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Awilcox's Next Two Builds


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Hello all, I am quite new to guitar building. I built my first guitar last fall. I played around with a lot of designs and settled on one that I thought looked like it could be "commercially accepted" while still slightly original. I found this was quite hard though as anything fitting this description ended up bearing some resemblance in some way to a Strat, Tele or Les Paul seeing how my favorite guitar is the Les Paul, mine ended up looking a little like that. The whole time I was working on the first one I was promising myself - never again. But after it was finished, I was out buying more wood to build two more. I am still working on these two at the moment - and have already aquired all of the supplies to make a flying V (which will be my next project). I think I am addicted. You can check out my first build under the guitar build link of my website http://personal.nbnet.nb.ca/awilcox/

Anyway, I learned a lot from this website when doing my first build so I though I would start posting my progress on my two current builds - one of which is the same design as the first one and the other is also the same - except it is a double cut. Mahogany body and neck, ebony fretbords, figured maple tops, figured maple headstock laminate, single white binding around the whole thing. Here are pictures of my progress so far. Pretty much just need to finish shaping the necks, fret, install the bridge/tailpiece, and finish.

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one will be finished this way - yellow/burgundy burst

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and the other this way - amber/brown burst

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Great stuff! I can't wait too see these finished. A couple questions, 1) WHat size binding did you use? 2)Have you ever thought about doing some customer finishes on fishing lures? LOL, just kidding, but honestly I bet you could whip up some wicked looking lures, if you knew what you need to imitate. Once I finally get good at finishes, I might try some fishing lures for fun. Anyhow, looking great and keep the pics coming. J

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^ The binding is stewmac .090" x .250" - I find it a real pain to install, but i like the look of binding. Do you think sunburst flamed maple fishing lures would sell - haha...but really, I didn't get the fishing reference (I don't fish).

Edited by awilcox
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Yeah, I am going to grab some of that exact binding, I order some, but on accident ordered the wrong size and I much prefer to have the thicker binding, it looks better to me. Yeah, I think that finish on flamed maple would actually work really well, this is a pic of a similar color(kinda), throw the flame maple and it would give it a more lifelike look IMO. It would work and probably better than many store bought finishes. I'm definately curious to try making my own in the future, it would be so cool I think, plus there are color patterns that I want that aren't made. Anyhow keep the progress pics coming. J

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Edited by jmrentis
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Cool, now I am thinking I will call the finish one of these guitars "Lure-burst" - haha.

:D

That would be funny. I would call it a "Perch-burst" or "Perch-O-burst", thats what it reminded me of. hehe

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Thanks for all of the positive comments. I got some work done on the double cut this past weekend - radiused the freatboard, installed the frets (6100), installed all of the hardware (except for the pickups which I haven't decided on yet), and strung it up. I was pleased that the frets came out dead flat - with the action set low I only encountered buzzing in 2 spots on the high e string, and I found the the next fret up in these positions was not seated properly on the binding (I will simply replace these 2 frets - I found the 6100 fret wire harder to work with than the 6105). Now I just need to complete single cut and it is on to finishing. Here are a few pictures:

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Looks like you had a little visit from Andy! I honestly couldn't decide on what style truss cover to use, I ended up with the "H" style number 5 I believe. Though I might actually have him do the reverse of that one so its all Paua with mop inlayed in the middle, he doesn't make that one, but since its an already made design, he said he wouldn't charge extra for custom work, but he said give him a few weeks. I was thinking about the "G" #10 I think, all mop with a nice paua cross, but he was all out, then I found the other one I liked better.

I like how yours looks a lot. I just got my inlays and truss cover a few days ago, super fast shipping and good prices from that guy. What did the letter inlay cost you? That wasn't a custom job was it? I can't over how nice that headstock looks, I must say thats very close to my ideal headstock, with the nice white binding, cool inlay, and nice shell truss cover, plus super nice shape. Anyhow, very cool and keep the progress pictures coming. J

Edited by jmrentis
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Looks like you had a little visit from Andy!

Yes, I got the inlays and truss rod covers from Andy. He has a good selection of stuff, good quality too. I also got a sea snail nut blank from him to try on one of tthese guitars. I actually got two, one for each, and actually got one all shaped and then dropped in on the concrete floor and it broke in 2 pieces...and it was the nicer of the two. Nice figure, almost like MOP and it had green streeks in it - I might have to order a few more.

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  • 3 weeks later...

Finally, I am finished the building part of these two guitars - next on to the finishing. I think I am going with translucent black on the double cut and not sure about the single cut yet - any suggestions? Here are a few pictures of the single cut before I strip it down and get at the finishing.

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Flame maple bound cavity cover:

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Medium sized gold fretwire (warmoth)

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Just amazing! Very well done. Is that the snail nut? I couldn't really tell, it looked almost a shade of green, but I wasn't sure if they were a little green with green streaks or bright pearl white with green streaks. Either way just beautiful. As for the headstock binding, how many joints do you have in there? I'm just curious how you did it, I was thinking 1 or 3. Also, did you just wipe the ends with acetone to make the joints? I couldn't even see any joints, which is why I am asking, perfect work. Thanks, J.

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Just amazing! Very well done. Is that the snail nut? I couldn't really tell, it looked almost a shade of green, but I wasn't sure if they were a little green with green streaks or bright pearl white with green streaks. Either way just beautiful. As for the headstock binding, how many joints do you have in there? I'm just curious how you did it, I was thinking 1 or 3. Also, did you just wipe the ends with acetone to make the joints? I couldn't even see any joints, which is why I am asking, perfect work. Thanks, J.

No, that is just a bone nut that I use as a temorary. I will be trying the snail nut on one of these, it looks like bine with streaks of green and part of it is really shiny like MOP. There are 4 pieces of bindin on the headstock - basically, every sharp corner is a joint. I use the binding paste (binding melted in acetone) for glue on the binding. I make sure I get lots in the joints - it melts them together seamlessly.

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  • 2 weeks later...

I will post some pictures on how I do the carved top with the belt sander.

I have started finishing these guitars. I decided on fireburst for the doublecut:

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Here is the top stained yellow with a couple of coats of sealer:

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I am doing the double cut in desert burst:

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Here is the top stained amber with sealer:

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Next step is to grain fill the mahogany.

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I finished grain filling the mahogany with dark brown filler, sanded and another coat of sand and seal. A little more sanding and then I can do 3 coats of clear, add the burst, then 12-15 more coats of clear...then wait a month for the nitro to cure...the mahogany with dark filler looks great. Although the body is redish in color and the neck is brown - same wood, different part of the tree I guess.

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Hey your guitars are looking awesome. I have a couple of quick questions for you. Did you mask the bindings or the body of the guitar at all before you dyed the top, or are you just really careful? On the same note, did you mask the top for the grainfill?

Thanks - I am into the clearcoating and the figure is really popping. I have tried dying both ways. This time i did not mask the binding and I applied the dye very carefully, making sure it did not run down the side or get on the mahogany - not worrying if it got on the binding. Then i scraped it off of the biding after it had dried. This took a while though - might have been easier to mask off the binding - but either way works for me.

For the grain filling - first I applied 2 light coats of sand and seal over the whole guitar, mask the bindings and then add the grain filler. This causes a buildup of filler along the tape. After drying I remove the tape and sand the filler back with 320 grit until I start seeing the white residue of the sand and sealer. This takes off the build up where the masking was and removes any extra filler. then i go back and sand the binding with 400 grit to clean it up - not worrying if I go through the sand and seal. Hope this helps - not sure if it is the right way to do it, but it works for me.

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