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I think I'll make a green one.


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8 hours ago, ScottR said:

The little slice I cut off making the nut angle didn't get destroyed. I have to flip it over to keep the angle correct.

That's not a repair, that's a thing to stabilize the nut slot with a counteracting slice to prevent a potentially warping headplate from nudging the nut out of its place! Neatly done!

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7 hours ago, Bizman62 said:

That's not a repair, that's a thing to stabilize the nut slot with a counteracting slice to prevent a potentially warping headplate from nudging the nut out of its place! Neatly done!

Yeah, that's right.....that's what it is all right.... sure!

I promise you one thing. It will be invisible before it's all said and done.

:angry:

SR

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4 hours ago, killemall8 said:

Your carving skills and hand tool skills still blow my mind!
Ive been wanting to get into making things other than guitars as well. cant wait to see the rest of it scotty!

Thanks Luis!

You should try some side projects just for the variety. If nothing else it lights the fires for building more guitars while you're side-tracked. And with the crazy hig bar you've been setting with your guitars, your side projects are sure to be stunning.

SR

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2 hours ago, ScottR said:

Thanks Luis!

You should try some side projects just for the variety. If nothing else it lights the fires for building more guitars while you're side-tracked. And with the crazy hig bar you've been setting with your guitars, your side projects are sure to be stunning.

SR

I'll definitely start off more basic than a burl table with carved stand haha

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9 hours ago, Andyjr1515 said:

Excellent tip in terms of using an old plane with the perspex block for flat sanding...which I find a real challenge.  I have an old plane in the cupboard - consider the idea stolen! :D

Andy, that may be the most useful idea I've ever had. The weight makes hand pressure unnecessary....and reduces the temptation to add it anyway. Between that and the wide stable base, it reduces the occasions of rolling off the edges of the piece you're sanding. And those nice sharp edges are what make glue lines disappear.

SR

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9 hours ago, ScottR said:

Time to carve the headstock.

You make it look as easy and fast as the "spindle sander with a guiding block" method we mere mortals use!

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5 hours ago, Andyjr1515 said:

I can see the finished headstock already in my minds-eye and it will be knockout.   There is something quite special about that forward carve at the back of the headstock.

Thanks Andy. I rather like the way that S curve turned out.

SR

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Then I fretted it with EVO. I haven't used anything other than SS for years. It was cool to be able to cut the frets with regular fret trimmers, but the stuff felt a little brittle compared to stainless.

This is something I should have gotten years ago!

DSC04463.JPGDSC04464.JPGDSC04465.JPGDSC04467.JPG

I just barely started evening up the fret ends, and then called that a stopping point.

SR

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2 minutes ago, ScottR said:

Yeah, rosewood is wonderful stuff.

Did you ever pick up any of your local Arizona Rosewood?

SR

matter of fact I did.  have a chunk sitting there and was thinking I might use it for yet another les paul.  

rosewood... ah yes... that purple... beautiful stuff!

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How on Earth can you keep all that shiny wood intact during the rest of the process??? I wouldn't dare sanding the headstock shiny as it would be filled with scratches and nicks during the neck carving process... Or maybe I just store my projects sloppily...

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6 hours ago, Bizman62 said:

How on Earth can you keep all that shiny wood intact during the rest of the process??? I wouldn't dare sanding the headstock shiny as it would be filled with scratches and nicks during the neck carving process... Or maybe I just store my projects sloppily...

I have never. Ever, Not even once have a fretboard survive booger free after doing it this way. But I want to put the frets in while the neck is still flat. So the fretboard has to be as close to finished on the surface as I can before fretting.....because that's nearly impossible after fretting. And for me shaping the fret ends is part of the neck carving process and for me the neck profile begins at the rollover on the edge of the fretboard, not under it. Once the neck is shaped and the frets are dressed, I'll tape them off until the thing is assembled and the body is shaped. I'll do the finish sanding on the headstock, neck and body all at the same time, and uncover the fretboard to see what kind of boogers I have to fix.....

SR

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