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Warbird


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I have been building a second guitar at the same time as my Wormcaster. I have dubbed it the Warbird. This is going to be a Christmas present for my brother in-law. I have been working on it so about 2-1/2 months but haven't really taken many pictures until recently. So the first pictures of it are pretty far along in the build. I managed to dye it last night, but did not get those pictures yet. So here is up to the rough sanded stage. Here are the specs for it.

Body: Poplar

Neck: Hard Maple with 3x3 headstock

Fretboard: Bloodwood, 24.75" Scale

2 humbuckers

2 Point Strat style tremolo with Graphtech nut

3-way switch, vol, tone

Color: Stained slate gray with red candy coat with a Punisher Skull logo painted in white.

Rough sanded

DSC03174.jpg

Rough Neck

http://i19.photobucket.com/albums/b192/iho...rd/DSC03166.jpg

Fret Board

http://i19.photobucket.com/albums/b192/iho...rd/DSC03167.jpg

Body and Neck

http://i19.photobucket.com/albums/b192/iho...rd/DSC03172.jpg

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RAI6: The body is a little under 1-3/4" thick I just didn't read my depth gauge correctly when routing the spring cavity so it barely went through, but it still went through. I actually did use templates for this one, but they kind of took a crap on my in the middle of my routing. The jack hole I drilled both ends and then free handed it. The tele I used a template for the bridge pickup which came out well. I couldn't find a good picture to make a template for the neck pickup so I just drill the corners and connected with straight rails. But I do need to invest in a better set of templates.

Greg: The body is a mix of original design and modified designs. I took the upper horn from a Mockingbird and changed the angle that it sits at. I used the upper wing from a Beast. The bottom half is entirely orignal. It took me about 2 days to get the top half to look the way I wanted and about 2 weeks to get the bottom half the way I wanted. It just did not want to come together. I got the lower wing after a day or two and was happy with it, but couldn't get the lower horn to work. I originally had the bottom thick in the waist area, but it didn't quite work. It made the lower horn too think and the front horn just wasn't working with it.

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I have since dyed that body black and then sanded it back to a slate gray. I then layed down a few light seal coats to lock in the color and prevent bleed through to the toner coats. I was happy with the way the slate gray looked with just the clear and was debating not adding the red toner. But I mixed up a blood red toner and tested it on some scrap and was really happy with the color. Once I added the toner coat to the entire body I was blown away with how nice it got and am thrilled that I went with the colors I did. I just now have to build my lacquer coats. This picture is of the body when is was still dyed black. Like usual my pictures tend to be a few steps behind where I am. Hopefully I will have updated pictures in the next few days.

DSC03456.jpg

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Here are the pics after I applied the red toner coat. There is no lacquer build over it yet so it doesn't have that nice deep wet look yet. Depending on the angle and light it goes anywhere from deep red to black.

DSC03510.jpg

http://i19.photobucket.com/albums/b192/iho...rd/DSC03507.jpg

http://i19.photobucket.com/albums/b192/iho...rd/DSC03511.jpg

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  • 2 weeks later...

Tradegy has struck. I had just level sanded the body and laid down two coats of lacquer last night and hung it in a spare bedroom to dry. I had a fan running to draw out the fumes, even though after the initial half hour there was not much. This morning I was getting ready for work when I heard a thud. I knew what is was and knew that this thing was too pointy to have survived a drop. Well to my surprise, everything was in tact. But the two tail points and the horn point all had the lacquer buggered up and the wood kind of smashed flat and rounded into a hook. I think I can fix it, but will have trouble matching the color. I had basically set this coming Sunday as a deadline to have the spraying finished and then have my month to wait. Well that is definitely shot now. I have a bunch of poplar left over from this build so I am thinking of starting over from scratch. With the several flaws this already has and this on top of it, I am not happy with the way it will turn out. I will definitely keep this around to practice color matching on and a few other ideas to test first, but I think as of now, this body has met it's match. Luckily building the body is the quick part so I think I can get back on course in a few weeks and will just have to swtich to a different finish that cures quickly.

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  • 6 months later...

