Yep, none of you guys have seen my progress on my build but as a matter of fact, asia has the best woodworkers in the world if you didn't know.
The story began when I was clearing my neck with KTM-9, after around 14 coats, I asked my school D&T technicians (62-66 yrs) how do they think to get an ultimate smooth and glossy finish after 40 yrs of experience under a workshop. Then they said in cantonese, "laiy daye yong dee teeht moeo lui laiy zsan yat zsan gor geng". Meaning that there dirty little secret in clear coating was to sand progressively from a grit like 600 to 2000, then buff as you would already know.
But there is one secret ingredient you guys missed out, ...'brasso'
Your probrably going...ok..ook..nothing special...
but actually after final sanding and before polishing, brasso should be applied on a cloth to wipe down the finishing product until matte like or no visible minor scratches. You can now leave it like this if you want a dull flat look, but basically, the brasso acts as an extremely fine grit sandpaper which is so fine that basically acts as in small stage in between sanding and polishing. Still on track? I know my english sux balls, ...so then when polishing or buffing over the brasso, you won't be able to recognise some work. THe school technicians had some examples to show me of some pens and other tools they have clear coating and believe me, you won't understand until you see the final result.
Hope you guys understand what I mean, and basically this is my dirty little discovery from luthiery finishes. peace out...