Apologies for the low quality images. I really should get some sorted in daylight to indicate progress as artificial light and flash makes unfinished work look mega rough.
I am currently routing out padauk from the back to fit the neck tenon, plus I'm cutting the recess out of the front where the fretboard will emerge. I've calculated the angles accurately so that the bottom of the board emerges straight onto maple, and I've left enough play to hang the board over the far edge to disguise the join :-D
I didn't have time to complete the work tonight, so a sneak guess at how it's going to look is all I have. The bookmatched and pinstriped veneer for the headstock was a success (yay me!) and has been Titebonded on with yet another pinstripe underneath. This is being rounded over at the edges an smoothed towards the centre (too slight to call it a carved headstock top!) to tie in the organic carves of the body. The headstock is deliberately quite thick as I'm going to dish the tuner locations down just beyond the pinstripe and paint the wood revealed underneath black (roughly 4mm). The edges of the dishes will be smoothed over also. On that note, I plan to buy a 1" dished router bit to make the control pot locations. So much to do, so little time.
I figure that a black sandback with deep red dye over the top will make the headstock veneer look super awesome with the dished and recessed tuner bushes.
To make life simpler for me (in case I cock up) I'm going to make the headstock inlay a simple signature of abalone, inlaid into an ebony circle which I can easily install. Can't afford to go wrong inlaying abalone straight into that maple!
(ps. the image size is smaller than 640x480/307200 pixels!)
Oh yes - I'm very tempted to paint a black line down the centre of the bass over the maple only after I've done the black sandback as an afterthought, to tie the body in with the pinstripe on the headstock. Still malleable on that one.