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Alchool

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Everything posted by Alchool

  1. Yup, that headstock is so much cooler than Ibanez ones...
  2. I use two different tunings: D G C F A D the other is in Eb Ab Db Gb Bb Eb On the acoustic usually the standard tuning or the Eb one...
  3. That's what I though a lot of times! But it's better to talk about this in the web fun section... Anyway, I saw a neck-through ibanez in a guitar store... I didn't knew they were making neck-through stuff...
  4. I voted for JFC. But I liked all of them. Southpa, hope you'll get that guitar back.
  5. Yeah, it took me too long to sing and play at the same time.
  6. First of all I cut the rough neck with a bandsaw (and headstock angle too). Then I rout the truss-rod channel when the sides are still square, then again I cut the sides. Then I cut the fingerboard, and glue it. After the glue has hardened, I start to shape the back of the neck with rasps and sanding paper. Then I radius the fretboard, put the frets on, and paint . Oh, since I made 3 neck-through guitars, the final shaping of the neck is done with the wings attached... don't know if that's the right way, but works fine for me.
  7. I usually do the same. I've made just 4 neck-blanks (3 of them for a neck-through), maybe I used too much glue, but I squeezed them pretty hard too, and they came out quite good. But I never made any test... One of them is mahogany, but it's laminated, with the center section blank having the grain reversed... Still working on that guitar (it's neck-through), so I don't know how it's going to be when strings will be finally on. I also think that the sound will be just too muddy...
  8. From my little experience, if you don't use grainfiller on mahogany it will absorb everything. But then again I only made solid color finishes.
  9. I voted two. Three is just too pointy for a 3+3 in my opinion. And I like two better than one.
  10. Actually I'm having no problem with the top mounted locking nut. Maybe I just never noticed... But I'm a big tremolo abuser...
  11. This one: And this one: http://www.bcrich.com/custom/black_beast_silver_bevels.jpg From B.C. Rich custom shop.
  12. KH2 & 3 have alder bodies, bolt-on maple necks (OFR) KH2 Vintage has alder body, maple thru neck (OFR) KH602 & 603 have maple bodies and maple thru necks (OFR) KH202 & 203 have basswood bodies, bolt-on maple necks (Loscenced Floyd) Now which is closest to what you see Kirk with on stage? Definitely the KH-2 Vintage. The KH-2 that he uses are all neck-throughs. And one of them is beat to crap (the one with the "Caution: HOT" sticker).
  13. Looks good. Don't be embarassed because there are guys like me that aren't *exactly* experts. (I've build just one guitar and I'm in the process of building two others). Are you going to do it set neck or bolt on?
  14. Floyd, it's more "killer" than bigsby, if ya know what I mean.
  15. It's since I replaced it. I'm thinking maybe it's the wiring. Gotta check something better.
  16. He's the man. I voted guitar for the same twisted and perverse reason.
  17. Thank you. Sounds strange... the pick-up was new...
  18. ?!? Sorry, just posted twice...
  19. Ahahahah It goes neeeeeeeeeee
  20. Distortion is coming from the amp. What do you mean with "What kind of feedback?" If microphonic feedback is that high-pitched-ear-ripping sound, then should be microphonic feedback.
  21. It's not a grounding problem. Touching the strings or the bridge doesn't make it disappear. Could it be some bad wiring?
  22. Even if I move feedback still occurs. Mmm... I don't know if a $500 Marshall amp is cheap. Some one told me that maybe it's because it's a non-tube amp...
  23. Oh well I made a guitar out of african mahogany.
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