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Birch/walnut Neck


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Pretty basic.It's a 24 fret 25 inch scale neck that I haven't made a body for yet,just a neck pocket template from it.

It has 3 Thin coats of Tried and True Varnish oil with a few more to go.That stuff smells goooooood :D

That's my first volute.I decided to make a little round for comfort because I'll go over it in the first fret position sometimes.

http://i64.photobucket.com/albums/h193/ibr.../birchneck1.jpg

http://i64.photobucket.com/albums/h193/ibr...dem2/birch7.jpg

http://i64.photobucket.com/albums/h193/ibr...dem2/birch3.jpg

http://i64.photobucket.com/albums/h193/ibr...m2/warlock1.jpg

http://i64.photobucket.com/albums/h193/ibr...m2/warlock2.jpg

http://i64.photobucket.com/albums/h193/ibr...m2/warlock5.jpg

http://i64.photobucket.com/albums/h193/ibr...m2/warlock6.jpg

http://i64.photobucket.com/albums/h193/ibr...m2/warlock7.jpg

I still need to finish rasping all the body bevels.(time to spring for a chamfer bit)

This is the second body for this neck after a bonehead pickup route.The body is 7/8 walnut and 7/8 Mahogany.

I'm goin to install a 3 way toggle with no cavity or pots.The bridge PU is a XL 500 and the neck is undetermined.

Hipshot bridge.

Graphtech nut.

Gotoh tuners

I think birch is under used.It's not as hard as maple but close,and the quartersawn figured pieces are awesome.

Walnut is a very workable wood IMO.

Edited by ibreakemineedtobuildem
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wow lovely Warlock. I wish B.C. Rich would produce some decent quality guitars as well as ones that look good :D their choice of wood and pickups suck! Whereas your's is lovely! very intresting choices of woods I'm sure its going to sound very differant and cool as well!

Could I suggest a slightly hotroded PAF type pickup for the neck? about 10-12K DC resistance with either Alnico 5 or Ceramic magnets. Should give you a good clean tone with some bite and also be useable for a really fat bassy gain tone.

Are you using an oiled finish for the body as well?

Robert

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Thanks for the feedback :D

Yeah, the neck PU sounds like a good idea.I'd like something that would contrast the XL500 in the bridge.

I think I might actually add a volume and tone pot on the side by the input.

I'm not sure on the body finish yet.Either the varnish oil or a wipe on poly.

Anyone else find it hard to get body bevels perfect with a rasp?They are almost there but I think the novelty of hand rasping bevels is over for me when a bit will do it faster and better.

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Thanks for the feedback :D

Yeah, the neck PU sounds like a good idea.I'd like something that would contrast the XL500 in the bridge.

I think I might actually add a volume and tone pot on the side by the input.

I'm not sure on the body finish yet.Either the varnish oil or a wipe on poly.

Anyone else find it hard to get body bevels perfect with a rasp?They are almost there but I think the novelty of hand rasping bevels is over for me when a bit will do it faster and better.

Sanding block with 100 grit to start will fix up the body bevels.

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Mate, that's looking great. :D

Yep, I reckon oil or translucent for the body too.

I can never understand why people paint guitars in solids or metallics when

most of the time underneath the paint, you've got beautiful timbers worth seeing. :D

Mind you, solids & mets. hide mistakes like nothing else.

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That's looking really cool. I absolutely love the look of the neck; that looks very well done so far.

I've never seen clear finished/oil birch before, but it's really pretty. That's a really interesting looking piece, more going visually than plain maple.

I'm another person that doesn't care for painted Warlocks, usually. A slab of wood that large needs to be shown off so everyone can see it.

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