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Finished! Swiftbird? Fireswift? Supermaween Swiftfire?


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Incidentally, if you've never seen the Steinberger Gearless in action, this is how they work:

To string them up, you turn the knob at the back, which raises the spindle and clamp part until, at the end of its travel, it exposes the string hole:

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You then thread the string through the hole, pull it tight and clamp it by screwing in the 'T' clamp at the top:

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Then you twist the knob at the back, which draws the spindle down into the casing, complete with clamped string, and bring the string up to pitch :) :

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They are very smooth in operation.  Personally, I love them and - as Epiphone used to fit them on their early Firebird guitars including the one that Alex currently plays - Alex does too :D

 

 

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Thanks for explaining! I was wondering how they'd work as I thought they'd be rotated which felt funny seeing your drawings having the center of the pole right in line with the string.

There's not too much wiggle room for slack, is there? I mean, you'll have to pull the string quite tight to get it into pitch within the thickness of the headstock.

That's the straightest straight string pull I've ever seen!

 

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1 hour ago, Bizman62 said:

There's not too much wiggle room for slack, is there? I mean, you'll have to pull the string quite tight to get it into pitch within the thickness of the headstock.

That's the straightest straight string pull I've ever seen!

Yes - exactly that.  It actually makes it very simple - you pull the end taut and clamp.  There is a surprising amount of tensioning left and so, even for reasonable levels of up-tuning, they seem to work just fine :)

 

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I strung it up for Alex to be able to play it over the knee and on the strap while I fettled the neck profile shape to his preference with a razor-plane blade and cabinet scraper.  A gooseneck scraper and also the wonderful Ibex mini plane were also used to start to take some bulk out of the back:

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Don't let anyone tell you that the Ibex planes are toys!

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I cut the rebate for the back hatch.

Now...I have said in the past that experience doesn't necessarily stop you making errors - but it does perhaps give you more options for putting those errors right. :rolleyes:

Case-in-point: 

- I used a router bit with a smaller bottom bearing to cut my rebate:

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- I took a paper template to cut an alder hatch from some matching offcut:

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- Ah...um...an alder hatch over the ebony stripe placed carefully between the wings and the neck blank...

- AHAA!!!!  Experience!!  Add an ebony stripe to the hatch and every one will think it was supposed to be like that:rock

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:)

 

 

 

 

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And so to the finishing.  The alder and maple will be the oft-discussed Tru-oil slurry and buff method.  But the ebony - I think it was @ScottR who did a great write up a while ago on sanding ebony up to a shine where it then needs no further treatment?  I had followed that method in the past for fretless fingerboards, etc, but never with a body top.  And what about the figured areas.  Would they be softer and react differently?  Well - got to be worth a try! :)

The tru-oil method was my standard "two coats soaked in; slurry with 180 grit and wipe off two or three times; slurry with 400 grit and buff" method.

For the ebony, I started with 120 grit and progressed down the grades to 2500 grit and then swapped over to microweb, starting at 2600 and progressing up to 12000.  I used around 15 grades of grit altogether.  The result was remarkable:

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The alder and neck are slurry and buffed and are therefore fully handle-able, but for good measure, I'll leave it overnight to fully harden before starting on the final stages (magnets, shielding, electrics installation, final fretdress, final assembly.  Should be all done pretty soon  :)

 

 

 

 

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On 6/24/2023 at 12:31 PM, Andyjr1515 said:

AHAA!!!!  Experience!!  Add an ebony stripe to the hatch and every one will think it was supposed to be like that:rock

Brilliant save Andy!

On 6/25/2023 at 8:56 AM, Andyjr1515 said:

For the ebony, I started with 120 grit and progressed down the grades to 2500 grit and then swapped over to microweb, starting at 2600 and progressing up to 12000.  I used around 15 grades of grit altogether.  The result was remarkable:

I'll say!

Beautiful Andy.

SR

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Thanks, folks :)

Well, it's starting to get very, very close.  I'm certainly hoping that by the weekend Alex will be able to try it out for real, plugged in and all :D

In the last day or so :

- Pickup rings have been positioned and fixed

- Hatch and trussrod cover magnets are in

- shielding done

- bridge earthed

- pots, jack plate and switch in place (not wired up yet)

- spacer/nut shaped ready for final slotting

- luminlay side dots fitted

- strap buttons fitted

 

And before you all shout - yes, the two test strings DO go over the four relevant pickup poles :lol:   

Here are a few 'present state of play' photos still fitted with the over-length test strings - the final set will be trimmed:

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That's just soooo neat!

To pamper myself I found two details in common with our builds: The volute and the inlaid jack. I keep telling myself that it's a good start for my development.

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  • Andyjr1515 changed the title to Finished! Swiftbird? Fireswift? Supermaween Swiftfire?

Well - it was passed across to Alex yesterday and, I say with both pleasure and relief in equal measure, he's very happy with it :)

He's going to get some recording done at their next band practice so I should have some sound clips available in the coming weeks.

And it's entered in June's Guitar of The Month.  Fingers crossed!  :D

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Huh? There must have been some sort of a glitch either on the page or in my brain as I recall having issues finding the results - something I always struggle with after the vote's been closed.

And I fully agree about the beautiness of the rival. One might think the votes could be more evenly spread.

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3 hours ago, Professor Woozle said:

Well done , this one really has come out a beauty and I'm looking forward to what the ebony top will look like on my upcoming 8-string Rick.

Me too!  I'm looking forward to seeing that build develop :)

Whereabouts in the Peaks are you?

 

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9 minutes ago, Professor Woozle said:

Out in the wilderness between Bakewell and Buxton - nice scenery but there's usually an all-pervading smell of "cow residue", shall we say; you get used to it...

Lovely part of the world.  I know it well  :)

 

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On 7/1/2023 at 6:11 AM, Andyjr1515 said:

Well - it was passed across to Alex yesterday and, I say with both pleasure and relief in equal measure, he's very happy with it :)

He's going to get some recording done at their next band practice so I should have some sound clips available in the coming weeks.

And it's entered in June's Guitar of The Month.  Fingers crossed!  :D

Having the new owner be happy with it is the best!

Racking up another GOTM ain't bad either, well done Andy.

SR

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  • 3 months later...

Finally got some sound clips. 

Both are of Matt Marriott (a splendid guitarist) playing the Swiftfire.  He was interested how the SD P-rails sounded through one of his rigs - I have a future build on the drawing board for him where P-rails are an option :)

A short and clipped one:

 

 

And a slightly longer one.  I love the harmonics around 35 secs to 45 secs:

 

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