Jump to content

"Fish On" Fretless Bass Project


Recommended Posts

4 hours ago, mistermikev said:

I guess I feel that stuff is a bit like eq... should be a last resort.  I hope that as I get more experience monkeying with the iso and aperture I'll arrive at brighter looking photos at the start...

I beg to disagree. Post processing has been widely used and accepted from the start of photography. With film the post processing starts during developing the film as the choice of chemicals and the time used affect the end result, not to mention making paper copies of the negatives. They all affect to clarity, crispness, colour depth, contrast and whatnot. With digital cameras an image processing program is just your photo lab, nothing more.

As with any photo you can do all sorts of tricks to your photos. In the black and white era colouring some most valuable photos was common, now we may make digital colour photos black and white to make them stand out. Similarly you use all sorts of effects to make your guitar sound "good". If post processing were a bad thing, shouldn't using any effect, pedal or rack, be avoided as much as possible? Compressors, limiters, tube screamers all can be used to add presence even to a clean sound. Why would digital photography be any different? Doing some Andy Warhol type stuff on a photo is one thing, enhancing the image to improve it is another. Speaking about EQ, I guess colour correction would be comparable to that. Why would it be a sin? The manufacturers have different settings in their cameras, pictures of a Nikon are bluer than those of a Canon. Same thing with films, some are more saturated than others. As long as you're just trying to make the photo look like what you see you're not lying! And even exaggerating with the crispness and colour depth you most likely can't catch the liveliness of the wood, the chatoyance and warmth.

Perfect focusing is preferable and admittedly using the right aperture and shutter speed can do magic for contrast but I wouldn't call post processing cheating. Actually it's better to have the backdrop show and add contrast afterwards than have all the dark areas underexposed and lose some details. Similarly you don't want to overexpose your images with large white spots "burned through".

The video is nice in a good homecooking way. It makes me want to build a bass - and learn to play it too... The only slightly disturbing thing is the background hiss of your vocal parts.

 

  • Like 1
Link to comment
Share on other sites

1 minute ago, Bizman62 said:

I beg to disagree. Post processing has been widely used and accepted from the start of photography. With film the post processing starts during developing the film as the choice of chemicals and the time used affect the end result, not to mention making paper copies of the negatives. They all affect to clarity, crispness, colour depth, contrast and whatnot. With digital cameras an image processing program is just your photo lab, nothing more.

As with any photo you can do all sorts of tricks to your photos. In the black and white era colouring some most valuable photos was common, now we may make digital colour photos black and white to make them stand out. Similarly you use all sorts of effects to make your guitar sound "good". If post processing were a bad thing, shouldn't using any effect, pedal or rack, be avoided as much as possible? Compressors, limiters, tube screamers all can be used to add presence even to a clean sound. Why would digital photography be any different? Doing some Andy Warhol type stuff on a photo is one thing, enhancing the image to improve it is another. Speaking about EQ, I guess colour correction would be comparable to that. Why would it be a sin? The manufacturers have different settings in their cameras, pictures of a Nikon are bluer than those of a Canon. Same thing with films, some are more saturated than others. As long as you're just trying to make the photo look like what you see you're not lying! And even exaggerating with the crispness and colour depth you most likely can't catch the liveliness of the wood, the chatoyance and warmth.

Perfect focusing is preferable and admittedly using the right aperture and shutter speed can do magic for contrast but I wouldn't call post processing cheating. Actually it's better to have the backdrop show and add contrast afterwards than have all the dark areas underexposed and lose some details. Similarly you don't want to overexpose your images with large white spots "burned through".

The video is nice in a good homecooking way. It makes me want to build a bass - and learn to play it too... The only slightly disturbing thing is the background hiss of your vocal parts.

 

well... not indicating post processing is bad at all, nor arguing that post processing isn't a thing... it's also a thing in audio.  Esp now-a-days where you can literally do anything post.  that said my main reason for not wanting to do it is effort.  it'd be best for me if I don't have to touch each picture after!  mostly cause I'm lazy!!

I've taken some courses on audio engineering and for the eleventy hours I spent... one thing stuck w me... and that is that "EQ is something you use when you didn't get a good capture".  granted the two mediums are very different and with audio it's very hard to put back what isn't there... but I imagine photos have their best shot at looking natural with that initial capture. altering pixels via an algorhythm has it's limitations.  that said, my main reason for avoiding is effort.  Some of my shots there had better brightness and I feel like I just need to do more of whatever I did there!  

the video: man... visually it is just terrible.  all washed out.  have a lot to learn there.  i should have pointed my desk lamps up at the wall.  need to diffuse my overheads a lot more... but alas... I'm just a novice.  on the bright side: lots of room for improvement!

anywho, I do appreciate the detailed feedback.  thank you.