I have finally finished this bad boy up. After having to make a second body due to the fall, and having to strip off the conversion varnish and finish it again it turned out great. The color is exactly where I want and it plays great. I ended up switching to a Honduran Rosewood fingerboard after a horrible fretjob and extremely bad chipout trying to remove the frets from the bloodwood. I gave it to my brother in-law and he was thrilled with it. His one room mate saw it and said he was going to tell his dad about it, so I am hopefull that it will turn into my first true commisioned job.

Warbird1.jpg

RippledWarbird.jpg

Inlay.jpg

WarbirdHead.jpg

Headstock2.jpg

Warbird4.jpg

Warbird3.jpg

Warbird2.jpg

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Cool, well done.

I love the colour, that deep red is a favourite!

Your lines flow well.

If you're doing another one, I would leave the heel of the neck where it is, and perhaps swing your bridge up toward the upper bout just a tad, that would centre the line of the neck as it were.

But, well done for a second Guitar.

Doug.

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I like it, but I agree that it might look better if for future models you shifted the centre line slightly, like this:

befaft.jpg

But it looks great regardless! I love the colour.

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Thanks for all the comments. I pretty much new from the beginning that this would not be a favorite design amongst here, simply because this crowd doesn't get too excited by pointy designs. When I originally made the design I tried to make it look a little more balanced, but in a line drawing in autocad, it just didn't seem to work and looked better, more off centered. But after seing Ben's photoshop work I would agree that it looks much better center up.

As for the color, I was tired of black. If I am on the Jackson forum, it's always about having a to be a black gutair to make it more metal and evil. I wanted to show that other colors can work just as well. I am still amazed at how nice the color came out though.

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Thanks for all the comments. I pretty much new from the beginning that this would not be a favorite design amongst here, simply because this crowd doesn't get too excited by pointy designs. When I originally made the design I tried to make it look a little more balanced, but in a line drawing in autocad, it just didn't seem to work and looked better, more off centered. But after seing Ben's photoshop work I would agree that it looks much better center up.

As for the color, I was tired of black. If I am on the Jackson forum, it's always about having a to be a black gutair to make it more metal and evil. I wanted to show that other colors can work just as well. I am still amazed at how nice the color came out though.

look at my avatar if you think i don't like pointy guitars :D

i agree, the photoshop makes it look exactly how i feel it would look best. if your next build looked like that i'd be sold.

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I'm also one who favors pointy guitars and I liked the original but I liked the photoshop one better. In a lot of cases I see radical shapes that sacrifice symmetrical for the sake of adding pointy horns. A well designed guitar is going to be balanced and have flow and this goes for a classic design or a radical design. It's easier to modify a classic shape and have success with it but it's really hard to make a pointy guitar and be successful with it so balance is key.

I really like the finish and I'd agree that the craftsmanship is top of the line!

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I certainly didn't mean to sound like there are not guys on this board that like pointies. But with the number of strats and tele's we are definitely in the minority. And I am just kind of tired of seeing the same thing with people thinking that to look metal a guitar has to be black, flat black if possible and carried in a coffin case. Perry's multi-scale is a perfect example that in the right hands, even white can be a metal color. I showed this on one other forum and the general consensus was that black hardware would have made it more evil. Give me a break, how much more stereotypical can that be. A player will catch a lot more attention with that than with another black guitar. Don't get me wrong, black is a fine color, I am just tired of that attitude.

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I certainly didn't mean to sound like there are not guys on this board that like pointies. But with the number of strats and tele's we are definitely in the minority. And I am just kind of tired of seeing the same thing with people thinking that to look metal a guitar has to be black, flat black if possible and carried in a coffin case. Perry's multi-scale is a perfect example that in the right hands, even white can be a metal color. I showed this on one other forum and the general consensus was that black hardware would have made it more evil. Give me a break, how much more stereotypical can that be. A player will catch a lot more attention with that than with another black guitar. Don't get me wrong, black is a fine color, I am just tired of that attitude.

i've got a thing for red myself :D well i guess red and black, as 2 of the 4 guitars i've built were red/black burst :D dark reds are most definitely as metal as it gets.

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