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Guitar Of The Month For January


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The Project Guitar.com "Guitar of the Month" contest is a showcase for all the members, so show us your axe in this thread!

This contest is open to any and all members that enter and will be continued each month for a place showing your creation on the homepage!

The winner(s) of course will have his/her guitar featured on the homepage of Project Guitar.com and if you have a website the picture will link directly to it if you so choose (even commercial site's).

If your a forum member you will also be upgraded to a Featured member which allows you to see the Advanced Chat section and download area.

So show us your creation in this thread! You've got till sometime around the 23rd or 24th of December then this thread gets locked and the voting starts!

Any Post that is not an entry will be deleted, feel free to start a new thread to discuss any guitar entered this month

There may be more then one poll to determine winners in different catagorys at the end of this contest!

Please post a maximum of your 4 best pictures per guitar entered

Make sure Your Guitar has a Name or Nick Name as well otherwise one will be given to it :D

Side note, if you are unable to post a picture you can e-mail one to Brian and it will be posted for you, or ask forum members how to post pictures, they are very helpful.

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This was dubbed "the Oldy Moldy" by its owner

The neck is three pieces of oiled walnut with thin laminates of flamed maple and graphite between. Besides the fact that it makes the neck incredible strong it is a joy to look at.

The body is Alder to save weight, to enhance the upper mid and to eliminate a bit of muddiness that can appear with high output pickup/mahogany combos. It also makes the guitar a bit more responsive to the picking style and more dynamic sounding. The top is a beautiful piece of spalted maple that the customer spotted and required that it should be used (and I was perfectly fine with that, it was a wonderful piece of wood). As most people claim that spalted maple cannot be used for an arched top I just had to do it. Did it work? Well have a look at the pictures!

The same spalted maple was used as a headstock topper and for the cover for the electronics cavity. The inlay idea origines from an old Inca painting the customer had spotted and is said to be some type if Phoenix-like legend.

Everything was finished in semi gloss to preserve that "woody" feeling.

Design: Peter Naglitsch NorthStar

Body: Alder with spalted maple top

Neck: Laminated walnut/maple with graphite reinforcements

Fretboard: Ebony

Scale Length 25,5"

Pickups Bridge: StarStruck Slugger

Neck: StarStruck PAF

Tuners: Grover, Locking

Tailpiece: Hipshot Baby Grand

Sadel: Earvana

Frets Jumbo

Fretmarkers Pearl- Custom Made

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Full back

http://peternaglitschluthier.com/guitars/n...%20moldy/13.jpg

body shot 1

http://peternaglitschluthier.com/guitars/n...%20moldy/08.jpg

birdy nam nam

http://peternaglitschluthier.com/guitars/n...%20moldy/04.jpg

detail back

http://peternaglitschluthier.com/guitars/n...%20moldy/14.jpg

Main presentation page:

http://peternaglitschluthier.com/guitars/e...aroldymoldy.htm

EDIT: The customer pointed out that the inspiration for the bird inlays is an old Maya pattern, not Inca :D

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I don't remember if I had entered this one before but it is one of my favorites. It's my cocobolo and chambered Cuban mahogany RockBeach CamelBack CB-II... I am posting one picture and 3 video links the first of which explains some of the design features (and is the longest one) and the other two are strictly different styles of music demoed on it all by a friend, Dave Duncan, showing that it is much more than a show piece! :D The pickups are Vintage Vibe custom wound blade singles that have interchangable magnets. Alnico5 magnets give great drive, tight bass, and excellent string articulation and are in them for the demos. It also comes with Alnico2 and ceramic magnet sets for warmer tone and more vintage tones respectively. Anyway, here is the photo and the video links...

namm09_CB-II_Rickmebe.jpg

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  • 2 weeks later...

This bass is named "Bronwen" after the customer's daughter. He and I designed the shape and specified the electronics and switching. In summary:

5 string bass tuned E-A-D-G-C

35" scale

24 fret ebony board from LMII

Dunlop 6100 fretwire

quilt maple top and headplate

sapele back

bolivian rosewood neck

double action trussrod

SS support beams in the neck from Warmoth

Bartolini soapbar pickups

1 500k volume & 3 way toggle

corian nut

Dunlop recessed straplocks

Body and headstock finished in wipe on poly

neck in tung oil blend

Thanks for your consideration.

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As I am very happy with my new build, I decided to post it to GOTM.

I call it Nut Rhoads.

My guitar is made from Black walnut, Neckthru construction and rosewood frettboard with dot marks.

Pickup: 1kpl DR parts humbucker.

Tunners and bridge are from Dr parts asswell.

And pictures...

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Some more pictures WIP pictures also at http://s760.photobucket.com/home/Artist334/index

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The (happy) client who just picked up this guitar couldn't think of a proper name for it (her!!), so I will temporarily name it "the 5 Pounder" - after its weight.

Sapele / figured Maple body.

Sapele neck.

Ebony fretboard, electronics cavity cover, recessed scratch-plate and knobs.

Strandberg headless system: bridge and string locks.

Gold MOP face and side dots.

Bone nut.

Schaller strap locks.

BKP custom made alnico III humbuckers.

Volume / Tone / 3 way pickup selector / Series-split-parallel mini switch for each pickup.

Double action truss rod.

More pics of the Finished guitar can be viewed here:

http://www.facebook.com/B.M.handmade.guita...135576636474094

And the Building process photos are here:

http://www.facebook.com/B.M.handmade.guita...135576636474094

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Cheers.

