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My "new" Design


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Hello all,

I've lurked here for a while, thought I would post my current project and get some opinions. There's nothing really new here, just a shape I drew inspired by a lot of guitars I've seen and liked. It will be a hollow-body, similar to the Myka Dragonfly guitars. Top and back are walnut, middle is hollowed out african mahogany. The neck is bocote with a camarillo fretboard. It is 25" scale, 22 frets. Will have a TOM bridge and string-through. Not totally sure about the pickups yet, but leaning towards a benedetto humbucker in the neck position, and .... something else.... Ideas? I'm after a versatile jazz type guitar, and just experimenting too.

Here is the neck and part of the body:

_IGP6336.jpg

I am trying out putting the access panel in the side rather than the back.

And the walnut top, I've since added 3-layer binding - white beach, walnut, white beach (about 0.03" per strip):

Copyof_IGP6365.jpg

And a couple more of the neck:

_IGP6343.jpg

One more fret to install, ran out of fretwire.

copyof_IGP6338.jpg

As I wrap this one up, I am starting a 27.5" scale 7 string version, though I may wait a bit and see if I learn anything here that I want to apply on the next one.

Anyway, thanks for looking. Let me know what you think of it.

srt

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Something about the shape reminds me of a Fender J-bass. The woods all look nice and I LOVE that bocote neck! I can't wait to see this one come along. :D

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Thanks for the comments! I am a little worried about the wavy grained neck moving, but I put in two 1/8"x3/8" graphite rods, so I hope it will be ok. Hmm... P90's... I'll look into those.

Planning holes something like this:

body1_withholes.jpg

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I've started on the 7 string version. This one will have the same body shape, 27.5" scale, bubinga top, the neck is something I found called monterillo (I think it's a rosewood, can't find anything about it, looks cool though) with a cocobolo fretboard. I screwed up on the fretboard, I nearly sanded the fret slots out. I don't want to take the binding off to fix it, so I'm searching for a good way to re do the slots, any help?

Here is the neck part way done:

copy_IGP6379.jpg

copy_IGP6381.jpg

I love how cocobolo will polish! It's like a mirror:

http://i331.photobucket.com/albums/l464/sc...opy_IGP6374.jpg

Edited by srt
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I've started on the 7 string version. This one will have the same body shape, 27.5" scale, bubinga top, the neck is something I found called monterillo (I think it's a rosewood, can't find anything about it, looks cool though) with a cocobolo fretboard. I screwed up on the fretboard, I nearly sanded the fret slots out. I don't want to take the binding off to fix it, so I'm searching for a good way to re do the slots, any help?

stew mac sell a little saw for doing jsut that but i made my own.

get a micro saw or a gents saw and using a dremel cut all of the blade off down to the spine of the blade appart from the last inch.

you should end up with a long handle with an inch long saw on the tip.

you can use this to deepen the frett slots.

heres the link to the stewmac one.

http://www.stewmac.com/shop/Fretting_suppl...Refret_Saw.html

you should be able to get a gent saw for about a quarter of that price and you will end up with exactly the same tool.

Dickie

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  • 2 months later...

OK,

Some more progress on the 6 string. I've been moving much more slowly on these than I intended, busy summer...

Anyway, I have it put together as sort of a mock up. The carving on the top (inside and out) is finished, the top is glued to the center, neck pocket is cut, and neck is temporarily screwed in place (it will be glued for final installation). Bridge is in, pickups installed (SD Jazz in the neck and JB in the bridge). I'm working on a piezo set up. I'm getting decent results with a radio shack buzzer and this preamp (http://www.till.com/articles/GuitarPreamp/). So far, it sounds great and plays well. With a little time spent, I think it will setup perfectly.

Still left to do: Binding on the sound hole, a back plate, glue the neck in, sand the edges of the center/back to match the top, shape the heel area, finish sand and lacquer.

_IGP6862_small.jpg

_IGP6864_small.jpg

_IGP6866_small.jpg

_IGP6867_small.jpg

Let me know what you think! (Ignore the rat's nest wiring, it's just for testing purposes...)

srt

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The work you've done looks REALLY nice. But... Looking at it more from when you started, the bottom looks unbalanced to me.

Thanks for looking and I appreciate the opinion. What do you mean by unbalanced? The non-symmetry at the bottom is intentional (I like it that way), is that what you mean? Or do you mean it's just kind of "off" somehow?

I kind of think the top of the body and neck should be rotated counter-clockwise just a little, keeping the unsymmetry in the bottom, but maybe the bridge is just a touch too high. Just gives me a reason to build another one, I suppose if I built a perfect one, it would be time to stop!

-srt

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From the last pic, the bottom looks like it was all pushed over to the right. If that's the way you intended it, mission accomplished. Perhaps if the top were pushed to the left it's be more balanced visually.

It's a concept from visual design classes. People need balance. Even those who abhor even, paralell symetry need a balance to even things out. There needs to be a certain level of symmetry or balance to a composition. Unbalanced weight is just that - unbalanced. Lack of balance in a composition throws the whole thing off.

For uneven balance, consider the explorer. There is a LOT more body at one corner than the other. It looks right because the trebel horn sticks out for a visual balance. The two horns on a Strat or PRS are like that too. One is longer, but there's something to balance out the weight.

Like I said, the work looks top notch. It's just lopsided visually.

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My gut reaction is the same as avengers's--it looks off-balance (though I do like it). I think your guitar is "radially symmetrical" around a point ~2-3' below the treble side ("towards the floor" if playing it on a strap). Most guitars are symmetrical around the centerline--even the "offset" ones like the Jazz bass, Explorer, etc. They all have something on the other side of the centerline to balance them out. One way to work this out is to have the headstock "flow out of" the shape and help balance the guitar. Your headstock is awesome, but seems to follow the traditional "symmetrical to centerline" design rather than matching the body's symmetry reference....

Does that make sense?

Regardless, it's a cool design and the woods really work well with it. And one more thought... another soundhole on the treble side of the body would REALLY alleviate things.

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Avenger, Geo,

Gotcha. I think I sort of agree. The "flow" of the thing doesn't work quite as well as in my sketches, I still haven't quite put my finger on it... I'm thinking either rotating the neck CCW or sliding it to the right (down if your standing up) would help, or maybe the left side of the lower body needs to swell a little more... Regardless, I'm pretty happy with how it's turning out. The second sound hole on the bottom was originally planned (you can kind of see the pencil marks in one of the pics), I had almost decided that I couldn't fit it in, I'll revisit that. Thanks for the advice and kind words.

-srt

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  • 2 weeks later...

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