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Dont Try This At Home..


TeiscosRock

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:D

The world will never see another one, since it's a "one-off" by a guy who's also doing a prototype Robert Fripp. (not a prototype "for" Robert Fripp, of course)

Greg

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The person who customised this guitar is currently building a prototype Robert Fripp .

Should have read...."The person who customised this guitar has been beaten with a stick." :D

Southpa,

Beating this guy with a stick would be a waste of a perfectly good stick.

d ward

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I'm at a loss. Duct tape finish? Christ, I dunno, my faith in man kind was diminished just looking at that.

whats wrong with a duct tape finish? i have a guitar with a duct tape finish and its a really fun guitar. the reason i finished it with duct tape was because the guitar was sitting in my closet because there was no finish on it, and its not a good enough guitar to waste 60 dollars on painting it. so i duct taped it, and it sounds, plays, and looks great, except for a crooked neck pocket that was my fault and thats why i didnt finish it for real.

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Beating this guy with a stick would be a waste of a perfectly good stick.

Break out the Louisville slugger and you'll be fine. Always remember to use the right tool for the right job. :D What an abomination. I think I'm going to be ill...

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I wouldn't beat this guy up. A waste of my crafty hands lol. I'll strap him down and let the CNC do the work ensuring that his organs are intact but skinless. THen i'll turn him into a a block of man-made AAAAA flame koa with a big food blender.

lol. haha. Sounding very evil now. Not my intention really.

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The old Ibanez Noodles Signature model had a duct tape finish too (the NDM1). Not surprisingly it is not in their catalog anymore :D

Ahem, perhaps so, but they are still producing it, along with a new Noodles sig (NDM2), which funilly enough is not covered with duck tape!

http://www.imuso.co.uk/images/Product/EG01071.jpg

Yeah, that's what I meant... But I didn't know they are still producing it this year...

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my god, its terrible!!!!!!!!!!

I have an Ibanez RG570 that I picked up off ebay that's in even worse shape than that. I wept when I opened the box and saw what the idiot had done to it. It was clear it had been "one-offed" by the previous owner, but the extent to which it had been done was not obvious until I opened in the box. I should post pictures, but I'm in the middle of moving (why I'm not around so much these days).

GBT

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I can't seriously believe he used Robert Fripp's name in the same ad as that neanderthalithic miscreation of nature and misuse of science-at-large.

Here are a few verbal meandering's of one Mr. Fripp, an exemplary guitarist:

___________________________________________________

The Road To Graceland.

by Robert Fripp

Music is a process of uniting the world of qualities and the world of

existences, of blending the world of silence and the world of sound.

In this sense, music is a way of transformation.

What we do is inseparable from how and why we do what we do.

So, the transformation of sound is inseparable from a transformation of

self.

For example, we attract silence by being silent.

In our culture, this generally requires practice.

Practice is a way of transforming the quality of our functioning, that is,

a transformation of what we do.

We move from making unnecessary efforts, the exertions of force, to making

necessary efforts: the direction of effortlessness.

In this the prime maxim is: honor necessity, honor sufficiency.

II

When we consider our functioning as a musician, that is, what we do in

order to be a musician, we find we are considering more than just the

operation of our hands.

The musician has three instruments: the hands, the head and the heart, and

each has its own discipline.

So, the musician has three disciplines: the disciplines of the hands, the

head and the heart.

Ultimately, these are one discipline: discipline.

Discipline is the capacity to make a commitment in time.

If the musician is able to make a commitment in time, to guarantee that

they will honor this commitment regardless of convenience, comfort,

situation and inclination of the moment, they are on the way to becoming

effectual.

An effectual musician is a trained, responsive and reliable instrument at

the service of music.

III

So, practice addresses:

1. The nature of our functioning; that is, of our hands, head and heart.

2. The co-ordination of our functioning; that is our hands with head, our

hands with heart, our heart with head, and in a perfect world, all three

together in a rare, unlikely, but possible harmony.

3. The quality of our functioning.

IV

It is absurd to believe that practising our instrument is separate from

the rest of our life.

If we change our practice, we change our lives.

Practice is not just what we do with our hands, nor just how we do what

we do, nor why we do what we do.

Practice is how we are.

V

A practice of any value will be three things:

1. A way of developing a relationship with the instrument;

2. A way of developing a relationship with music;

3. A way of developing a relationship with ourselves.

So, the techniques of our musical craft are in three fields: of playing the

instrument, of music and of being a person.

I cannot play guitar without having a relationship with myself, or with

music.

I cannot, as a guitarist, play music without having a relationship with

myself and my guitar.

And, by applying myself to the guitar and to music, I discover myself

within the application.

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