, the blue wound up more like an ocean burst which is kinda cool. I may spray black around the outer perimeter to add more contrast for the white binding. Its coming along well, I still have a bit of finishing to do on the headstock and I'll be spraying the Sherwin Williams Conversion Clear on the first warm day we get in New York. -Vinny

    P1010498.jpg

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