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Walnut/maple Neck-through 7


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About time I get around to making an account and posting a thread here.

Specs:

Body: Walnut with a Flamed Maple top

Neck: 5 piece Maple-Walnut-Maple-Walnut-Maple

Fretboard: Cocobolo 25.5" scale length

Frets: 24 Medium Jumbo

Pickups: D-Sonic 7 (B ) and Air Norton 7 (N), each will be splittable and there will be a switch for phase reversal.

Bridge: 7 String Hardtail (gold)

Tuners: Gotoh (gold)

This is also by the way, my first build; its been great so far. I think I can say I've been bit by the bug.

Everything glued together and rough cut:

http://i153.photobucket.com/albums/s218/sp...ot/Maine185.jpg

My first mistake was not cutting the neck before gluing the body wings on. :D

Body cleaned up and the neck cut to the right taper:

http://i153.photobucket.com/albums/s218/splotspot/119.jpg

View of the back:

http://i153.photobucket.com/albums/s218/splotspot/121.jpg

Template for routing some meat off the back to make carving more plausible:

http://i153.photobucket.com/albums/s218/splotspot/01.jpg

Action shot with the router (its starting to get cold here in Pennsylvania) :

http://i153.photobucket.com/albums/s218/splotspot/004-1.jpg

When I was cutting the fretboard to taper I had a little mishap with checking my measurements and accidentally cut the board too narrow:

http://i153.photobucket.com/albums/s218/splotspot/051.jpg

Luckily I was able to glue the piece back and have a second chance:

http://i153.photobucket.com/albums/s218/splotspot/053.jpg

(cheers to everyone who helped over in solid body chat)

Lets play a game of spot the glueline:

http://i153.photobucket.com/albums/s218/splotspot/0162.jpg

(Hint look around the fret slots on the bottom side)

Where I now stand:

0132-1.jpg

I'm hoping to glue up the board tonight.

Edited by staticunderwater
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Fretboard has been glued on and the neck carved.

Obligatory "boatload of clamps" shot:

http://i153.photobucket.com/albums/s218/splotspot/019-1.jpg

Starting the heel end carve:

http://i153.photobucket.com/albums/s218/splotspot/021-1.jpg

Neck End with the volute starting to shape up:

http://i153.photobucket.com/albums/s218/splotspot/030.jpg

039.jpg

It came pretty good, a bit thick for my taste but I'm kinda nervous to make it much thinner.

A few questions:

I have a headstock faceplate I'm putting on (I can't stand the look of stripes on a non-symmetrical headstock) but the maple I'm using is a few shades darker. What can I use to lighten it up? Normal household bleach? Hydrogen Peroxide? Or do I need a special wood lightening bleach?

For fretboard inlays, which of the following patterns do you guys like, I really can't decide.

A:

http://i153.photobucket.com/albums/s218/splotspot/012-1.jpg

-or-

B:

http://i153.photobucket.com/albums/s218/splotspot/015.jpg

-or-

C:

http://i153.photobucket.com/albums/s218/splotspot/018.jpg

:cheers:

-steve

Edited by Prostheta
added "C:"
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Hmm....

B or C.

B could look good if the "sweep" of the dots kinda mimicked the sweep of the body shape??

C already looks good!

BTW - I think you'll all find that Washburn have been using that dot pattern (like C) for years! My WR150 is like that.

Like so:

th_PICT1557.jpg

DJ

Why is "the administrator not allow"ing links to photobucket?????

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I think C is the clear winner, I've been leaning towards it since the beginning anyway.

Rick500- That neck is beautiful! That is one amazing looking fretboard.

I haven't gotten anymore work done and probably won't get a chance to work until this weekend... Darn physics...

And I really think 7s are definitely making a resurgence everywhere. I noticed this past summer over at Ultimate-Guitar in their GB&C section a large amount of 7s being made. And over at Sevenstring.org there I defiantly see they're really getting popular again. I'm predicting probably a few more 7's coming out from the mass produced companies at NAMM in a few months. I really love the wider neck, it feels so much more natural to me, not to mention all the possibilities it opens up. And they're definitely not just for metal, the low B opens up so many Jazz chording possibilities. This guitar here I'm building will be playing mostly Prog-Rock type music such as Porcupine Tree or Pain of Salvation (which by the way is fantastic neck carving music :D), but it will also see its fair share of jazz, doom metal and post-rock, I'm hoping to make it really versatile with the switching options.

Edited by staticunderwater
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  • 3 weeks later...

Ok, I now have some more time to work on this so hopefully progress will be made. But first I have one major set-back. Yesterday I was drilling the holes for the bridge and I did a few things wrong. Firstly I thought I could just do it with a cordless drill and didn't think I needed to go over and borrow a drill press. Secondly I probably used the wrong bit seeing as it broke off inside the body!! :D

So now I have half a bit in the middle of the body, no way of know where it should of come out on the back (due to not using a drill press). It is deep enough inthere where I could drill a diagonal hole to the back but a.) I don't really trust the bits I have and need to know what kind to get and b.) the back of the guitar will look like crap with ferrules all over the place...

So is there anyway of getting this bit out? Its deep in there, probably closer to the back than the front.

Edited by staticunderwater
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