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Yet another single cut build.


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I've been working on another couple of single cuts, this one has a couple of things I have limited experience with so thought I would document.

I bought this billet and cut the bookmatch a few months prior, left it stickered under clamps because quilted maple hates woodworkers

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Here's the top jointed, glued and sanded flat. I normally level sand with the drum sander with an 80 grit roll, then switch to 120 grit for a few passes to get a smoother joining service.

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looks like I didn't photograph the back, it's just glued to a slab of mahogany with a black pinstripe veneer between

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On to the neck. This is a really nice quarter sawn piece from Croatia that I've been sitting on for a few years (I think I got it in 2020). I don't really like carbon fibre rods, the dust is horrible. But I am sending this guitar to California and I don't trust heavily figured maple as much as I trust mahogany to behave so I figured it would be better to have it than not.

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Here's a thing I haven't done before, and it was quite painful to do with hand tools - my useless purfling cutter made of chocolate was surely never designed to cut into ebony. It must have taken me a whole day to cut the channel and fit the maple

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all the pieces glued in after bending them with the side bending iron

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In hindsight the purfling is a little bit on the chunky side, next time I'll make sure it's no wider than the ebony around the edge, but I don't hate it.

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Then I bound the board and had a go at semi-hemispherical frets. Quite time consuming to make, made more so by the stainless steel... but no fret end dressing.

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On to my favourite bit of the build, although I bled on this one slightly more than usual.

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This is after carving and rough sanding with the neck dry-fitted so Steve could see what is guitar is going to look like. 

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I've come to the conclusion that I don't really like dying guitar tops prior to glueing the neck in place, because I don't like drilling holes after dye/sealer and I don't like drilling holes for the bridge prior to glueing the neck in. So to (help) prevent me getting dye all over the lovely flamed maple neck, I sealed that area of the neck before glueing. I also applied some light brown grain filler to the body.

so I taped off the neck tenon, just a hair inside where it joins the body and sprayed some sealer, if you look closely you can see a 1mm gap between the tape and the bottom of the fretboard, that little bit between the body-top and the fretboard is the bit I really don't want to get dye on.

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Then got her glued up.

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After getting it glued up and the bridge holes drilled, I died it purple with some slightly diluted Angelus leather dye.

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The after rolling over the edges I got a few mist coast of sanding sealer over the top, checking that the colour hadn't bled into the edges between coats, this is quite common on the end grain, but a bit of sanding between coats of sealer gets rid of it and with every sequential coat, more bleed becomes less likely.

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Then after a sutble dark burst and a few coats of cellulose 

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Notice how it's becoming bluer as we go through the process. I normally add a coat of Angelus Light-Rose after the purple dye has dried but I want a more bluey purple than pink purple this time. I didn't think it would go quite so blue though. This is after some level sanding and a load more coats. 

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This top is quite yellow compared to other purple builds I've done so I put it down to that, although I think that's an unexpected result, I would expect yellow to turn purple more brown, possibly green. But when you look at it from other angles, it's still very purple, weird. 

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I wasn't very happy with the mahogany on the back, I'm not sure what was going on but there was some really weird grain on the side around the lower horn, it wouldn't disappear no matter how much I sanded

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So I decided to add a bit of brown shader to make it all look a bit more consistent. a bit of a pig to tape everything off but it came out pretty good and seems to have done a good job of masking the weirdness. Here are a couple of ebony control covers waiting to have some holes drilled and a coat of oil too.

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I thought I was done with the finishing side of things last week but just as I was getting to the end of sanding with P2000, I saw some brown sludge on my paper, it seems I noticed just before I sanded all the way through the colour. So 6 more coats to be safe before levelling with 1200, 2000 again, so now it's ready for the buffer, I hope.

 

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Looking good!

22 minutes ago, ADFinlayson said:

I don't really like carbon fibre rods, the dust is horrible.

