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CrazyManAndy

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Everything posted by CrazyManAndy

  1. There is a tutorial on Re-Ranch. One of the Re-Ranch forum members also made a tutorial. I can send it too you if you'd like. Test on scrap first, but I'm pretty sure the Rustoleum is compatible. CMA
  2. I just have to say, that post needs to be stickied! Best advice ever. And, tools are probably going to be your biggest initial investment. CMA
  3. Could you be more specific, i.e. your state? I'm only curious to know in case I know a place near you. And it helps other folks be a little more specific as well. CMA
  4. Poplar will do fine as a body wood, but you'll still need to find something for the neck and fretboard. Might I ask what your location is? CMA
  5. Ahh yes, I see what you're saying. My brain was going to sleep on me last night, as you can see in some of my other posts... CMA
  6. I like Mattia's point. I would prefer a baritone. Another string (or three) is just one more thing for me to fumble over. I can certainly appreciate the desire for more range. But I'm pretty happy with six strings on guitars. CMA
  7. jmrentis, Thanks for the tip on cutting height. I don't recall reading that in the manual, but it sounds like a good idea. The piece does have some pretty nice figure, hopefully the finish will bring it out more. Xanthus, I'll be sure to address the truss rod slot issue just before I install it. That's a great webpage, bookmarked it! I'm not sure what you mean by running the "router bearing up against" the fretboard though. Why would I need to do that? CMA
  8. AH! Ok, now I understand. Geez, going blank there for some reason. I would avoid any kind of wood putty. Sticking with hardwood is your best bet. CMA
  9. I'm not sure I understand the problem. Most necks, where the fretboard will be, are only around 3/4" thick (before shaping). Add the fretboard and you bring it to 1" total. You've apparently got considerably more than 1" of thickness even without the fretboard. Are you talking about width or depth? CMA
  10. How thick is it where the fretboard will be?
  11. When I first read that, I didn't know whether to laugh or cry, lol. So, you're saying that it only happened to the part of the neck that will be shaped? If so, you usually lose a little depth there anyway when you shape it. CMA (Edit: I assumed you were trimming it down to 3/4"? Is that correct?)
  12. Finally! An update! I meant to post a quick note some time back but never got the chance. Out of the blue, I had to go out of town for a month which is the reason for the long silence. However, I'm back now, so I can resume progress on the build. You bet! I'll definitely make another neck with it eventually. I'm going to wait until I finish this one, just in case I screw it up and need to make another. You are correct, my good sir. I've taken your advice of using the robo-sander to bring the edge close to the line and finishing the edge with the router. More on that below. I'm going to use the band saw to cut the shape out. The Neck 9 - Another view of the neck blank before cutting. The Neck 10 - I've taken one side off. This was only my second time using the band saw, so I didn't want to chance it and get too close to the line (nothing the robo-sander can't handle, in any case). The Neck 11 - Finished cutting out the shape. Starting to look like a neck now. The Neck 12 - Another view. The Neck 13 - Another view. The Neck 14 - Another view. The Neck 15 - Now it's time to drill the tuner holes. I'm going to do as Xanthus suggested and drill them into the template first and then use that as a guide. My dad devised this method of drilling consistent tuner holes. Note the straight edge. The flat side of the headstock is pressed up against the straight edge, and the small tick mark on the bottom of the headstock is lined up with one of the arrows marked onto the table. The arrows are evenly spaced so the distance between the holes is consistent. The Neck 16 - I marked each hole with the tip of the bit to make sure the setup was accurate. The Neck 17 - Another view. The Neck 18 - The tuner holes are drilled. Not bad. The tuners are supposed to require a 13/32" hole, but the first hole was a little too large, so I switched to a slightly smaller bit, 3/8". I don't know if it was the bit, the tuners, or maybe run-out from the drill press that caused the oversize hole. The tuners fit snuggly into place after switching to the 3/8" bit. The Neck 19 - I reattached the template and drilled the tuner holes into the actual neck. I drilled from behind so that all of the splintering occurs on the face of the headstock. When I remove a 1/4" from the face, the tuner holes will be clean and crisp. The Neck 20 - Tuner holes done. The Neck 21 - I used the robo-sander to bring the edges down as much as possible, leaving only a little bit for the router to remove. I also did a little hand sanding after finishing with the robo-sander, using the same method I used on the template. The Neck 22 - Finished sanding. Note the lamp attached to the left side of the drill press. Great shop lamp! I picked it up on one my visits to the Woodcraft store. It has a magnetic base, so you can attach it to a variety of things and move it to wherever it's needed. It also comes with a couple of nice accessories. I think they were on sale too, so I got a great deal. The Neck 23 - Considering what tools I had available to me, I decided that the best way to get a good edge would be with a router and a template bit. You can see here the setup I used to route the edge. Looks simple, yeah? Well, it was probably the most aggravating few hours of the build so far. I'm not going to bother re-telling the whole story, but lets just say I made some stupid mistakes. Thankfully, I managed to avoid screwing up the neck. Toward the end of the ordeal, I had streamlined the process quite a bit, so if I ever have to do it again, it won't be nearly as difficult. I'll go over the basic procedure. I did three passes total with the 3/8" template bit I got from Stew-mac. For the first pass, I attached the template, then removed it for the final two passes. As you can see in the picture, I basically clamp one end of the neck down and route the edge of the free end. Turn it around 180, clamp it again, and route the other side. The Neck 24 - Another view. The thin strip of wood on the bottom will be taken off on the third pass. The Neck 25 - Here is the neck as it is now. Looking pretty good so far. I feel I may have placed the truss rod route a little too close to the end of the neck. I don't know. If I think it might be an issue, I can always fill it in a little. The Neck 26 - Another view. The Neck 27 - Another view. Everyday I learn something new. Today, I learned how valuable a router table really is. CMA
  13. Some say you don't need overwound pickups if you've got an EQ and/or pedals. I think active pickups have a really cool tone. Already contemplating a build with them in it. Actives and passives both have something to offer, so I think it's good to have a healthy balance of both! (another excuse for more guitars ) CMA
  14. 2 cans is pretty much the standard. That's around 12 coats or so (IIRC), depending on how thick or thin you apply it. Depending on how experienced you are, you may use less, or more. It might be a good idea to use a little extra if it's your first time, to avoid sand-throughs. Can you tell us what brand/type of lacquer you're using? It's easier to give tips if one has the proper info. Oh, are you spraying the neck as well? If so, you'll want an extra can for that. CMA
  15. Honestly, I would think an ES-335 would be harder than a V. A V is pretty much like other basic flat-top solid body designs. Just a different shape and different features. CMA
  16. Sign up for a photobucket.com account. Upload your pictures there and post the links to them here. CMA
  17. Great job! That's a beautiful piece of wood and the finish suits it quite well. Another win for Tru-oil! CMA
  18. Great idea! I'll be keeping an eye out for your conclusions. CMA
  19. Woh, that's crazy! I'm glad you're not seriously injured. My father is a former contractor, and as such he has instilled in me a healthy fear of power tools. You can never underestimate those things! (I guess I'm preachin' to the choir though! ) CMA
  20. I disagree, I've used a jig saw with no problems at all. However, the band saw is a better option, since it's much simpler and quicker. ^someone from UG. the bolded part is my biggest concern. Will that be a problem? i figure I could always make the neck pocket and then find where I should be placing my bridge. Yeah, i'm a noob guitar maker. Yeah, you'll be alright. Just make the neck (and neck pocket) and then figure out bridge placement. CMA
  21. A template would be ideal, with it you can use a router, plus you'll always have the template for later use. I would at least attempt to cut more off with the band saw, you should be able to get much closer than that. Use relief cuts in the tight radii so you can cut closer to the line. CMA
  22. It appears my attempt at humor failed...damn your eyes, internet! CMA
  23. *puts down the can of kerosene* Ahhhh....so that's it! Oh wait...that stuffs poisonous isn't it?....*ack!* CMA
  24. http://woodcraft.com/family.aspx?familyid=...de=details#tabs CMA
  25. I was cleaning with some kerosene the other day...I don't know about you guys, but I actually like the smell of fuels! CMA
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