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Here is my new creation!

I work in a very very small workshop and I use basic tools, small router, small bandsaw, most of the shaping is done with a file.

The H8 Baritone...

specifications:

- one piece sapelli mahogany body

- european walnut top

- claro walnut neck

- pauo ferro fingerboard

- exclusive hufschmid nut and string retiner material

- custom made hufschmid guitars pickups handmade by kent armstrong

- custom made mounting rings

- hipshot bridge and tuning machines

enjoy :D

Hufschmid Guitars

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This is the "Lupin".

For the first time ever, I'm submitting a guitar that isn't distressed.

I wanted this guitar to look organic and handmade. The finish is extremely thin and is hardy noticeable and the pewter hardware was all made by hand. My goal was to make it comfortable to hold and play, and to feel totally natural. The pewter really helped with the handmade folk-arty look.

This is my favorite sounding guitar too. It's noticeably woody and the sound matches the "organic" look and feel of the guitar nicely.

Specs:

Body: Semi-hollow

Top: Black walnut

Back: Black walnut

Body: Bubinga, walnut details

Finish: Hand rubbed satin polyurethane

Neck: Black Walnut

Fretboard: Macassar ebony

Neck shape: "C"

Scale: 24.75”

Frets: Medium, Nickel, 21

Bridge: Wilkinson wraparound

Nut: Buffalo Horn

Inlay/Hardware: Pewter

Pickups: Bare Knuckle “The Mule” set

Electronics: Blend pickups/Master volume/Tone

You can see all the photo's here:

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Closeups of the finish and wood:

http://pfeisterguitars.com/Lupin_Gallery_f.../DSC_2966_1.jpg

http://pfeisterguitars.com/Lupin_Gallery_f.../DSC_2975_1.jpg

http://pfeisterguitars.com/Lupin_Gallery_f.../DSC_2982_1.jpg

http://pfeisterguitars.com/Lupin_Gallery_f.../DSC_2985_1.jpg

Fretboard:

http://pfeisterguitars.com/Lupin_Gallery_f.../DSC_2967_1.jpg

Edited by NotYou
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"Sensei"

I built this guitar for my Nephew as a Christmas present.

He chose the body design he wanted, so I used a Reverend Guitar Sensei picture as a template.

He came up with a headstock design by looking at pictures of headstocks. He chose a PRS as what he wanted. I changed it up a little bit, offsetting it a tad.

He wanted a warm sounding guitar and it does not disappoint. It is warm and smooth and is hard to get into any distortion.

I have a lot of time in this, I sure hope he likes it. I guess Christmas morning I'll find out...

5 pc. maple neck

chambered body for weight reduction

Stratocaster wiring w/5 way switch

Build thread: http://projectguitar.ibforums.com/index.php?showtopic=43970

All gold hardware

ResoMax NVS T.O.M. Bridge 6mm Gold loaded with U.L.F. saddles

ResoMax NVT Locking Tailpiece Gold

Pau Ferro fret board

med. med. gold fretwire

Olympic white lacquer

Honduran Mahogany tonewood

1/4" Maple (body cap)

Skirted Solid Brass Gold Knobs with Mother of Pearl Tops

Gold pickup rings

Seymour Duncan alnico pro II flat pickups

Gold 5-way switch knob

(CTS) 250k Audio taper pots.

(Mallory) 0.022 uF /400 volt cap.

Gold L.P. style jack plate

(Switchcraft) output jack

Gold neck plate

Gold Dunlop strap buttons

Dual action truss rod

Gotoh med. gold tuners

Black Tusq XL nut

pearl diamond inlays

4-ply laminated tortoise pick guard, 4-ply laminated tortoise truss rod cover

White/black/white 3-ply laminated pickguard material rear cover material

3/32" Black side dots in white neck

.060" x .250" black binding

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Posted for member Ali Kat

The Ali Kat Rockabilly Kustom

For nearly 30 years I have been involved with the Rockabilly and Rock N Roll scene, both as a Rockabilly DJ and a Photographer. By trade I am a sheet metal worker, working in all metals, I have many welding codes including Nuclear welding to 100% x ray standard.I have always wanted to make an all aluminium double bass, and finally got to do so in September this year and just recently finished a second oriental themed double bass. However the Key instrument in any Rockabilly band has to be the Guitar, and those Kool Rockabilly , Brian Setzer riffs we all wish we could play. So not satisfied with just making the bass, I wanted to make a guitar that said Rockabilly both in looks and in sound, and I believe I have achieved that, and to see it being played (as i don`t play) is really something, a proud moment each time some one plays it. Hope you enjoy looking at is as much as I do.. you can hear and see it being played on www.alikat.com.au

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The Body has been cut, welded and sanded by hand from 2mm Aluminium, The effect has been done with a sander, then a coloured lacquer added before clear coating. and finally pinstriped by hand, another symbol of the rockabilly kustom kulture scene. As is the 1950s pin up pick guard.The neck is maple, with a Rosewood Fingerboard. 624mm scale length. 22 Frets. Medium fretwire used.

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The pickups are GPA Memphis Specials.(Made by Guitar Parts Australia) NOT GFS Memphis pickups. They are alnico V pickups. Neck pickup is7.93K Ohms and bridge pickup is 8.48K. The pots are 500k Ohm GPA pots. Bridge and Tailpiece have been sourced through GPA.

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I have experimented with light and medium strings, the light strings produced the best acoustic nlues sound, so good I am in the process of finishing an Ali Kat Acoustic Blues guitar.

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