Yes, and it may not ever come out from your system if inhaled. So always use mask and what ever protective gear you got when working with it. A hazmat suit would be your best bet :D 

Nasty stuff. Also stains everything.

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23 hours ago, henrim said:

Looking good!

Yes, and it may not ever come out from your system if inhaled. So always use mask and what ever protective gear you got when working with it. A hazmat suit would be your best bet :D 

Nasty stuff. Also stains everything.

yeah, my usual situation for sanding wood is to wear one of these masks with the air filter running on full overhead. I find more than acceptable for sanding up to 320 or a bit of orbital sander work with vac attached. But I put the spray mask on for sanding carbon fibre and I don't really like wearing that thing for prolonged periods.

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20 hours ago, Asdrael said:

Looks great, I love how the stain turned out. Seeing more colors by simply moving the piece is always stunning.

Thank you. I certainly could have made more of the figure by doing some sand backs of a darker purple or black before dying the final colour but I find when I do that, it loses a lot of the chatoyance you get from looking at it at different angles.

3 hours ago, ScottR said:

I tuned in looking for the beginning of a nice build and BOOM! This thing hit the ground running like a newborn in track shoes.

Beautiful timbers and the dye job, burst and finish are stunning.

SR

Thanks Scott, appreciate that coming from a man of your talents. 

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On 11/9/2023 at 3:58 PM, ScottR said:

I tuned in looking for the beginning of a nice build and BOOM! This thing hit the ground running like a newborn in track shoes.

Beautiful timbers and the dye job, burst and finish are stunning.

SR

Me too!!!!

What @ScottR says above, @ADFinlayson  - all of it!  :)

 

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Just as I'm strolling to the finish line, feeling smug that I've got to assembly without any major hickups. Reality hits me square in the jaw. I was enlarging the holes for the tuners, having used a step bit to increase the side of the hole from both sides, these new Kluson top locking tuners I've got require a slightly bigger hole than usual, so I'm carefully drilling out the hole with a 10mm bit in the hand drill and suddenly the big grabbed a ripped all the way through..

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So angry, I decided to walk away for a couple of hours. Fortunately nothing actually broke off and I was able to glue it back down with a caul wrapped in cling film. This is how it looked afterwards.

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Then after sanding. Very fortunate that I was dealing with dark ebony and nothing lighter in colour.

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Then after all that I realised that one of the damn tuners was faulty and the top washer would not screw all the way down into the body of the tuner. So they've had to go back to Northwest Guitars and I'm waiting on a replacement set. I have been working on some other bits while I am waiting though.

I shaped and polished the bone nut in the above pic, that's now glued in place. I used to used CA glue to stuck the nut down, but I've found that it's a real pain if you manage to not get it lined up quite right as the glue dries so quickly. I used a little bit of wood glue now because there is plenty of time to move it about if need be.

Also started test fitting pickups and sanding down the pickup rings. These Buytrate plastic rings from Philadelphia luthier supply, apparently what Gibson used to use back in the day. I got a bunch of these because someone was scoffing at my use of "cheap" hosco pickup rings. Plastic is plastic right? 

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I've got all the of wiring that can be done outside the guitar done too, that's the switch harness and 4 pots, 2x vol and 2x push-pull tones. I'm using Bournes pots because I like the lower friction to CTS, the pickups are a pair of OX4 Hot Duane's which are unpotted PAFs.

Lastly I got the control plates and the truss rod cover finished and a bit of Danish oil on them. I like to use ebony for my control plates, I buy acoustic back set from Maderas Barber, they normally come around 5mm thick and I can get a whole load of cover plates out of them, this is the last of a back I cut into in 2021 for guitar no15 and this is guitar no35 so I think it actually works out cheaper than buying the equivalent plastic cover material at around £60 for a back set. 

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8 hours ago, ADFinlayson said:

I buy acoustic back set from Maderas Barber, they normally come around 5mm thick and I can get a whole load of cover plates out of them

I've been thinking to order their acoustic backs for tops, they're much cheaper than their electric drop tops and with binding you really can't tell how thick the top veneer actually is. Cutting covers out of them never occurred to me as there has always been suitable offcut pieces available. Good to know that they actually seem to be a bit thicker than they say.

