OK, Im gonna ask a "serious" question in two or three ways so everyone gets what Im really asking.
1. What tonal qualities does Chambering actually make to the guitar? Can you give a bona fide example of it?
2. What musical styles benefit from a chambered guitar?
3. Does Chambering limit the choice of Pickup (in terms of the amount of distortion a pickup creates, for example, heavy distortion HBs compared to PAFs, and what about Actives like the EMG81)?
I know its a bit of lame question in terms of the type of music I play (Chainsaw/hammerblow distortion), but im interested in the practical application of chambers and what they actually do. I expect that Blues/Jazz players would find chambers more appealing because of the lower distortion they play with whereas Metal and shread players would steer clear. Is that a fair comment?
someone should retitle this thread "CHAMBERS 101"