There is a headstock angle, no string trees whatsoever.
Well, I told you guys about the small intonation problem and slightly twisting the bridge and pulling the saddles way back was the only possible solution
I have a pic of the headstock from teh back, the machines are totally absurdly alligned, I know, but I have a tendendy to make the headstocks way too small.
The wood is hand carved like that, then it was stained red, then black over red, finally it was sanded so that the red would show between the blacks. It plays great regardless the high action. It is no problem anyway, because I don't play very complicated things, I usually write songs with this one.
Also, the Wenge is chambered.