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49 minutes ago, Bizman62 said:

I've been thinking to order their acoustic backs for tops, they're much cheaper than their electric drop tops and with binding you really can't tell how thick the top veneer actually is. Cutting covers out of them never occurred to me as there has always been suitable offcut pieces available. Good to know that they actually seem to be a bit thicker than they say.

yep this ebony "top" is an acoustic back, I like to thin out the area under the edge of the f-hole anyway to make it look less chunky, so I just used a 5mm back and saved myself a job as I was going to bind this one anyway. 

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The repair on the HS plate is first rate. There ought to be tapered grit wheels/drums for enlarging tuner holes. Sanding is much safe than cutting when it comes to holes.

The phrases "ripped him a new one" and "tore him a new one" likely originated with someone trying to enlarge a hole with an edged instrument.

:rolleyes:

SR

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1 hour ago, ScottR said:

There ought to be tapered grit wheels/drums for enlarging tuner holes.

A slightly conical file/burr, rotary or handheld, would be my choice. Something like this: https://www.amazon.com/Tungsten-Carbide-Rotary-Grinder-Diameter/dp/B085T45CBY

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On 11/13/2023 at 4:19 PM, Bizman62 said:

A slightly conical file/burr, rotary or handheld, would be my choice. Something like this: https://www.amazon.com/Tungsten-Carbide-Rotary-Grinder-Diameter/dp/B085T45CBY

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That's a great suggestion, I've started use round bur bits in the drill instead of countersink bits to countersink my screws, never considered them for tuner holes. I'll look into that, thank you. I have found with these types of bits, it can be hit and miss getting the correct diameter, bit of trial and error involved.

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7 hours ago, ADFinlayson said:

with these types of bits, it can be hit and miss getting the correct diameter,

I hear ya, many of those I found were for Dremel tools. Here's the measurements of the abovementioned. ½" should be plenty enough for tuners

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Looking further on the page it shows that they make those in various cutting diameters like 3/8", in this set of 10 they have both ½" and 3/8" in various shapes: https://www.amazon.com/dp/B091DWQ2Z4/ref=emc_b_5_i

There's sets of 3/8" and 1/4" and some metrics like 8mm as well, now that you know where to start go find what best suits you and your wallet.

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Well after all the woes, I've got it wired up. Just waiting on a switch tip. 

I need to do a couple of other bits, final nut slotting, there are a couple of high frets at the dusty end that need some attention, then I'll give all the frets another polish with the dremel. The top 2 strings are buzzing a bit when open and fretted so I think the saddles need a bit of filing out too.

Few pics - I like the final colour. My purple guitars normally come out on the violet side, this is looking much more of a deep indigo to my eyes. The two tone look with the blue hue in the centre has come from the tonal variation of the top, if you scrolled back through the thread you will see just how yellow this top is around the edges.

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2 hours ago, ADFinlayson said:

yes I think they are meant to go in the dremel,

No no no, you're not reading me correctly! Admittedly there's those dremel sized tools but the ones I linked to have a 1/4" shaft and a ½" conical bit.

Aside that the colour is simply majestic.

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  • 2 weeks later...

Photographer popped round and took some pics for me last night. Now it's ready to rock.

It seems to have come out a bit more purple in his photos which is weird, my camera made the guitar look way more blue, but in actuality it's somewhere in the middle, I'm calling it Deep Indigo. Hopefully I will have time to do a quick demo video before I get it in the post. 

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2 hours ago, ADFinlayson said:

Photographer popped round and took some pics for me last night.

A pro? To be honest they look a bit dull, the ones you've shot are much shinier, much more delicious looking. I'd assume a professional photographer would make them look like candy, or like cars in a fancy car show that have been finished with a special show polish - yes, that's a real thing!

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