Link to comment
Share on other sites

2 hours ago, mistermikev said:

I imagine photos have their best shot at looking natural with that initial capture. altering pixels via an algorhythm has it's limitations.  that said, my main reason for avoiding is effort.

Effortless is  what I prefer as well. Then again, adjusting contrast doesn't take much time. The left side required two mouse clicks to darken the backcloth beyond showing the cat hair, my goal was to keep the wood natural. As said, I added 10 notches of contrast and lowered brightness by the same amount. It looked basically the same with just adding 15-20 notches of contrast.

  • Like 1
Link to comment
Share on other sites

33 minutes ago, Bizman62 said:

Effortless is  what I prefer as well. Then again, adjusting contrast doesn't take much time. The left side required two mouse clicks to darken the backcloth beyond showing the cat hair, my goal was to keep the wood natural. As said, I added 10 notches of contrast and lowered brightness by the same amount. It looked basically the same with just adding 15-20 notches of contrast.

dang... how far did you zoom in to see cat hair (or are my eyes just really THAT bad lol!  I know it was there... I do have 6 cats... but I didn't think it was so obvious lol!

Link to comment
Share on other sites

10 hours ago, mistermikev said:

dang... how far did you zoom in to see cat hair (or are my eyes just really THAT bad lol!  I know it was there... I do have 6 cats... but I didn't think it was so obvious lol!

Well, I do have my browser set at 110% and I have a 30" monitor and I use +1 reading glasses. The cat hair are visible without any zooming in that very photo I adjusted. Being a nitpicky old fart I've learned where to look!

  • Like 1
Link to comment
Share on other sites

Pics are fine. I don’t want to get too deep into studio photography but since there is discussion about the black background I think I can say a word about it. In studio if you want a black background you almost never use a black backdrop. As we know the brightness of the light decreases as the inverse square of the distance. So to achieve a very dark background you can use a light colored backdrop as long as the object to be photographed is well separated from the background. This way the blacks get less murky and you can light the sides and the back of the object. This gives a good edge separation and brings out the form better. Also you don’t have any cat hairs or wrinkles in the picture. Of course this means that you have to support the guitar somehow and you need some space too.

  • Like 1
Link to comment
Share on other sites

3 hours ago, Bizman62 said:

Well, I do have my browser set at 110% and I have a 30" monitor and I use +1 reading glasses. The cat hair are visible without any zooming in that very photo I adjusted. Being a nitpicky old fart I've learned where to look!

right on, given the number of cats in my house... I guess there's gonna be cat hair in my future pics!  perhaps I should have switched to the faux leather background.

Link to comment
Share on other sites

2 hours ago, henrim said:

Pics are fine. I don’t want to get too deep into studio photography but since there is discussion about the black background I think I can say a word about it. In studio if you want a black background you almost never use a black backdrop. As we know the brightness of the light decreases as the inverse square of the distance. So to achieve a very dark background you can use a light colored backdrop as long as the object to be photographed is well separated from the background. This way the blacks get less murky and you can light the sides and the back of the object. This gives a good edge separation and brings out the form better. Also you don’t have any cat hairs or wrinkles in the picture. Of course this means that you have to support the guitar somehow and you need some space too.

well, the guitar here is elevated 1' off the background using bench buscuits... but probably more would be better.  Have oft thought about using 100lb test fishing line and hanging it in front of a window... might try that sometime.  have also considered a green backdrop... but that means some def post work.  

 

 

thanks for the replies everyone!

Link to comment
Share on other sites

1 hour ago, Andyjr1515 said:

That is breathtaking @mistermikev     It is off the scale. 

If you haven't already done so, I think you should put it forward to No Treble in their 'Bass of the Week' feature.   

thank you!  that means the world to me.  I appreciate the vote of confidence too!!

  • Like 1
Link to comment
Share on other sites

  • 1 month later...
52 minutes ago, JGTay said:

ty.  I think @Andyjr1515 ? maybe mentioned it to me... that I should submit... and at the time I was a bit embarrassed that I had submitted a couple weeks before and never heard anything... so assumed I lost.  Then out of the blue I got an email.  very nice surprise.

  • Like 1
Link to comment
Share on other sites

8 minutes ago, Andyjr1515 said:

...and this has to be one of the best bass-of-the-week winners for years!!   Those photos are superb. 

well that's nice to hear even if it isn't true.  yourself included, I'm just honored to be among so many builds I've admired!

Link to comment
Share on other sites

  • 3 weeks later...

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

×
×
  • Create New...