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Ki swordsman

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Everything posted by Ki swordsman

  1. patience lad patience looking really good 82!
  2. yeah check out the REH paul gilbert instructional vids if you can or any REH vid for that matter..
  3. whatever you prefer is what you should get personally i love those superslinkys, d'addario are good too it's possible you've simply become too used to boomers
  4. hi i'm vince,locale=Tas,australia no building experience slight modding/refinishing experience played for 6 or 7 yrs ...
  5. (it will improve your phrasing too)
  6. that chromatic stuff gets incredibly boring after a while though, so after that make up/or cover licks
  7. pj? i will learn italian after i finish learning japanese
  8. i'm going middle cos the 3 piece seems too obvious and i'm sure at some level this is a trick question
  9. cheers i'll try those ideas out the bass riff is somber enough as is so to lighten it up, i'm not going with the harm minor i think i'll go for some strange exotic jazz sounds.... give it that "it's minor but major" thing... eh i'm tired and it's early morning no sleep timefor sleep time...yknow?
  10. err......a piece of cloth seriously a little spit and a rag will do wonders, you can use a pick or your fingernail in the cloth for a hard edge, no need to break out the dremel.......unless it's hardcore crustified maybe
  11. xactly, and when playing any scale every note that's not in the scale becomes passing notes
  12. i heard it was possible to take a mirror pickguard (clear perspex stuff with chrome mylar on the back) put it between two books and beat it up a little apparently it doesn't breakup but gets lots of little cracks giving it a shattered look
  13. cool if you understand my last post you're far from sucking at intervals it's just about understanding how the 'map' works
  14. lol you're right, soz man ok you know what a root note is? i think you do cos you mentioned it... if u'r root is the 5th fret on a string, then on the same string... that makes the 6th fret the min2, 7th= maj2 8th=min3, 9th=maj3 10th=perfect 4th, 11th=diminished 5th 12th=perf5th 13th=min6th, 14th=maj6th 15th=min7th, 16th=maj7th and 17th the octave (the 17th fret is 12 up from the 5th) (so i'm just going down the table of interval names) basically it's a map and scales are your coordinates if i give you coordinates of min3, maj7 then you would go take your root (5th fret) go to the min3(8th fret) and then the maj7 (16th fret) so we now have 3 notes and all the octaves of those 3 notes when you take a scale you find out what intervals it uses, then look at your map, and find out where those intervals are.. does that make sense?
  15. i don't like answering these questions i consider myself not as skilled as some, as skilled as some, and more skilled than some
  16. um you talk about musical freedom (which i agree with) and then turn around and get hung up on 1 guy disagreeing with YOUR definition of a blues scale... it's just a name....jeez
  17. kindof stating the obvious.. PS: many things come out of yngwies mouth
  18. it's not even the same body so its likely it was always like that....
  19. definitely try and get a refund, email ebay or something... it's blatant false advertising if it's not even the same body... have you contacted the seller?
  20. sorry, i meant over a bass riff that uses only root,min3,maj7 i know i could use harmonic minor or something but was jus wondering if anyone had ideas to funk it up or something... anyway i've been messin with raising the 6th and 7th on a natural minor scale ...kinda cool
  21. naaaah i'm still stickin with 6 pieces here
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